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Which clippings match 'Architecture' keyword pg.1 of 19
12 MARCH 2016

Josef Frank Exhibition: Against Design in Vienna

"The exhibition JOSEF FRANK: Against Design presents the full scope of Frank's pioneering and diverse oeuvre. In light of his prodigious output of furniture and textile designs that remain current to this day and his intensive involvement with the possibilities of architecture and living in the modern era, the title Against Design might at first seem a puzzling choice for an exhibition on Josef Frank. Frank, whose work as a designer and design critic continues to be considered contemporary today, represented a pragmatic approach to design and argued for a simple and 'normal'—but by no means normative—architecture and design. He believed that existing elements should be taken into account as a matter of course and intuitively developed for practical use, without striving toward representation and innovation. To Frank, it was not so much the formal qualities, but those of social experience that were important; his interiors and household objects were not intended to be subjected to formalist concepts, but placed at the service of convenience.

Especially today, Josef Frank's ideas about an uncontrived and unpretentious functionality, whose aim was an independent, free, enlightened bourgeois domestic culture far from stylistic dogmas and fashionable conventions, seem more relevant than ever."

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applied artsarchitecture • architecture and design • Austria • Austrian architect • Austrian designer • Austrian Museum of Applied Arts and Contemporary Art • design • design critic • designer • diverse oeuvre • domestic culture • exhibition • fashionable conventions • formal qualities • furniture design • household objects • interior design • intuitively developed • Josef Frank • living in the modern era • modernist aestheticsmodernist architecturemodernist furniturenon-representationaloeuvre • pioneering oeuvre • practical use • pragmatic approach to desig • prodigious output • service of convenience • social experience • stylistic dogma • textile design • uncontrived functionality • unpretentious functionality • Vienna

CONTRIBUTOR

Simon Perkins
04 AUGUST 2014

Hot Modernism: mid-twentieth-century Queensland architecture

Exhibition: "Hot Modernism: Building modern Queensland 1945–75", 9 July – 12 October 2014. State Library of Queensland, Cultural Precinct South Bank, Brisbane, Australia.

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1960s2014architecture • Barry Walduck • better ways of living • Brisbanebuilding • building design • Carina • Central Technical College • colour field • custodian • deck • design idealsdesign traditionsdining room • domestic architecture • Eisenmenger House • elevated house • exhibition • international flavour • International Stylekitchen • local practices • mass production ideals • mid-centurymid-century designmodernismmodernist aestheticsmodernist architecture • modernist art • new approachesnew approaches to design • new architecture • open-plan lounge • poolpost-war architectureQueenslandquestioning traditionssimplified forms • simplified lines • State Library of Queensland • subtropical climate • timber house • traditional building • tropical climate • use of colour • veranda • visual style

CONTRIBUTOR

Simon Perkins
30 MARCH 2014

Work begins on the world's first 3D-printed house

"At the centre of the process is the KamerMaker, or Room Builder, a scaled–up version of an open–source home 3D–printer, developed with Dutch firm Ultimaker. It uses the same principle of extruding layers of molten plastic, only enlarged about 10 times, from printing desktop trinkets to chunks of buildings up to 2x2x3.5m high.

For a machine–made material, the samples have an intriguingly hand–made finish. In places, it looks like bunches of black spaghetti. There are lumps and bumps, knots and wiggles, seams where the print head appears to have paused or slipped, spurting out more black goo than expected.

'We're still perfecting the technology,' says Heinsman. The current material is a bio–plastic mix, usually used as an industrial adhesive, containing 75% plant oil and reinforced with microfibres. They have also produced tests with a translucent plastic and a wood fibre mix, like a liquid form of MDF that can later be sawn and sanded. 'We will continue to test over the next three years, as the technology evolves,' she says. 'With a second nozzle, you could print multiple materials simultaneously, with structure and insulation side by side.'"

