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Which clippings match 'Interactive Video' keyword pg.1 of 2
14 NOVEMBER 2014

Body Navigation: austere ambience of projection-dance work

"Two dancers and their digital reproduction are the scenographic frame of this humorous and emotional portrait of human relations. Based on rules and structured in a game like manner, the installation makes way for a playful dialog between the man, woman and the digital 'footprints' they leave behind.

The Body Navigation performance was originally part of a larger installation and modern dance performance in Copenhagen, by Tim Rushton, Danish Dance Theatre called Labyrint.

We used processing for the infrared blobtracking of the dancers and drawing the open gl graphics. During the performance Tina controlled the whole thing live from an Isadora–based interface via osc."

Body Navigation: dance installation and choreography for Labyrint at Kaleidoskop K2, Copenhagen 2008. Video artist: Ole Kristensen and Jonas Jongejan; choreography: Tina Tarpgaard; dancers: Hilary Briggs, Luca Marazia, Nelson R. R. Smith and Laura Lohi; produced by: Danish Dance Theatre.

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2008 • Athelas Sinfonietta • austere ambience • austere environment • black and white • body movement • Body Navigation (2008) • boundary functionschoreographyCopenhagendance performance • Danish Dance Theatre • digital footprints • digital reproduction • doppelgangerfloor • footprints • geometry • Gyorgy Ligeti • Hilary Briggs • human re­lations • infrared camera • infrared tracking • interactive projectioninteractive videoIsadora • Jonas Jongejan • Kaleidoskop K2 • Laura Lohi • Luca Marazia • Mathias Friis-Hansen • movement performance • Nelson Smith • Ole Kristensen • Open Sound Control (OSC) • palimpsestpartition of spacepatterns of movementperformance • play­ful dialogue • playful workPongprojected from overhead • Recoil Performance Group • scenograph­ic frame • software artspatial mapping • Tina Tarpgaard • tracingtrajectoryvideo projectionvoronoi

CONTRIBUTOR

Anna Troisi
01 NOVEMBER 2014

Mirrored story lines used for Honda The Other Side promotion

Honda's "The Other Side aims to bring to life these two sides of Honda by putting fans at the heart of a high–adrenaline dual narrative. The story unfolds in two parallel tales, one set during the day and the other at night. The daytime story sees a father picking his daughter up from school in his white Civic and driving her to a surprise party.

By contrast the night–time narrative shows the father's other side – an undercover cop driving a crew of art thieves to a police sting, in a head–turning red Type R. While very different in tone, the two stories mirror each other perfectly in their composition. ...

A press of the 'R' key puts the director's cut into the viewers' hands, allowing them to switch in real time between two mirrored story lines. Through sound design and seamlessly matched scenes, you can't help but feel the power of Honda's other side. ..."

(Wieden+Kennedy London, 30 October 2014)

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2014alter ego • Bobby Krlic • car adcar chasechase scene • contrasting perspectives • Daniel Wolfe • daytime • driving • dual narratives • Honda Civic • Honda Civic Type RHonda Civic Type Rinteractive advertisinginteractive video • Jean-Philippe Ricci • mirror world • mirrored story lines • Mourad Frarema • night and day • night-time • other side • parallel narratives • parallel stories • put your foot down • Robbie Ryan • scene jumping • scene matching • Slimane Dazi • Stinkdigital Scott Dungate • switching between • time jump • time of day • toggling between • Wieden+Kennedy London • YouTube • YouTube interactivity

CONTRIBUTOR

Simon Perkins
01 DECEMBER 2013

Under Scan: interactive video art installation for public space

"Under Scan is an interactive video art installation for public space. In the work, passers–by are detected by a computerized tracking system, which activates video–portraits projected within their shadow. Over one thousand video–portraits of volunteers were taken in Derby, Leicester, Lincoln, Northampton and Nottingham by a team of local filmmakers. For its London presentation in Trafalgar Square, Tate Modern filmed over 250 additional recordings. As people were free to portray themselves in whatever way they desired, a wide range of performances were captured. In the installation, the portraits appear at random locations. They 'wake–up' and establish eye contact with a viewer as soon as his or her shadow 'reveals' them. As the viewer walks away, the portrait reacts by looking away, and eventually disappears if no one activates it. ...

