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Which clippings match 'Mixtape' keyword pg.1 of 1
22 AUGUST 2017

ReorderTV: a mixtape of playful, critical and absurd video cut-ups

ReorderTV is an online platform created by Simon Perkins designed as a curated collection of video cut-ups, which challenge, engage and entertain. The collection showcases a variety of clips: some distinctly playful, others critical and some simply absurd.

The site doesn't have traditional menu to make user-selections, instead clips simply begin playing full-screen in reverse-chronological order, from the most recent to the much older. While each clip has an associated permalink for sharing, play-progress is maintained to enable users to restart watching where they left off.

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CONTRIBUTOR

Simon Perkins
20 JULY 2012

Veengle: online tool for creating video compilations

"You can create video compilations and share it with friends. You can share your created videos almost anywhere (e.g. to your website, your blog, other social networking websites).

During Beta stage, Veengle will handle only youtube videos. When the full version is ready, users will be able to upload their videos directly to Veengle."

(Veengle)

[This tool which was located at: http://www.veengle.com/about is longer in operation.]

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CONTRIBUTOR

Simon Perkins
22 OCTOBER 2011

A mixtape of animation and musical styles

"To celebrate the Red Bull Academy World Tour, the Academy produced a music film that encompasses musical styles from around the world.

Berlin: The soundtrack for this clip is inspired by one of Hansa's iconic album's Iggy Pop's Lust for Life. Like the creation of the music in the studio, the cityscape is built from the many organic, analogue musical artifacts used in the recording studio. Tape creatures climb across the concrete city jungle towards the Berlin Wall–a nod to the studio's physical location.

Paris: The visual inspiration for the Parisian leg of the tour is an collision between the flesh and blood textures of the African soul and funk that comprised the concert, and the architectural backdrop of Paris–the home of the Afrobeat Picks event. Musically, the rhythm builds and the acoustics echo and bounce off the city walls as we travel across the avenues.

Detroit: Inspired by the Detroit automotive industry, from the start the viewer is immersed inside the iconic TR 909 drummachine–a nod to the intersection of man and machine central to the city's musical innovation. As we travel through a CG circuit board city, the cyclical nature of the assembly line process is increasingly apparent transitioning us from the hey days of Motown R&B to the minimal stylings of techno. The theme of repetition was also carried through to the construction of the musical score.

Toronto: The animation style here is directly referenced from the iconic soundclash album Scientists meets the Space Invaders. The four superhero characters battle it out across the streets of Toronto–each one representative of one of the four soundclash crews competing in this event, Afrika Bambaataa's Zulu Nation, Mad Decent, LuckyMe and Toronto All Star. The beginning of the battle is marked by the sound of the airhorn, a nod to the dancehall musical score underpinning this piece.

Melbourne: The bright, visually rich palette of this section is inspired by the coastal location of Melbourne city. Like the experimental nature of the event itself, the narrative of this film explores the relationship between sound and space. The audio of the Melbourne tram chimes set off a wave of fluid illustrated animations that bounce around the screen, visually inspired by traditional aboriginal paintings.

New York: When hip–hop first emerged in the 70s it was the ghetto blaster that amplified the sound of New York streets to the world. To pay hommage, the setting of this film was built from the original tape deck devices. We see a Hudson River constructed of unwound mixtapes. The trains all disappear to one of the five boroughs, a nod to the albums and boroughs celebrated in this event.

Rome: Italy and the Cinecitta studios are credited for producing some of the most influential cinematic masterpieces ever. To celebrate this we created a film that paid tribute to the different genres, from comedy to spaghetti western, 70s cop films & blood–filled horror flicks to psychedelic animations, in one narrative mash–up. A Spaghetti Western inspired track provides the aural backdrop as we pan across the scene culminating in a classic Sergio Leone shot. Along the way we reveal a chaotic assortment of villains, ghouls and policeman all participating in one comedic battle conducted to the tunes of a dead Mexican mariachi band.

London: Inspired by the event theme, Revolutions in Sound, we wanted to create a dominating creature that visually embodies the innovative qualities of the event itself. As the camera cuts around the robot's CG body we see it is inspired by components of modern London architecture. His head is a pulsating subwoofer, an iconic musical artifact central to London's influential bass music scenes and inside his chest we see the magnificent London Eye, the heart of the event itself."

(Red Bull)

Fig.1 'Red Bull Academy World Tour' (2011). Passion Pictures

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TAGS

20112D3D • airhorn • animation • animation style • architectural backdrop assembly line • automotive industry • BerlinBerlin WallCGcircuit boardcitycityscapecoast • concrete jungle • cut-up • dancehall • Detroitdrum machine • ghetto blaster • hip-hophommageIggy PopItalyLondon • London Eye • low-fiMelbournemixtapeMotownmusic videomusical scoremusical stylesNew YorkParisPassion Picturespsychedelic • Red Bull • Red Bull Academy World Tour • repetition • Revolutions in Sound • robotRome • Sammy Bananas • Sergio LeoneSpace Invadersspaghetti westernstop motionsuperherotape deck • techno • Toronto • TR 909 • tram

CONTRIBUTOR

Simon Perkins
07 SEPTEMBER 2011

ccMixter: downloadable Creative Commons music

"ccMixter is a community music site featuring remixes licensed under Creative Commons where you can listen to, sample, mash–up, or interact with music in whatever way you want."

(ccMixter)

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TAGS

authorship • ccHost • ccMixterCreative Commonscreative commons audiodownloadmash-upmediamixtapemusicremixremix cultureroyalty free • royalty free music • scriptiblesharingWired (magazine)

CONTRIBUTOR

Simon Perkins
22 MAY 2011

Mixcloud: joining the dots between radio shows, Podcasts and DJ mixes

"Quite simply, Mixcloud helps connect radio content to listeners more effectively. Mixcloud is re–thinking radio by joining the dots between radio shows, Podcasts and DJ mixes. We refer to them as Cloudcasts – audio shows that are stored in the 'cloud' and available to be streamed on–demand.

A Cloudcast is an extended audio show that is hosted in the 'cloud', in other words hosted somewhere centrally on the Internet rather than on your local hard–drive. Therefore, unlike Podcasts, Cloudcasts can be enjoyed via on–demand streaming without any waiting required. ...

Mixcloud is a legal platform for on–demand radio shows, Podcasts and DJ mixes which contain copyrighted music. The only licensing option available at present is a streaming format, and Mixcloud is committed to providing a legal option which supports artists and ensures they receive royalties for the shows and mixes which contain music. In addition, the site can keep track of what you (and your friends) listen to, so we can make better recommendations and provide a more personalised site tuned to exactly what you like to hear."

(Mixcloud)

TAGS

2011audio • audio shows • authorshipcloud computing • cloudcast • compilationcopyrightcustomdigital audioDJDJ mixes • favourite songs • joining the dots • listeners • mix of songs • Mixcloud • mixed tape • mixes • mixtapemusicon-demand • on-demand streaming • personal mixtape • personalised • playlistpodcast • podcasts • PPL • PRS for Music • radio • radio content • radio shows • recommendationremixremix cultureroyaltiesscriptible • streamed on-demand • streaming format • what you like to hear

CONTRIBUTOR

Simon Perkins
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