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Which clippings match 'Archive Footage' keyword pg.1 of 2
20 JUNE 2017

Sons of Gallipoli: award-winning interactive documentary

"While the story of Gallipoli has been told many times, never has it been told in such a rich and deeply immersive way. For the first time, the tragedy of Gallipoli is brought to life in a profoundly human way as two mothers imagine what it must have been like for other mothers, 100 years ago. Two women on opposite sides. So different. Yet each struggling to understand the meaning of war."

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TAGS

19151916ANZACAotearoa New Zealandarchive footageAustralasiaAustralia • British Commonwealth • circular interface • Commonwealth • Commonwealth countries • Commonwealth of Nations • Cook Islands • cultural heritagedigital heritageGallipoli Campaign • Gallipoli peninsula • hypermedia • immersive cultural heritage experiences • immersive storytellinginteractive digital narrativesinteractive documentaryinteractive experienceinteractive mediainteractive multimedia documentaryinteractive multimedia videointeractive web documentary • military failures • military history • Niue • Ottoman EmpirePapua New Guinea • Pitcairn Islands • Samoa • Tonga • Turkishwarweb based non-linear narrativesweb documentarywebdocWorld War IWWI

CONTRIBUTOR

Simon Perkins
17 DECEMBER 2014

BBC launches new interactive drama Footballers United

"Footballers United features five chapters which consist of video, audio, image and text content, with the overall experience being around 60 minutes. Archived content is presented by well-known football player Gemma Fay, Captain and Goalkeeper of the Scottish National Women's Football team. ...

Audience interaction: Each part of the story is a standalone piece of content which is shareable online. A clever interactive timeline prompts the audience to access related archive content, such as images, text and video. When selected, this content appears as an overlay on the screen, with the drama paused in the background.

For a more personal experience the audience can sign in via Facebook and the timeline maps events in WW1 to their social media graph; showing how their friends and a modern day social community would have fared throughout the war. For example, when the viewer pass the first day of the Somme in the drama, a social item will appear that shows the number of their friends that would have lost their lives had they been in the battle at the time."

(BBC Media Centre, 11 December 2014)

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2014 • a whole generation • Alex Winckler • archive footageaudience interactionBBC History • BBC Learning • BBC Taster • changes for women • changing lives • creative nonfiction • culture change • curated content • devastating effects • digital storytelling • docu-fiction • docufictionEdinburghexpository addendum • factual format • factually accurate narrative • fictional and archived content • football player • football teamFootballers United (2014) • Gemma Fay • Heart of Midlothian (football team) • historical drama • Holly Jack • interactive digital narrativesinteractive dramainteractive features • interactive guide • interactive mediainteractive storytellinginteractive timeline • iWonder • Keiran Gallacher • Leah Byrne • linear drama • literary nonfiction • multimedia storytelling • narrative nonfiction • new responsibilities • new sense of freedom • online multimedia • playing football • related archive content • Robert Armitage • Scotland • Scottish National Womens Football • supporting content • Tim Wright • timeline • true story • World War Iyoung people

CONTRIBUTOR

Simon Perkins
09 NOVEMBER 2014

Examples of web based non-linear narratives

Bear 71 (2012); Clouds over Cuba (2012); Donnie Darko (film website); Gravity (2003) by Olia Lialina; Here at Home (webdoc); My Boyfriend Came Back from the War (1996) by Olia Lialina; Neon Bible (2007) by Arcade Fire; Prison Valley (2013); Random Paths (2001) by Jody Zellen; Telescopic Text (interactive); The (Former) General in his Labyrinth (2007); The 21 Steps (2008) by Charles Cumming; The Wilderness Downtown (2011) by Arcade Fire; Waterlife (2009); We Choose the Moon (2009); Welcome to Pine Point (2011).

