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16 MARCH 2013

Dorothy Iannone's Innocent and Aware

Dorothy Iannone, "Innocent and Aware", 8 March 2013 – 5 May 2013, Camden Arts Centre in London.

"Iannone's portrayals of male and female sexuality celebrate the joy of her most intimate relationships while subverting traditional gender stereotypes of dominance and control. Through graphic paintings, sculptures and video boxes her works depict partly–clothed and naked figures on bright psychedelic backgrounds of flora, mandalas and biomorphic patterns. Recalling classical Indian erotic art, Egyptian frescoes and Byzantine mosaics, Iannone's intricate work communicates a personal narrative, passionate love affairs and lifetime pursuit of 'ecstatic unity' through transcendence and spirituality."

(Camden Arts Centre, 2013)

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TAGS

201320th century artartistbiomorphic • biomorphic patterns • ByzantineCamden Arts Centrecontroldominance • Dorothy Iannone • ecstasy • ecstatic unity • erotic artexhibitionexplicit sexual imageryfemale artistfemale sexuality • fresco • gender representationgender stereotypesgenitals • graphic paintings • innocenceintimacyintimate sexuality • love affair • lovemaking • mandala • mosaicnaive stylenaively drawn figuresnaked figuresNorth American artistpenispersonal narrativephysical lovepsychedelicpsychedelic imageryself-taughtsex • sexual liberation • sexual politicssexualityshock artspectacle • spiritual awareness • spiritualitytranscendence • unconditional love • vagina • video box • vulvawomen artistswomen in art and design

CONTRIBUTOR

Simon Perkins
12 NOVEMBER 2012

One of A Kind: a childs guide to Radiotherapy

"Young cancer patients have told their stories in a cartoon that shows children and parents what it is like to have treatment. The six children, who received radiotherapy in Bristol, teamed up with the animation house Aardman for the production called One of a Kind! Their voices were recorded and given to the animated characters in the short film. It will be made available to hospitals all over the UK. The cartoon was the idea of Jancis Kinsman, advanced practice therapy radiographer at Bristol Haematology and Oncology Centre."
(15 June 2010, BBC News)

Fig.1 Emma Lazenby (2010). "One of a Kind" concept by Jancis Kinsman, directed by Emma Lazenby, produced by Aardman and ArthurCox, 6min.

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TAGS

20102D animationAardman Studiosanimation • ArthurCox • Bristol • Bristol Haematology and Oncology Centre • cancer • cancer charities • cancer patients • cancer treatment • Charlie and Lola • childrencommunication tooldigital storytelling • Emma Lazenby • guide • guide for children • haematology • hospitalhospital treatment • Jancis Kinsman • naive illustrationNHS • oncology • One of a Kind (film) • paediatric radiography • personal narrativepublic health • radiography • radiotherapy • their storiestherapyUKvoicesyoung children

CONTRIBUTOR

Simon Perkins
12 JUNE 2011

David Lynch's Interview Project Probes American Dreams

"In Interview Project's mini–documentaries, filmmakers Austin Lynch and Jason S. sidle up to strangers and ask them piercing questions like 'What were your dreams as a child?' and 'When did you first experience death?'

For the 121–part online series, which launches Monday, the pair logged 20,000 miles criss–crossing the United States over a 70–day stretch, searching for random people to question about American life.

In a filmed introduction to Interview Project, producer David Lynch (Austin's father) says: 'There was no plan, really. The (filmmaking) team found people as they were driving along the roads, going into bars, different locations…. There they were. The people told their stories.'

A new three–to–five minute Interview episode will debut every three days for a year.

(30 May 30 2009)

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TAGS

actuality • American dreamAmerican life • Austin Lynch • David Lynchdocumentarydocumentary seriesinterview • Interview Project • Jason S • mini-documentaries • mini-portraits • personal narrativepersonal significanceportraitshort documentaryshort subjects • shortfilm • social historysocial realitystrangerstheir stories • vox pop

CONTRIBUTOR

Simon Perkins
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