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Which clippings match 'International Style' keyword pg.1 of 1
04 AUGUST 2014

Hot Modernism: mid-twentieth-century Queensland architecture

Exhibition: "Hot Modernism: Building modern Queensland 1945–75", 9 July – 12 October 2014. State Library of Queensland, Cultural Precinct South Bank, Brisbane, Australia.

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1960s2014architecture • Barry Walduck • better ways of living • Brisbanebuilding • building design • Carina • Central Technical College • colour field • custodian • deck • design idealsdesign traditionsdining room • domestic architecture • Eisenmenger House • elevated house • exhibition • international flavour • International Stylekitchen • local practices • mass production ideals • mid-centurymid-century designmodernismmodernist aestheticsmodernist architecture • modernist art • new approachesnew approaches to design • new architecture • open-plan lounge • poolpost-war architectureQueenslandquestioning traditionssimplified forms • simplified lines • State Library of Queensland • subtropical climate • timber house • traditional building • tropical climate • use of colour • veranda • visual style

CONTRIBUTOR

Simon Perkins
13 JULY 2014

The Fountainhead: a testament to uncompromising individualism

"The work of Rand, most of it published between the 1940s and 1960s, was very popular in the United States and gained a large and still active following. Rand developed her own school of philosophy called Objectivism, that centers on the principle of selfishness. In her novels and philosophical works, Rand advocates a form of rational and ethical egoism, and a political order based on laissezfaire capitalism. Her two novels, Fountainhead (1943) and Atlas Shrugged (1957) are lengthy portrayals of strong individuals who heroically and steadfastly pursue their lives according to Rand's philosophical principles."

(P.W. Zuidhof, p.84, 2012)

Zuidhof, P. W. (2012). "Ayn Rand: Fountainhead of neoliberalism?" Krisis: Journal for contemporary philosophy(1).

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19431949American dreamarchitect • artistic vision • Atlas ShruggedAyn Rand • battle of wills • challenging conventionscollectivismcompromiseconventionalitycreative geniusdesign commissioningdesign conventions • Edward Carrere • egoegoism • ethical egoism • fear of failure • form and function • form follows function • Frank Lloyd Wrightfree willfunctionalism • Gary Cooper • Howard Roark • human actionidealism • independent-mindedness • individualism • integrity • International Styleisolated sort of geniuslaissez faire capitalismLe CorbusierLudwig Mies van der Rohemelodramamodernist architecturemodernist idealsmoral purposeneoliberalismnewspaper tycoonnon-conformistobjectivismoptimistic idealPatricia Neal • personal integrity • personal visionpowerquestioning traditionsradical architecture • rational egoism • rational self-interest • rise to power • romantic notion of the artist • rousing speech • self-interestselfishnessskyscraper • smear campaign • struggle in obscurity • The Fountainhead • uncompromising integrity • uncompromising vision • weak-mindedness • William Kueh

CONTRIBUTOR

Simon Perkins
24 JANUARY 2014

Brandmarks with elegance by Helvetic Brands

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brand • brandmark • brandmark designclean design • David Pache • design agencydesign consultancydesign formalismdesign simplicityelegant designformalist design aesthetics • Helvetic Brands • independent design consultancy • International StyleLausannelogo designlogo designers • minimal design • minimalistic stylesimple design • strip away • stripped back • stripped back aestheticsSwiss StyleSwitzerlandtrademarkvisual simplicity • white space

CONTRIBUTOR

Simon Perkins
04 OCTOBER 2013

Josef Muller-Brockmann: the grid system and the golden ratio

"Muller Brockmann published several books, including The Graphic Artist and His Problems and Grid Systems in Graphic Design. These books provide an in–depth analysis of his work practices and philosophies, and provide an excellent foundation for young graphic designers wishing to learn more about the profession."

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Bauhaus Schoolclear communicationconsistencyDe Stijldesign formalismdesign principlesgolden ratiographic designergrid systemInternational StyleJosef Muller-Brockmannposter design • quantities • Russian constructivismSuprematism • Swiss International Style • Swiss Style • typographic consistency • University and Kunstgewerbeschule • visual communication • visual consistency • visual designvisual hierarchyvisual simplicitywhitespace

CONTRIBUTOR

Simon Perkins
29 JUNE 2011

A going concern. Toilet signage as an international cultural artefact

"Toilet signage itself has a relatively young history, following that of the public loo, which only became common in the late nineteenth century, stimulated by increasing mobility and the separation of work from home. Public conveniences first appeared in British railway stations and department stores, but the practice was then exported through the British empire.

These early signs were text–based but increasingly mobile populations in the twentieth century encouraged the development of pictorial systems that did not require shared language. Visual languages such as the US Department of Transportation symbol system designed in 1974 – the first comprehensive pictogram system – and systems developed for the Olympics aimed for universality but very much reflected their Germanic roots in abstract systems such as those of Otto Neurath. Once embraced by international communications and business, they became part of the International Style."

(Lynne Ciochetto, 13 August 2009)

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1974 • abstract systems • British Empire • British railway stations • cultural artefactdepartment storesGermanic rootsglobalisationgraphic representation • increasing mobility • India • international business • international communicationsInternational StyleInternational Typographic Style • late nineteenth century • Lynne Ciochetto • mobile populations • modernismOlympicsOtto Neurathpictogrampictogram systempictorial systemspostcolonial • public loo • rail • separation of work from home • shared languagesignssymbol systemtoilet signagetwentieth century • US Department of Transportation • visual communicationvisual language

CONTRIBUTOR

Simon Perkins
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