The piece was inspired by representation en abîme, where the portrayed make eye–contact with the viewer, – as found in works by Jan Van Eyck, Parmigianino, Velázquez or Leon Golub. Other references for this work include the post–photographic device described in La invención de Morel, written by Adolfo Bioy Casares (1940) and the ghostly portraits created by Gary Hill, Lynn Hershman–Leeson, Paul Sermon and Luc Courchesne."

(Rafael Lozano–Hemmer)

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2005 • Adolfo Bioy Casares • art installation • Bajo Reconocimiento • computerised surveillance system • DerbyDiego Velazquezeye contactfilming people • Francesco Mazzola • Gary Hill • ghostly portraits • ghosts • Girolamo Francesco Maria Mazzola • immersive experienceimmersive videointeractive installationinteractive video • interactive video art installation • Jan Van Eyck • La invencion de Morel • Leicester • Leon Golub • light installation • Lincoln • living picturesLuc Courchesne • Lynn Hershman-Leeson • mise-en-abyme • Morels Invention • Northampton • Nottingham • Pani 12kW projector • Parmigianino • Parmigiano • passer-by • Paul Sermon • post-photographic device • projection artprojection workspublic spaceRafael Lozano-Hemmer • representation en abime • robotic projectors • scissor lift • shadowTate Modern • The Invention of Morel • tracking system • Trafalgar Square • Under Scan (2005) • video artworkvideo portraitvideo projectionvideo projection worksvideo trackingwatching

CONTRIBUTOR

Simon Perkins
19 AUGUST 2013

Steve Jobs at the Insanely Great conference in 1980

"22 minutes presentation given by Steve Jobs at the Insanely Great conference in 1980. It's one of the very first known video footage of Steve Jobs. The quality of the video deteriorates at mid–point, but stick around, it's really worth the watch.

The Insanely Great conference happened just a few months after Apple visited Xerox PARC. Now with retrospect, it's pretty clear when listening to Steve that Apple is working on the Macintosh. He hints a few times of it's development but doesn't disclose any secrets."

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1980AppleApple Computer • Apple I • Apple IIAtaribicycles • Bob Metcalfe • building computers • building tools • Californiacomputer historyComputer History Museumcomputer skills • corporate name • Cupertino California • hardwareHewlett-Packard • Insanely Great Conference (1980) • interactive videoMacintoshMacintosh computerpresentation • Regis McKenna • SciAm • Scientific American (magazine) • software versus hardware • Steve Jobs • Steve Wozniak • technological changetechnological innovationtechnology companies • tool building • toolsVisiCalcXerox PARC

CONTRIBUTOR

Simon Perkins
21 NOVEMBER 2012

V2_Institute for the Unstable Media

"In the turbulent year of 1981 the building at Vughterstraat 234 in Den Bosch was squatted by a group of artists and musicians, including a young Joke Brouwer and an almost as young Alex Adriaansens. There was no place for their sounds, art or ideas in the established venues, so they created one of their own at 'V234,' quickly shortened to 'V2.' September 3 and 4, 1981 the first events where organized. In 1982, these pragmatic anarchists decided to organize themselves into a foundation, and V2_ was officially born."

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1981 • 3D projection • Alex Adriaansens • art in electronic networks • art installationart productionartist collectiveartistic means • arts practice • audiovisual arts • centre for art and media technology • communications media • computers as an artistic medium • cyberspace • Den Bosch • digital imagery • digital techniques • do-it-yourself • Dutch Electronic Art Festival • Einsturzende Neubauten • electronic mediaelectronic musicexhibition space • Institute for the Unstable Media • interactive installationsinteractive video • interdisciplinary workspace • international media laboratory • ISDN • Joke Brouwer • knowledge exchange • Laibach • machine art • manifesto • mixed media applications • multimedia centre • multimedia organisationNetherlands • network and communications media • new technical possibilitiesnew technology • pragmatic anarchists • public events • public spaceroboticsRotterdamSonic Youthsound installation • squatting • The building gave room for concerts and performances analogue media • unstable media • V2_virtual realityvisual arts • Vughterstraat 234 • world wide web

CONTRIBUTOR

Simon Perkins
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