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Which clippings match 'Jazz Master' keyword pg.1 of 1
24 NOVEMBER 2013

Thelonious Monk: Straight, No Chaser (1988)

"Expanding on footage of Monk's 1967 tour shot by Christian Blackwood, Charlotte Zwering (Gimme Shelter) has created the definitive filmic portrait of the master bop pianist–composer. This captivating DVD digs deeper into the life of the famously eccentric pianist–composer ...

Straight, No Chaser fleshes out Monk's character considerably – from his harmonic theories to his use of quarter – tones (produced by hitting two adjacent piano keys simultaneously and occasionally even striking the boards with his entire forearm or his foot) to his mysterious relationship with his patron, baroness Nica de Koenigswarter."

(Vlatko, TopDocumentaryFilms.com)

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TAGS

16mm19671988archive footageavailable light • Barry Harris • bebop • Ben Riley • black and white • Bob Jones • Bruce Ricker • Charlie Rouse • Charlotte Zwerin • Charlotte Zwering • Christian Blackwood • cinema of the streetClint Eastwood • Dick Hyman • direct cinemadissonancedocumentarydocumentary filmeccentricfilm lighting • filmic portrait • Frank Paccione • harmonic • Harry Colomby • improvised methodinfluential creators • jazz great • jazz masterjazz performancejazz pianist • Jimmy Cleveland • John Coltrane • Johnny Griffin • Juilliard School • Larry Gales • live performancelow light • Malpaso Productions • music documentary • music tour • musical genius • Nellie Monk • Nica De Koenigswarter • offbeat • Phil Woods • pianist-composer • pianoportrait • posthumous interview • Ray Copeland • recording sessionrecording studiorehearsal • Samuel Wright • sixties coolsocial realism • Straight No Chaser (1988) • Teo Macero • Thelonious Monk • Tommy Flanagan • Warner Bros

CONTRIBUTOR

Simon Perkins
25 JUNE 2011

What Does It Mean To Become A Master?

"In the 1960's and 70's, the advent of computers not only reinforced this notion of man as a rational animal, it also led many people to predict that we would soon have machines that could think and act just like human beings. In 1972, however, Hubert Dreyfus's seminal and controversial book What Computers Can't Do anticipated the failure of what came to be known as 'artificial intelligence'.

In the book, Dreyfus explains that human beings are not at all like computers. We do not apply abstract, context–free rules to compute how to act when we engage in skilled behavior. Instead, Dreyfus argued, the fundamental thing about humans is that we are embodied beings living in a shared world of social practices and equipment. In the end, it is our skillful mastery and our shared practices that not only distinguish us from machines but allow us to assume meaningful identities."

(Tao Ruspoli, 2010)

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TAGS

19722010 • a sense of wonder • a world full of meaning • abstract thoughtAlbert Borgmannartificial intelligence • Being in the World (film) • Charles Taylor • context-free rules • craftsmanshipcreative skills • embodied beings • exemplary figures • existential phenomenologists • existential philosophers • existentialism • flamenco master • godsheroes • Hiroshi Sakaguchi • Hubert Dreyfushuman being • Iain Thomson • jazz master • John Haugeland • Leah Chase • Lindsay Benner • living in a shared worldmachines • man as a rational animal • Manuel Molina • Mark Wrathall • Martin Heidegger • master carpenter • master chef • master juggler • masters • masterymeaning • meaningful identities • modern day masters • musical genius • rational animal • sacred • saints • Sean Kelly • shared practices • sinners • skilful masteryskillskilled behaviourskillful copingsocial practicessports stars • Tao Ruspoli • Taylor Carman • thinking machines • unique situation • What Computers Can't Do

CONTRIBUTOR

Simon Perkins
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