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Which clippings match 'Proposals' keyword pg.1 of 1
09 NOVEMBER 2013

Design Fiction as Pedagogic Practice: Towards a fictionally biased design education

"My challenge is how to construct and design an educational curriculum that develops the wide range of skills and knowledge it takes to be a designer, whilst opening up a space for our students to push the boundaries of our discipline. By focussing on the speculative and fictional, design is no longer constrained by the practical reality of todays material and economic restrictions. The part of our curriculum that concentrates on the fictional, pulls important parts of design practice into focus; narrative construction, user interactions, representations of affect, communication and contextualisation. We train designers to become fluent in the operational mechanics of their practice."

(Matt Ward, 17 July 2013)

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TAGS

acting out • Archigram • behavioural trajectories for action • design artefactsdesign curriculumdesign educationdesign fictiondesign futuresdesign proposalsdesign speculationdiegetic • diegetic prototype • discarded designs • engaging stories • experimental design • fiction and speculation • fictional futures • fictionalisationimaginationimaginative storiesimagined possibilitiesimagining • Madeleine Akrich • manifestonew forms of interactionproposalspushes boundariesspeculative designspeculative proposalsSuperstudio • transformative potential • unread • user interactions • vapourware

CONTRIBUTOR

Liam Birtles
19 SEPTEMBER 2013

Designs for Great Architectural Landmarks that Were Never Built

"If you're writing an alternate history, these would be the buildings you'd want to include. They're the discarded designs for famous landmarks." (Vincze Miklós)

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TAGS

Adolf Loos • architectural landmark • British Eiffel Tower • Bruno Tautbuildingsclassical formcultural historydesign proposalsdiscarded designsEiffel Tower • famous landmarks • fantastic architecture • Great Tower of London • Joseph Marzella • Kurz Schutz • landmarks • Lincoln Memorial • modernist architecturemonumentneoclassicism • plans • proposalsshapesketchesskyscraperspeculative architecture • Sydney Opera House • The Metropolitan Towertower • Tower Bridge (London) • Trafalgar Square (London) • Unbuilt Washington (exhibition) • Walter Gunther • Washington Monument • White House

CONTRIBUTOR

Simon Perkins
04 MAY 2013

Consultation to reclassify and measure the UK Creative Industries

"The purpose of this consultation is to update the DCMS Creative Industries classification and we are inviting input from interested parties. We have been engaging with industry and partner organisations over potential changes via a Technical Working Group of the Creative Industries Council and are now at a point where we would like to go out to consultation and seek wider views.

We have been working with partners (NESTA, Creative Skillset and Creative and Cultural Skills), to review and update the classification used in the DCMS Creative Industries Economic Estimates (CIEE). We intend to use this review 'Classifying and Measuring the Creative Industries', referenced below, as an objective starting point to suggest which occupations and industries should be included in the updated DCMS classification.

The review uses the idea of 'creative intensity' (the proportion of people doing creative jobs within each industry) to suggest which industries should be included. If the proportion of people doing creative jobs in a particular industry is substantial, above a 30% threshold, the industries are candidates for inclusion within the Creative Industries classification.

Similar to the outlook in our current Creative Industries Economic Estimates, the 'creative intensity' approach focuses on industries where the creative activity happens. The intention is to produce a classification which provides direct estimates of employment and the contribution to the economy, with no double counting – rather than attempting to capture all activity further down the value chain, for example, retail activities. The classification generated in this way can be used as a starting point for indirect estimates which include wider economic effects along the supply chain.

Any approach has data and methods constraints, which may affect some industries more than others. These limitations are reflected in the consultation and consultees are invited to suggest alternatives, supported by evidence–based argument. Weaknesses in the underlying classifications and data used to construct these estimates, which are identified by users, will be fed–back to the organisations which set these standards and provide these data so that we can influence longer–term improvements."

(Department for Culture, Media & Sport, 19 April 2013)

TAGS

2013 • CIEE • classificationclassification scheme • Classifying and Measuring the Creative Industries • contribution to the economy • creative activity • Creative and Cultural Skills • creative industries • Creative Industries classification • Creative Industries Economic Estimates • creative intensity • creative jobs • creative occupations • Creative Skillset • data constraints • DCMS • DCMS Creative Industries Economic Estimates • Department for Culture Media and Sport (DCMS) • economic effects • estimate • estimation • evidence-based argument • government consultation • longer-term improvements • measurement • methods constraints • NESTAproposals • proposed changes • public consultationreview • SOC • Standard Occupational Classification • supply chain • Technical Working Group of the Creative Industries Council • UKUK Governmentvalue chain

CONTRIBUTOR

Simon Perkins
22 JULY 2011

Animate Projects: Digitalis Commissions

"Animate Projects, with support from the Jerwood Charitable Foundation, invites UK–based artists and animators to submit proposals for films that – in a broad sense – explore, question, subvert or confound our expectations of art and the 'digital'.

To apply, read the guidelines and download the submission form from the Opportunities section. The deadline for proposals is 4pm, 24 August 2011.

The Digitalis Commissions are part of Digitalis, a strand of activities for 2011 that focus on the potential of the digital space as a site for artistic production."

(Animate Projects)

Fig.1 Teaser for "AnimateTV – 20 Years of Experimental Animation from the UK" (DVD features acclaimed works by key figures in British artists' animation, including Phil Mulloy, Paul Bush, Sarah Cox, Tim Macmillan, Run Wrake, Petra Freeman, Ruth Lingford, Jonathan Hodgson, AL and AL, Keith Piper, Andrew Kötting, Semiconductor, Chris Shepherd, David Shrigley, Stephen Irwin and Simon Faithfull).

Fig.2 Young–Hae Chang Heavy Industries (2008). "I'm Sucking on a Tailpipe in Seoul"

TAGS

2011 • 4mations • AL and AL • Andrew Kotting • Animate Projectsanimated • AnimateTV • animationanimatorsbroadcastChannel 4 • Chris Shepherd • confounding • David Shrigleydigital spacedigitalis • Digitalis Commissions • expectations of art • experimental animationexplorefilmfilms • Jane Wilson • Jean-Gabriel Periot • Jerwood Charitable FoundationJonathan Hodgson • Keith Piper • live action • Louise Wilson • movie • Paul Bush • Petra Freeman • Phil Mulloy • proposals • questions of art • Run Wrake • Ruth Lingford • Sarah Cox • Semiconductor (animator) • Simon Faithfull • site for artistic production • Stephen Irwin • subversiontelevision • the digital • Tim Macmillan • time-slice • UK-based animators • UK-based artists • Young-Hae Chang Heavy Industries

CONTRIBUTOR

Simon Perkins
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