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Which clippings match 'Italy' keyword pg.1 of 3
28 DECEMBER 2016

Michael Moore: Why Finland has the Best Education

"Where To Invade Next is an expansive, hilarious, and subversive comedy in which the Academy Award®-winning director, playing the role of 'invader,' visits a host of nations to 'steal' some of their best ideas and bring them back home to the U.S. of A."

Extract from Michael Moore's 2015 film "Where to Invade Next".

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TAGS

2015academic achievementAmerican dreambest practicescitizenship • civics • documentary film • duties of citizens • education policyeducation systemeducational modelexemplary models • failure of performance testing • feature documentary • find your happiness • FinlandFranceGermany • great education • homework • human rights and duties • IcelandItaly • Krista Kiuru • Michael Moore • national best practices • Norway • operation and oversight of government • performance metrics • performance testing • performativityplaytime • political provocateur • Portugalschool performanceSloveniastandardisationstandardised testingstudent-centredteaching to the test • togetherness • Tunisia • Where to Invade Next (2015)

CONTRIBUTOR

Simon Perkins
09 JUNE 2015

Compelling motion infographics: The Fallen of World War II

"The Fallen of World War II is an interactive documentary that examines the human cost of the second World War and the decline in battle deaths in the years since the war. The 15-minute data visualization uses cinematic storytelling techniques to provide viewers with a fresh and dramatic perspective of a pivotal moment in history."

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TAGS

23 • 80 • Africa • AlteredQualiea • Andy Dollerson • Aotearoa New Zealand • Auschwitz-Birkenau • AustraliaAustriaaverage age • battle deaths • Belgium • Belzec • British colonial era • BurmaCanadacasualties • Chelmno • civilian deaths • concentration camp • cost of war • counting the numbers • course of historyD-Day landingdata visualisation • data-driven documentary • death campDenmark • Eastern Front • Estonia • firebombing • Francefutility of wargas chambergassingGreecehistorical perspective • human cost of war • HungaryIndiaIndonesiainfo graphicsinteractive information designItalyJapanJewish HolocaustKoreaLatviaLithuania • long peace • Luxembourg • Majdanek • military conflictMyanmarNazi Germany • Neil Halloran • Netherlands • North American historical perspective • Norwaynumerical scalesOkinawa • Omaha Beach • Pacific Rim • Pacific War • peace • Pearl Harbor • Peoples Republic of ChinaPeoples Republic of PolandPhilippinespicture statisticsPolandRomania • Siege of Leningrad • Slovakia • Sobibor • Soviet armySoviet Russia • Stalingrad • statistical graphics • Steven Pinker • Treblinka • UKvisual information designwarwar crimes • Western Front • World War II • Yellow River • Yugoslavia

CONTRIBUTOR

Simon Perkins
09 NOVEMBER 2013

Superstudio: the radical Italian architectural group

"The collective emerged in 1966 at the moment when the technocratic optimism of the first half of the 1960s was souring. The watershed was the beginning of the Cultural Revolution in China in 1966 when Mao Tse–tung gave Western intellectuals a new cause to believe in after a decade of disillusion since their faith in communism was shattered by Khrushchev's exposure of Stalin's brutalities. Events in China made Western society seem spiritually barren at a time of growing concern about the Vietnam War. In the visual arts, radicals rebelled against the extrovert imagery of Pop Art in favour of the politically engaged work of Fluxus artists like Joseph Beuys and Nam June Paik. The rising tide of political frustration culminated in the 1968 student riots in Paris and copycat protests in London, Tokyo and Prague. Women formed fledgeling feminist movements such as the Women's Liberation Front in the US and Mouvement de Libération des Femmes in France. Decades of oppression against gay men and women erupted in a pitched battle in New York, when the police tried to close the Stonewall, a gay bar in the West Village and a politicised gay rights movement exploded.

Superstudio's response was to develop its 'Anti–Design' projects: themes from which were echoed in the work of other radical architects and designers, notably the members of Archizoom, a fellow Florentine group consisting of Andrea Branzi, Gilberto Corretti, Paolo Deganello, Dario and Lucia Bartolini and Massimo Morozzi. Both groups were founded in 1966 and their first important project was to express their theories about the crisis of modernism in the Superarchitecture exhibition in Pistoia, Italy. A year later, they refined the ideas aired in Superarchitecture in a joint follow–up show in Modena."

(Design Museum)

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TAGS

1966 • Adolfo Natalini • Alessandro Magris • Andrea Branzi • Anti-Design (agenda) • Archigram • architectural thinking • Archizoom • avant-garde • avant-garde thinking • Cristiano Toraldo di Francia • Cultural Revolution • Dario Bartolini • design museum • disillusionment • FlorenceFluxus group • Foreign Office Architects • Gilberto Corretti • ItalyJoseph Beuys • Lucia Bartolini • Mao Tse-tung • Massimo Morozzi • Modena • modernismmodernist ideals • Mouvement de Liberation des Femmes • Nam June PaikNikita Khrushchev • Paolo Deganello • Peoples Republic of Chinaphotocollage • Piero Frassinelli • Pistoia • political frustration • pop artPragueradical architecture • radical design • Rem Koolhaas • Roberto Magris • scientific method • Studio Alchymia • Superarchitecture (exhibition) • superfluous objects • Superstudio • technocratic optimism • Toraldo di Francia • University of Florence • Vietnam war • visionary scenarios • visual arts • vociferous • Womens Liberation Front

CONTRIBUTOR

Simon Perkins
22 OCTOBER 2011

A mixtape of animation and musical styles

"To celebrate the Red Bull Academy World Tour, the Academy produced a music film that encompasses musical styles from around the world.