(Oliver Wainwright, 28 March 2014, The Guardian)

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20143D printing • 3D-printed house • Amsterdamarchitecture • biodegradable materials • black spaghetti • brickbuilding process • canal • canal house • computer-controlled gantry • contour crafting • cyberarchitecturedesign futuresdigital fabricationdigital forming • Dus Architects • dwellingfabrication • gable • honeycomb lattice • honeycomb structurehouse • housebuilding • housing • Janjaap Ruijssenaars • KamerMake • lattice • liquorice • machine-made material • made on-demandmanufacturingMDFmobius stripnew crafts • novelty technology • oozingplant oilplastic • plastic facade • print structures • printingrapid manufacturing • Room Builder • synthetic sandstone • technological developmentsThe Guardian • treacle • Ultimaker • wood fibre

CONTRIBUTOR

Linda Carroli
30 JANUARY 2014

100+ Years of Design Manifestos

"Since the days of radical printer–pamphleteers, design and designers have a long history of fighting for what's right and working to transform society. The rise of the literary form of the manifesto also parallels the rise of modernity and the spread of letterpress printing. ...

The original list was largely drawn from Mario Piazza's presentation at the Più Design Può conference in Florence, though I've edited and added to it. I've also incorporated links where I was able to find them."

(John Emerson, 22 July 2009, Social Design Notes)

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Albe Steiner • Alberto Marangoni • Allan Chochinov • anti-manifesto • Antonio Sant Elia • architectureArts and Crafts MovementBauhaus School • Blair Enns • Bruce MauBruce SterlingBruno TautDanish designDe Stijl • Dean Allen • design manifesto • Dieter RamsDogme 95El Lissitzky • Ellen Lupton • Filippo Tommaso MarinettiFuturism • Gelsomino DAmbrosio • Giancarlo Iliprandi • Gianfranco Torri • Giovanni Anceschi • Giovanni Baule • Giovanni Lussu • GNUgood designgraphic designGuy DebordIcogradainfographicsJeffrey Zeldman • Karim Rashid • Kathleen Hanna • Ken Garland • Laszlo Moholy-Nagyletterpress printing • literary form • manifestoManuel Lima • Mario Piazza • Mark Goldman • Marke Hamburg • Michael Erard • Mitch Goldstein • Noah Scalin • pamphleteer • Patrik Schumacher • Pierre Bernard • Pino Grimaldi • publishing • radical rethinking • Scandinavian Design Council • Society of the Spectacle (Guy Debord)typography • Umair Haque • un-manifesto • Walter Gropius • Warren Berger • William McDonough • William Morris

CONTRIBUTOR

Liam Birtles
06 DECEMBER 2013

Motive Architecture: spaces which engage social interaction

"Architecture traditionally has been considered the spatial backdrop to social interaction. But increasingly architects enabled by computational technologies are creating spaces that can engage actively within these social interactions. My research focuses on the non verbal aspects of human computer interaction, embedding kinetic behaviours into physical objects. ...

While increasing numbers of designers are using robotic systems to build novel performative objects and spaces, there is little discourse in design on what forms of motion are most engaging and why? I am exploring how, and when, we percieve animism and causality in moving objects as I hypothesise that the most salient of motions are those which give a subjective impression that something is alive. My research examines the minimal amount of motion required to elicit immediate and seemingly irresistible interpretations of life gaining inspiration from the perceptual research of Michotte (1946), Heider and Simmel (1944), and Tremoulet and Feldmann (2006). A test rig for suspending and animating simple geometric figures has been developed to test methods of eliciting anima. Computer vision systems have been developed in parallel to observe human levels of engagement and to explore novel forms of exchange between architecture and inhabitant."

(Ruairi Glynn)

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Albert Michotte • aliveanima • animate form • animational communicationarchitectureautomation • Bartlett School of Architecture • believable charactersbuilt environmentcausalitycognitive science • computational technologies • design research • Fritz Heider • geometric figureshuman computer interactioninteractive architectureinteractive environments • Jacob Feldman • kinetic automatonkinetic bodily logoskinetic sculpture • Marianne Simmel • motive architecture • moving objects • non-linear sequence • nonverbal behaviour • novel forms of exchange • novel performative objects • Patrice Tremoulet • perceptual research • performative spacesphysical engagementphysical objects • Ranulph Glanville • reactive spacerobotic sculpturerobotic systemsRuairi Glynnsocial interaction • spatial backdrop • Stephen Gage • structural forces • test methods • test rig • time-based architecture • time-based art • triggered by stimuli

CONTRIBUTOR

Liam Birtles
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