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Which clippings match 'Being' keyword pg.1 of 1
07 JANUARY 2014

Prometheus: speculating about the creators of humanity

"At some point in the film's development it was planned that the Engineers, the creators of humanity, were gearing up to destroy us for the crime of crucifying Christ, who was a representative of the gods. 'We definitely did [plan that],' Scott told movies.com, 'and then we thought it was a little too on the nose. But if you look at it as an 'our children are misbehaving down there' scenario, there are moments where it looks like we've gone out of control, running around with armor and skirts, which of course would be the Roman Empire. And they were given a long run. A thousand years before their disintegration actually started to happen. And you can say, 'Lets' send down one more of our emissaries to see if he can stop it.' Guess what? They crucified him.'

It seems ridiculous to propose that a Jewish man at the time of Augustus and Tiberius was an eight-foot tall milk-white alien. Though some Biblical scholars posit that Christ, as characterised by St Paul in the earliest Christian texts, may have been an angelic or non-corporeal being, it is not a widely disseminated theory. If it's difficult to convince some that Christ was not a man, it would be harder to convince audiences that he was an alien."

(Seonaidh Ceannéidigh, 21 July 2013)

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TAGS

2012 • 2093 • alienAlien (film)alien beingsalien race • angelic • Augustus • being • Biblical scholars • Carlos Huante • Creator Beings • creators of humanity • Engineer (creator being) • godsJesus Christmankind • Michael Fassbender • Neville Page • non-corporeal being • Prometheus (2012) • Prometheus (mythology)Ridley ScottRoman Empiresci-fispeciesspeculative fiction • Tiberius

CONTRIBUTOR

Simon Perkins
19 MAY 2013

Experiments in the Revival of Organisms

"This disturbing film records the successful experiments in the resuscitation of life to dead animals (dogs), as conducted by Dr. S.S. Bryukhonenko at the Institute of Experimental Physiology and Therapy, Voronezh, U.S.S.R. Director: D.I. Yashin. Camera: E.V. Kashina. Narrator: Professor Walter B. Cannon. Introduced by Professor J.B.S. Haldane."

(Moving Image Archive)

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1940anatomyanimal anatomyanimal cruelty • animal dissections • artificial circulation • autojektor • beingbio-ethicsbiomedical • biomedical science • breathe life into • canine • creature • dead animals • dissectiondoghistory of medicine • Institute of Experimental Physiology and Therapy • Internet Archive • John Burdon Sanderson Haldane • lifemedical ethicsmedical experimentmedical research • Moving Image Archive • organ • resuscitation • revival of organisms • scientific agescientific discoveries • Sergei Sergeyevich Brukhonenko • severed head • shocking • Soviet Film Agency • speculative science • Techfilm Studio • Walter Bradford Cannon • zoology

CONTRIBUTOR

Simon Perkins
26 JUNE 2011

Victor Frankenstein's horror at infusing life into an inanimate body

"The different accidents of life are not so changeable as the feelings of human nature. I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. Unable to endure the aspect of the being I had created, I rushed out of the room and continued a long time traversing my bed–chamber, unable to compose my mind to sleep. At length lassitude succeeded to the tumult I had before endured, and I threw myself on the bed in my clothes, endeavouring to seek a few moments of forgetfulness. But it was in vain; I slept, indeed, but I was disturbed by the wildest dreams. I thought I saw Elizabeth, in the bloom of health, walking in the streets of Ingolstadt. Delighted and surprised, I embraced her, but as I imprinted the first kiss on her lips, they became livid with the hue of death; her features appeared to change, and I thought that I held the corpse of my dead mother in my arms; a shroud enveloped her form, and I saw the grave–worms crawling in the folds of the flannel. I started from my sleep with horror; a cold dew covered my forehead, my teeth chattered, and every limb became convulsed; when, by the dim and yellow light of the moon, as it forced its way through the window shutters, I beheld the wretch – the miserable monster whom I had created. He held up the curtain of the bed; and his eyes, if eyes they may be called, were fixed on me. His jaws opened, and he muttered some inarticulate sounds, while a grin wrinkled his cheeks. He might have spoken, but I did not hear; one hand was stretched out, seemingly to detain me, but I escaped and rushed downstairs. I took refuge in the courtyard belonging to the house which I inhabited, where I remained during the rest of the night, walking up and down in the greatest agitation, listening attentively, catching and fearing each sound as if it were to announce the approach of the demoniacal corpse to which I had so miserably given life."

(Mary Wollstonecraft (Godwin) Shelley, The Project Gutenberg)

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beingbodybreathe life intocomposites • conventional morality • corpsecreation of a new speciescreatorcreature • demon • demoniacal corpse • design responsibilitydiscoveryethicsexperimentationFrankensteinguilthorrorhuman being • human life • human nature • human society • inanimate body • Ingolstadt • lifemankind • Mary Godwin • Mary Shelleymoral dilemmamoral imaginationsnatureProject GutenbergPrometheus (mythology)speciesspeculative fictionspeculative researchVictor Frankenstein • Wollstonecraft

CONTRIBUTOR

Simon Perkins
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