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18 JUNE 2012

6th Annual International Conference on Computer Games Multimedia & Allied Technologies

"Annual International Conference on Computer Games, Multimedia and Allied Technology raises a platform for the Asian Gaming Community to realize, recognize, and reveal the technological interplay at work behind the immersive and compelling world of gaming. The conference mantles the experience, expertise, and technological know–how flowing in from academicians, researchers, and industry professionals and provides an apt platform for view and review.

The Conference Themes on Animation,Multimedia, IPTV, Edutainment, Mobile, Virtual Reality nunciating [sic] the evident convergence of technology while focusing on the differing facets of the gaming industry. The world of gaming is a result of numerous technologies, game tools and systems, the conference strives to discuss the technological advances, perspectives of future developments, and innovative applications while exploring the key concerns and issues related to Game security and Game regulations."

(Global Science & Technology Forum, Singapore)

TAGS

2012animation • Asian Gaming Community • audio design for games • computer gamecomputer games • Computer Games Multimedia and Allied Technology (conference) • conferenceconvergencediegesis • edutainment • future developments • game design • game production • game programming • game regulations • game security • game systems • game tools • games • gaming community • gaming industry • Global Science and Technology Forum GSTF • immersive • innovative applications • IPTVmobile • mobile gaming • multimediaSingapore • technical sessions • technological advances • technological interplay • technological know-howtechnologiestechnologytechnology convergencevirtual reality • world of gaming

CONTRIBUTOR

Simon Perkins
03 JULY 2011

Chris O'Shea @ Nottingham GameCityNights Episode 6

"Headlining Episode 6 is artist and designer Chris O'Shea, known internationally for his immersive, interactive multimedia work. Using Microsoft's Kinect, Chris will be talking us through the melding of videogames and play into contemporary art, with demonstrations of his previous and current projects."

(GameCityNights, 24 June 2011)

Fig.1 Chris O'Shea (2010). "Air Guitar prototype"

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TAGS

2011 • 3D skeletal tracking • air guitar • applied research • artist and designer • artistic practiceBritish artistChris OSheaconceptualisationcorrelative analoguedesign researchdesign researcherdesignerdevice • Dr Sketchy • experimentationGameCity • GameCityNights • gamesgraphic representationguitarGuitar Hero • hand tracking • high-fidelity prototypehistogramimmersiveinteraction designinteractive multimediainteractive music gamesKinect • LibFreenect • MicrosoftNottingham • OfxKinect • OpenCVOpenFrameworks • OpenKinect • OpenNI • playingpractice-ledprototyperesearch project • Rock Band • speculative designtheory buildingUKusabilityvideogames and playvisualisationXbox Kinect

CONTRIBUTOR

Simon Perkins
29 JULY 2010

70 Billion Pixels Budapest: 360 degree panorama image

"The observation tower of János–hegy [the Elizabeth Lookout on János Hill is], the highest vantage point of Budapest with a 360 degree panorama, was an obvious location. It also allowed us to take on previous world records in both the 'highest definition image' and the 'largest spherical panorama' category. When contacted, the Council of District XII informed us on the upcoming anniversary of the tower. We agreed to cooperate in commemorating the September 2010 event by setting up new world records–give them our best shot if you please. ."

(360systems Ltd., 360world.eu)

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TAGS

2010 • 70 Billion Pixels Budapest • anniversaryauthenticityBudapestcameradeviceEarth • Elizabeth lookout tower • environmentEpsonfidelity • gigapixel photography • high definitionHungaryimmersionimmersive • Janos Hill • locationMicrosoft • observation tower • panoramaphotophotographyrealism • September 2010 • Sonyspectacle • spherical panorama • technologytowervisualisation

CONTRIBUTOR

Simon Perkins
18 APRIL 2010

Blur Building: Anti high-definition and visual fidelity

"The Blur Building was built for the Swiss Expo 2002 on Lake Neuchatel. It is an architecture of atmosphere. The lightweight tensegrity structure measures 300 feet wide by 200 feet deep by 75 feet high. The primary building material is indigenous to the site, water. Water is pumped from the lake, filtered, and shot as a fine mist through 31,500 high–pressure mist nozzles. A smart weather system reads the shifting climactic conditions of temperature, humidity, wind speed and direction, and processes the data in a central computer that regulates water pressure.