Berlin: The soundtrack for this clip is inspired by one of Hansa's iconic album's Iggy Pop's Lust for Life. Like the creation of the music in the studio, the cityscape is built from the many organic, analogue musical artifacts used in the recording studio. Tape creatures climb across the concrete city jungle towards the Berlin Wall–a nod to the studio's physical location.

Paris: The visual inspiration for the Parisian leg of the tour is an collision between the flesh and blood textures of the African soul and funk that comprised the concert, and the architectural backdrop of Paris–the home of the Afrobeat Picks event. Musically, the rhythm builds and the acoustics echo and bounce off the city walls as we travel across the avenues.

Detroit: Inspired by the Detroit automotive industry, from the start the viewer is immersed inside the iconic TR 909 drummachine–a nod to the intersection of man and machine central to the city's musical innovation. As we travel through a CG circuit board city, the cyclical nature of the assembly line process is increasingly apparent transitioning us from the hey days of Motown R&B to the minimal stylings of techno. The theme of repetition was also carried through to the construction of the musical score.

Toronto: The animation style here is directly referenced from the iconic soundclash album Scientists meets the Space Invaders. The four superhero characters battle it out across the streets of Toronto–each one representative of one of the four soundclash crews competing in this event, Afrika Bambaataa's Zulu Nation, Mad Decent, LuckyMe and Toronto All Star. The beginning of the battle is marked by the sound of the airhorn, a nod to the dancehall musical score underpinning this piece.

Melbourne: The bright, visually rich palette of this section is inspired by the coastal location of Melbourne city. Like the experimental nature of the event itself, the narrative of this film explores the relationship between sound and space. The audio of the Melbourne tram chimes set off a wave of fluid illustrated animations that bounce around the screen, visually inspired by traditional aboriginal paintings.

New York: When hip–hop first emerged in the 70s it was the ghetto blaster that amplified the sound of New York streets to the world. To pay hommage, the setting of this film was built from the original tape deck devices. We see a Hudson River constructed of unwound mixtapes. The trains all disappear to one of the five boroughs, a nod to the albums and boroughs celebrated in this event.

Rome: Italy and the Cinecitta studios are credited for producing some of the most influential cinematic masterpieces ever. To celebrate this we created a film that paid tribute to the different genres, from comedy to spaghetti western, 70s cop films & blood–filled horror flicks to psychedelic animations, in one narrative mash–up. A Spaghetti Western inspired track provides the aural backdrop as we pan across the scene culminating in a classic Sergio Leone shot. Along the way we reveal a chaotic assortment of villains, ghouls and policeman all participating in one comedic battle conducted to the tunes of a dead Mexican mariachi band.

London: Inspired by the event theme, Revolutions in Sound, we wanted to create a dominating creature that visually embodies the innovative qualities of the event itself. As the camera cuts around the robot's CG body we see it is inspired by components of modern London architecture. His head is a pulsating subwoofer, an iconic musical artifact central to London's influential bass music scenes and inside his chest we see the magnificent London Eye, the heart of the event itself."

(Red Bull)

Fig.1 'Red Bull Academy World Tour' (2011). Passion Pictures

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TAGS

20112D3D • airhorn • animation • animation style • architectural backdrop assembly line • automotive industry • BerlinBerlin WallCGcircuit boardcitycityscapecoast • concrete jungle • cut-up • dancehall • Detroitdrum machine • ghetto blaster • hip-hophommageIggy PopItalyLondon • London Eye • low-fiMelbournemixtapeMotownmusic videomusical scoremusical stylesNew YorkParisPassion Picturespsychedelic • Red Bull • Red Bull Academy World Tour • repetition • Revolutions in Sound • robotRome • Sammy Bananas • Sergio LeoneSpace Invadersspaghetti westernstop motionsuperherotape deck • techno • Toronto • TR 909 • tram

CONTRIBUTOR

Simon Perkins
04 AUGUST 2011

Density Design: a Politecnico di Milano research lab

"DensityDesign is a Research Lab in the design department (INDACO) of the Politecnico di Milano. It focuses on the visual representation of complex social, organizational and urban phenomena. Although producing, collecting, and sharing information has become much easier, robust methods and effective visual tools are still needed to observe and explore the nature of complex issues.

Our research aim is to exploit the potential of information visualization and information design and provide innovative and engaging visual artifacts to enable researchers and scholars to build solid arguments. By rearranging numeric data, reinterpreting qualitative information, locating information geographically, and building visual taxonomies, we can develop a diagrammatic visualization – a sort of graphic shortcut – to describe and unveil the hidden connections of complex systems. Our visualizations are open, inclusive, and preserve multiple interpretations of complex phenomena.

DensityDesign is committed to collaborating with other researchers and organizations devoted to academic independence and rigor, open enquiry, and risk taking to enhance our understanding of the world."

(DensityDesign, Design Research Lab)

Fig.1 "Cooperative Design Knowledge "

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CONTRIBUTOR

Simon Perkins
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