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Which clippings match 'The Coming Of Age Of The New Zealand Short Film' keyword pg.1 of 3
14 AUGUST 2012

Two Cars, One Night: cars in loco parentis outside a rural NZ pub

"Youngsters Romeo, Ed, and Polly wait in two cars after dark while their parents are inside drinking. It's a situation many Kiwis would recognise: cars in loco parentis outside the bar or rugby club. Soon cross-car rivalry warms to budding friendship. Winning performances, and the tender mix of comedy and romance saw the tale of a Te Kaha pub carpark become an international hit."

(New Zealand on Screen)

Fig.1 writer/director: Taika Waititi (2003). "Two Cars, One Night".

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TAGS

2003 • after dark • Aotearoa New ZealandAustralasiabarblack and white • budding friendship • carcarpark • cars in loco parentis • coming of age • delinquent • delinquent parents • Dion Waikato • Hutini Waikato • in loco parentis • kiwi short filmMaoriNew Zealand Film Commission • parental neglect • pub • pub carpark • Rangi Ngamoki • Riwai Waka • rugby club • short film • Taika Waititi • Te Ahiwaru Ngamoki-Richards • Te Kaha • teenagersThe Coming of Age of The New Zealand Short Film • two cars

CONTRIBUTOR

Simon Perkins
14 AUGUST 2012

Avondale Dogs: a young boy's relationship with his dying mother

"A young boy grapples with something bigger than he realises: the love within himself brought into focus through his relationship with his dying mother and this love's power of transcendence in times of pain and loss. A multi-award winning film."

(New Zealand Film Commission)

Fig.1 duration: 15 Minutes, ratio: 35mm, B&W, language: Maori Language.

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199435mmAotearoa New ZealandAustralasia • Avondale Dogs • black and white • Caleb Ross • children • Damien Lay • David Coulson • dying • dying mother • eel • Glynis Paraha • Gregor Nicholas • Ian Paul • Jim Wilkins • kiwi short filmslossMaori • Melinni Blake • motherNew Zealand cinema • Rhondda Findleton • short film • smokehouse • Stephen Hall • The Coming of Age of The New Zealand Short Filmyoung boyyoung girl

CONTRIBUTOR

Simon Perkins
13 AUGUST 2012

O Tamaiti: young boy who is expected to play guardian to his siblings

"Sima Urale's debut short film, beautifully realised in black and white, tells the story of a young Samoan boy who is expected to play guardian to his siblings. As his parents struggle in their new country, he is overwhelmed by the responsibility. When faced with his grief, the adults fail to recognise his pain. Poignant attention to details that convey a child's perspective (eg. the movement of a spacies game and shopping trolley are intercut) saw O Tamaiti win awards at film festivals around the globe, including the prestigious Silver Lion at Venice."

(NZ On Screen)

Fig. 1 Dir. Sima Urale, 15mins, NZ, 1996, black & white, 1.1:66

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TAGS

1996Aotearoa New Zealandarcade gameattention to detailAustralasiababyblack and whitechildren • childs perspective • church • Coke machine • coming of age • cot death • deathdebutfamily • female filmmaker • hospitalimmigrant • Kara Paewai • kiwi short films • new baby • New Zealand • New Zealand cinemaNew Zealand on Screen • O Tamaiti • PacificPacific IslanderPolynesianpregnancySamoan • sensitive portrayal • shopping trolley • short film • siblings • Sima Urale • socialsoundSpace InvadersspaciesThe Coming of Age of The New Zealand Short Filmyoung boy

CONTRIBUTOR

Simon Perkins
12 AUGUST 2012

Eau De La Vie: a nouveau debutante's moral dilemma

"Set somewhere in the near future, this black tale tells of nouveau debutante Catherine, who is being initiated into her friends' sordid cafe society world. She must choose from a small group of pre-purchased performers who will entertain the diners for the evening - but the 'entertainment' leaves Catherine fighting to the death for what she believes is right."

(New Zealand Film Commission)

Fig. 1,2 Simon Baré (1994). "Eau De La Vie", duration: 13 minutes, 35mm, colour.

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199435mmAotearoa New ZealandAustralasia • black tale • cafe societycruelty • Dark Tales (compilation) • David Geary • death • debutante • dinnerdisturbing tale • Eau De La Vie • entertainment • Eric De Beus • ethical dilemma • gratification • Janet Roddick • Jeff Boyd • Kirsty Hamilton • kiwi short films • Mick Rose • moral dilemmaNew Zealand cinemaNew Zealand Film CommissionorgasmPeter Daube • Richard Bluck • sadistic • Sarah Smuts-Kennedy • short film • Simon Bare • speculative fictionThe Coming of Age of The New Zealand Short Filmweirdness

CONTRIBUTOR

Simon Perkins
05 AUGUST 2012

A Game with No Rules: rear projected Kiwi short film melodrama

"A trio of future Kiwi screen stars smoke, smoulder, steal - and worse - in Scott Reynolds' serpentine short noir. Kane (Marton Csokas) and his Zambesi-clad woman on the side (Danielle Cormack) set about ripping off Kane’s rich wife (Jennifer Ward-Lealand) with bloody results. Writer/director Scott Reynolds and longtime partner in crime, cinematographer Simon Raby, serve notice of their talents - and inspirations - with heady lighting, deliberately shonky back projection, and opening titles right out of Hitchcock [Saul Bass inspired]. Muso Greg Johnson supplies the horns."

(NZ On Screen)

Fig.1 Scott Reynolds/Zee Films (1994), "A Game with No Rules" Aotearoa New Zealand, 35mm 16 minutes.

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TAGS

199435mmA Game with No Rulesa girl and a gunAotearoa New ZealandAustralasia • back projection • cinematic conventionscinematic languageclicheDanielle Cormackdesign conceitextradiegeticfilm genrefilm noirformal conceit • Grant Major • Greg Johnson • Jennifer Ward-Lealand • Jon Brazier • kiwi shortkiwi short filmskiwi shortsMarton Csokasmelodrama • Mike Hedges • mise-en-abymemise-en-scenenz short filmpasticherear projectionSaul Bass • Scott Reynolds • self-referential • serpentine structure • short filmSimon RabyThe Coming of Age of The New Zealand Short Filmtheatrical spacevisual conventionsvisual stylevisual vernacular • Wayne Cook • Zambesi (apparel)

CONTRIBUTOR

Simon Perkins
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