Upon entering the fog mass, visual and acoustic references are erased, leaving only an optical 'white–out' and the 'white–noise' of pulsing nozzles. Blur is an anti–spectacle. Contrary to immersive environments that strive for high–definition visual fidelity with ever–greater technical virtuosity, Blur is decidedly low–definition: there is nothing to see but our dependence on vision itself."

(Diller Scofidio + Renfro)

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TAGS

2002 • anti-spectacle • architecture • architecture of atmosphere • Blur Building • Diller + ScofidioDiller Scofidio + Renfrofidelityfoghigh-definitionimmersiveimmersive environments • Lake Neuchatel • Liz Dillerlow-definition • mist • natureRic Scofidio • smart weather • spectaclestructure • Swiss Expo 2002 • technical virtuosity • tensegrity • visual fidelitywater • white noise • white-out • Yverdon-les-Bains

CONTRIBUTOR

Simon Perkins
21 FEBRUARY 2010

360 Panoramic Video Capture and Recording

"You have probably seen several times in the past, those immersive digital photographs in which you can easily look up and down and turn your vision all around in full 360° glory. The 360° panoramic new year's eve of 2003 in Times Square, New York, has been one of my first memorable favorites, as it captures so well the thousands of emotions and different people celebrating on the street at once.

But video technology is now surpassing even these spectacular capabilities, by delivering navigable 3D, immersive video which as good or better than the 360° navigable images you and I have seen until now.

Check this video out. Once it starts rolling, click and move your mouse in different directions. You will be surprised to see that you can now fully navigate also inside moving video images.

The visual impact is really quite shocking, especially if, this is the very first time you are in front of a 3D, immersive and fully navigable video.

This spectacular feat is achieved by utilizing eleven video streams arranged according in a geodesic fashion. By doing so it is possible to capture an almost complete spherical image; a high–resolution 360 degree view of surroundings that is seamlessly stitched together.

Immersive navigable 3D movies can integrate GIS coordinates and other metadata to create highly informative, educational or life–saving emergency and assistance video guides.

The company behind this impressive new media technology is Immersive Media Corp., based in Calgary, Canada. The company also owns the wholly–owned subsidiary Immersive Media Company, based in Portland, Oregon.

The dodecahedron, with its twelve symmetrical pentagonal facets, is the most natural geometric division of a sphere for immersive image capture. It offers symmetrical, standardized divisions of the sphere that make the most of the image produced by each lens, and produces even resolution in every direction, better blending of the images, and more even illumination of the overall scene.

Perfectly equal and parallel faces, edges and corner angles, and divisions according to the Golden Ratio: A/B=(A+B)/A

It is the most natural geometric division of a sphere for immersive video image capture. It produces:

The enormous number of pixels recorded enables the highest image quality in every direction. The result is consistent image resolution across the entire spherical frame, with photographic realism and full motion.

Over 100 million pixels per second are recorded, resulting in spherical frames of 2400x1200 pixels, 30 frames per second. With the Telemmersion System, software is not required to correct sub–standard image resolution.

Images may be viewed spherically using the IMViewer software for looking around, or in an overall panoramic sphere movie format utilizing standard video playback platforms such as Windows Media® Player or QuickTime®."

(Edited by: Luigi Canali De Rossi)

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TAGS

360 degree view360 degrees3D • Calgary • Canadadigital photographydodecahedrongeodesicGISgolden ratioimage captureimmersionimmersive • immersive image capture • Immersive Media Company • immersive photography • immersive video • IMViewer software • navigable 3D • navigable images • new media technology • New YorkOregonpanorama • panoramic sphere • photographic realismphotographyPortland (Oregon)QuickTimespectacle • spherical • stereoscopic • symmetrical • Telemmersion System • Times Squarevideo • video playback platforms • video technology • visual impact • Windows Media Player

CONTRIBUTOR

Suttana Keyuraphan
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