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Which clippings match 'Massimo Vignelli' keyword pg.1 of 1
19 SEPTEMBER 2014

New York City Transit Authority Graphic Standards Manual

"In the 1960s, the New York subways were a mess, sign–wise. Station names and metro lines were spelled out in a hodgepodge of sizes, shapes, and styles. The original mosaic tiles had been joined by cut stone and terracotta–all of which clashed with newer enamel signs. They were not only inconsistent in terms of style but also in where they were placed, so straphangers didn't know where to look for directions on how to get from point A to point B.

In 1970, following the merger of the IND and BMT lines, the Metropolitan Transit Authority (MTA) hired Massimo Vignelli and Bob Noorda, designers at the firm Unimark, to put an end to the typographic chaos. The system they devised still informs signs made today and is painstakingly outlined in a 174–page manual"

(Belinda Lanks, 15 September 2014, Businessweek)

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TAGS

1960s1970Bob Noorda • Brooklyn–Manhattan Transit • Christopher Bonanos • clashing design • communication designdestination identificationdirectional information • directions • fastidious detail • graphic communicationgraphic designer • Hamish Smyth • Helvetica • hodgepodge • inconsistencies • Independent Subway System (IND) • information design • instruction manual • International Typographic Style • Jesse Reed • Kickstarter • letter combination • manualMassimo Vignelli • merger • metro line • metro station • Metropolitan Transit Authority (MTA • Michael Bierutmodern design • modernist graphics • New York City • New York City Transit Authority Graphic Standards Manual • New York subway • Niko Skourtis • official font • organisation and communicationPentagram Designrationalisation • reissue • sans-serif typefacesignagesignage designsigns • spacing • spatial orientation • standards manual • straphanger • style guidesubwaysymbol system • system signage • train station • typographic chaos • typography • Unimark • wayfinding

CONTRIBUTOR

Simon Perkins
30 JUNE 2013

Display: a collection of rare mid 20th century graphic design books

"Display is a curated collection of important modern, mid 20th century graphic design books, periodicals, advertisements and ephemera. Documenting, preserving and providing public access to these original materials will raise the profile of Graphic Design as a source of educational, historical and scholarly analysis for teachers, students, designers and independent researchers. From the rational to the experimental to the playful–our collection is varied and represents a distinct point of view about mid–century graphic design, typography and beyond."

(Patricia Belen and Greg D'Onofrio)

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20th centuryadvertisement designadvertising designaestheticsAlan FletcherAlbe Steiner • Alberto Gennari • Aldo Calabresi • Alvin Lustig • Andreas His • Anthony Froshaug • Anton Stankowski • Antonio Boggeri • Atanasio Soldati • Attilio Rossi • Battista Pallavera • Ben Benn • Betoniere Magutt • Bob Noordabook cover designbook designBruno Munari • Carl Bernard Graf • Carlo Dradi • Carlo Pirovano • Carlo Vivarelli • Cinturato Pirelli • communication designcurated collectiondesign aestheticsdesign collectiondesign ephemeradesign for filmdesign formalism • Display (site) • Drei Mal Pro • Eckhard Jung • editorial design • Einladung • Elaine Lustig Cohen • Emil Ruder • Ennio Lucini • Enrico Bona • Enrico Kaneclin • Enzo Mari • Erik Nitsche • Eugenio Carmi • exhibition designformalist design aesthetics • Franco Grignani • Franco Maria Ricci • Fridolin Müller • Friedrich Vordemberge-Gildewart • Giancarlo Iliprandi • Giorgio Host-Ivessich • Giovanni Broggi • Giovanni Fraschini • Giovanni Frecchiami • Giovanni Pintori • Grafa International • graphic design • graphic design books • graphic design collectiongraphic design history • graphic design periodicals • Grete e Horacio Coppola • Gruetta Girevole • Guido Bergossi • Gyorgy Kepes • Hans Conrad • Hans Neuburg • Hardoy Chair • Heinz Waibl • Herbert Bayer • Herbert Kapitzki • Herbert Matter • Herman Miller Collection • Hermann Eidenbenz • HfG • Hiromu Hara • Hochschule fur Gestaltung • Horacio Coppola • Igildo Biesele • Ikko Tanaka • Ilio Negri • information design • Italo Zannier • Jan Tschichold • Jeder Dieser Drei • Josef Muller-Brockmann • Karl Gerstner • Ladislav Sutnar • layout design • Lester Beall • Lora Lamm • Luigi Minardi • Luigi Oriani • Luigi Veronesi • magazine artmagazine illustrationmagazine layout • Manfred Winter • Mario Perondi • Massimo Vignellimaterial cultureMax Bill • Max Huber • Michele Provinciali • mid 20th-century • Miglia di Monza • modern design • modern graphic design • modern graphic design collection • Morton Goldsholl • Nelly Rudin • Noel Martin • Otl Aicher • Pasquale Casonato • Paul Rand • Paul Renner • Paul Schuitema • Piero Gandolfi • Piet Zwart • Pino Tovaglia • Randolfo Asti • rare books • Raymond GFeller • Remo Muratore • Richard Paul Lohse • Robert Buchler • Roberto Sambonet • Roland Aeschlimann • Ryuichi Yamashiro • Schweizer Grafiker • Sepp Deimel • Siegfried Odermatt • Swiss Style • Tomas Gonda • Tonino Boschiroli • twentieth-century design • typographic art • typographyvisual communication • Walter Cyliax • Will Burtin • William Fleming • Wim CrouwelXanti Schawinsky • Yoshio Hayakawa • Yusaku Kamekura • Yves Zimmermann

CONTRIBUTOR

Simon Perkins
03 JULY 2011

Helvetica: feature-length independent film about typography, graphic design and global visual culture

"Helvetica is a feature–length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which celebrated its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.

Helvetica encompasses the worlds of design, advertising, psychology, and communication, and invites us to take a second look at the thousands of words we see every day. The film was shot in high–definition on location in the United States, England, the Netherlands, Germany, Switzerland, France and Belgium."

(Gary Hustwit, 2007 Swiss Dots Ltd.)

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200750th anniversaryadvertisingaesthetics • Alfred Hoffmann • Bruno Steinert • cultureDavid Carsondesign formalismErik Spiekermann • every day • feature film • global visual culture • graphic designHelveticaHermann ZapfJonathan Hoeflerkerning • Lars Muller • Leslie Savan • Massimo Vignelli • Matthew Carter • Michael Bierut • Michael C. Place • Mike Parker • modernismneutralneutralityNeville Brody • Norm (graphic design team) • Otmar Hoefer • Paula Scherpsychology • Rick Poynor • Stefan Sagmeister • Swiss StyleSwitzerlandTobias Frere-Jonestypetypefacetypographyurban spaces • use of type • visual communicationvisual culturevisual languageWim Crouwelwords • worlds of design

CONTRIBUTOR

Simon Perkins
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