TAGS

Aaron Koblinalternate reality gameArcade Fire • Arcade Fire (band) • archive footage • B-Reel (digital production company) • Banff National Park • Bear 71 (2012) • Charles Cumming • Chris Milk • Clouds over Cuba (2012) • Cuban Missile Crisis • David Dufresne • digital storytelling • Donnie Darko (film website) • Google Maps • Gravity (2003) • grizzly bear • Here at Home (webdoc) • hypermediainteractive digital narrativesinteractive documentaryinteractive experienceinteractive mediainteractive multimedia documentaryinteractive multimedia video • interactive online story • interactive storytellinginteractive web documentary • Jeremy Mendes • Jody Zellen • Joe Davis • Kevin McMahon • Leanne Allison • Michael Simons • Mohsin Hamid • My Boyfriend Came Back from the War (1996) • narrative nonfictionNational Film Board of Canada • Neon Bible (2007) • new mediaNFB • non-linear narrative • Olia Lialina • Paul Shoebridge • Philippe Brault • Prison Valley (2013) • Random Paths (2001) • Telescopic Text (interactive) • The (Former) General in his Labyrinth (2007) • The 21 Steps (2008) • The Wilderness Downtown (2011) • Tool of North America • travelogue • Waterlife (2009) • We Choose the Moon (2009) • We Tell Stories • web based non-linear narrativesweb documentarywebdoc • Welcome to Pine Point (2011)

CONTRIBUTOR

Simon Perkins
24 NOVEMBER 2013

Thelonious Monk: Straight, No Chaser (1988)

"Expanding on footage of Monk's 1967 tour shot by Christian Blackwood, Charlotte Zwering (Gimme Shelter) has created the definitive filmic portrait of the master bop pianist–composer. This captivating DVD digs deeper into the life of the famously eccentric pianist–composer ...

Straight, No Chaser fleshes out Monk's character considerably – from his harmonic theories to his use of quarter – tones (produced by hitting two adjacent piano keys simultaneously and occasionally even striking the boards with his entire forearm or his foot) to his mysterious relationship with his patron, baroness Nica de Koenigswarter."

(Vlatko, TopDocumentaryFilms.com)

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16mm19671988archive footageavailable light • Barry Harris • bebop • Ben Riley • black and white • Bob Jones • Bruce Ricker • Charlie Rouse • Charlotte Zwerin • Charlotte Zwering • Christian Blackwood • cinema of the streetClint Eastwood • Dick Hyman • direct cinemadissonancedocumentarydocumentary filmeccentricfilm lighting • filmic portrait • Frank Paccione • harmonic • Harry Colomby • improvised methodinfluential creators • jazz great • jazz masterjazz performancejazz pianist • Jimmy Cleveland • John Coltrane • Johnny Griffin • Juilliard School • Larry Gales • live performancelow light • Malpaso Productions • music documentary • music tour • musical genius • Nellie Monk • Nica De Koenigswarter • offbeat • Phil Woods • pianist-composer • pianoportrait • posthumous interview • Ray Copeland • recording sessionrecording studiorehearsal • Samuel Wright • sixties coolsocial realism • Straight No Chaser (1988) • Teo Macero • Thelonious Monk • Tommy Flanagan • Warner Bros

CONTRIBUTOR

Simon Perkins
06 OCTOBER 2013

The enduring legacy of The World At War

"The World at War had many strengths but the key to its success as compelling history television was the formidable array of interviewees. Top military leaders, including German naval commander Karl Doenitz and the head of RAF Bomber Command, Arthur Harris, had their say alongside humble soldiers, sailors and airmen. Key politicians like wartime foreign secretary Sir Anthony Eden shed light on the war's wider arc, while ordinary citizens told of events from their perspective. Several members of Hitler's inner circle were also tracked down and interviewed, including his valet, secretary and adjutant. Death camp survivors told their terrible tales, as did a few of their shamefaced captors. More years have now passed since the making of The World at War than elapsed between 1945 and the programme's first showing in 1973. So, sadly, a programme like this can never be made again: the number of living witnesses to World War II is dwindling every day. We are fortunate that Isaacs and his team had the vision and talent to make The World at War when they did."

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19451973Adolf Hitler • Anthony Eden • archive footage • Arthur Harris • British television • Carl Davis • Charles de Gaulle • Charles Douglas-Home • David Elstein • death camp • definitive account • documentary evidence • foreign secretary • Franklin D. RooseveltHarry Truman • Hideki Tojo • historical chronicleshistory • history television • inner circle • interviews • Jeremy Isaacs • Joseph Stalin • Karl Doenitz • Laurence Olivier • military campaign • military historymilitary leader • naval commander • Nazi • Neville Chamberlain • Noble Frankland • politician • RAF Bomber Command • sailor • social historysoldiersurvivor • Ted Childs • television documentarytelevision programmetelevision seriesThames Television • The World at War • UKTV • warwartimeWinston ChurchillwitnessWorld War II

CONTRIBUTOR

Simon Perkins
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