Not Signed-In
Which clippings match 'Architects' keyword pg.1 of 2
26 MARCH 2013

Drawing as a conversation which prompts new imaginings

"Perception of external sources of inspiration prompts new imaginings. Research on the role of externalisations in design thinking has concentrated on the role of sketching[14]. Schön[15] has shown that for many architects, sketching is an essential part of creative design, and creation is driven by making and perceiving sketches; Schön characterises design as an interactive conversation between mind and sketch. Designers directly appreciate different types of information in their own sketches[16], alternating between seeing that and seeing as[17]. Ambiguity in sketches facilitates reinterpretation triggered by dissatisfaction with the current design[18]. For designers who make active use of sources of inspiration in designing, they play a similar role to designers' own sketches."

(Claudia Eckerta, Martin Stacey, p.526, 2000, Design Studies)

[14] Purcell, A T and Gero, J S 'Drawings and the design process' Design Studies Vol 19 (1998) pp 389–430
[15] Schön, D A The reflective practitioner: how professionals think in action Basic Books, New York (1983)
[16] Schön, D A and Wiggins, G 'Kinds of seeing and their functions in designing' Design Studies Vol 13 (1992) pp 135–156 [17] Gabriela Goldschmidt 'The dialectics of sketching' Creativity Research Journal Vol 4 (1991) pp 123–143 [https://blog.itu.dk/DIND–E2010/files/2010/10/goldsmidt_dialectics_paper.pdf]
[18] McFadzean, J, Cross, N G and Johnson, J H 'Notation and Cognition in Conceptual Sketching' in Proceedings, VR'99 Visual and Spatial Reasoning in Design MIT Press, Cambridge MA (1999)

Claudia Eckerta, Martin Stacey (2000). "Sources of inspiration: a language of design", Design Studies, Volume 21, Issue 5, September 2000, Pages 523–538

TAGS

2000architectsClaudia Eckert • conceptual prompt • conversation with the situationcreative designcritical investigationdesign inspirationdesign languagedesign methodDesign Studies (journal)design thinkingdesigningDonald Schondoodlingdrawing • drawing experiments • drawing ideasdrawing studyimagining • inspiration prompts • interactive conversation • knitwear design • making sketches • Martin Stacey • new imaginings • reinterpretationseeing and doingseeing asseeing thatshared cultural referencesketchingsources of inspirationthinking through drawingthinking toolstriggering ideasvisual problem-solving • visual prompt • visual study

CONTRIBUTOR

Simon Perkins
28 JUNE 2012

MoodShare: a virtual moodboard

"MoodShare allows you to make and share multi–user collaborative mood boards. Find media and create boards faster than ever before, and then connect with the wider team to build consensus in real–time.

MoodShare was designed for everyone in the business of selling ideas – advertisers, designers, architects, directors, photographers and writers. It also makes a great briefing tool for commissioning creatives."

(Mooooodle Limited, 2011)

1

TAGS

2011advertisersarchitects • briefing tool • build consensus • collaboration • collaborative mood board • collection of ideascommissioning creativescommunication tooldesigners • directors • information sharinglightboxmedia sharingmedia sharing appsmoodboard • MoodShare • multi-userorganise and sharephotographers • selling concepts • selling ideas • sharing • sharing technology • sketchtoolvisualisationwriters

CONTRIBUTOR

Simon Perkins
14 APRIL 2012

Achim Menges: Architecture and Product Design Research

"Architecture as a material practice is predominately based on an approach to design that is characterised by prioritising the elaboration of form over its subsequent materialisation. Since the Renaissance the increasing division between processes of design and making has led to the age–long development and increasing dependence on representational tools intended for explicit, scalar geometric descriptions that at the same time serve as instructions for the translation from drawing to building. Inevitably, and with few exceptions, even in today's digital practice architects embrace design methods that epitomize the hierarchical separation of form definition and materialisation.

The research of the Institute for Computational Design explores an alternative, morphogenetic approach to design that unfolds morphological complexity and performative capacity from material constituents without differentiating between formation and materialisation processes. This requires an understanding of form, material, structure and environment not as separate aspects, but rather as complex interrelations that are embedded in and explored through integral computational processes.

The notion of material system constitutes one central aspect of this research. Material system does not only refer to the material constituents of a building alone, but rather describes, in a system–theoretical sense, the complex reciprocity between materiality, form, structure and space, the related processes of production and assembly, and the multitude of performative effects that emanate from the interaction with environmental influences and forces. This conceptualization of material systems enables the utilization of computational design processes. The ability of computation to simultaneously do both, stochastically derive and systemically process complex datasets within a defined or evolving constraint space, can be utilized to explore a material system's performative capacity within its materially determined limits. Furthermore, continuously informing the form generation with different modes of computational analysis enables a direct link between the ontogeny, the history of structural changes of an individual, and its interaction with external forces and energy respectively, that is its ecological embedding. This enables to conceive of material systems as the synergetic outcome of calibrating and balancing multiple influencing variables and divergent design criteria, which always already include the interaction with the system–external environment. The resultant environmental modulations can now be understood as highly specific patterns in direct relation to the material interventions from which they originate.

The design of space, structure and climate can be synthesized in one integral design process."

(Achim Menges, Achimmenges.net)

1

TAGS

Achim Menges • architectsarchitectural conjecturearchitecture • bifurcation between theory and practice • building • complex datasets • computational design • computational design processes • computational processes • cultural technologydesign and makingdesign methods • design of space • design processdesign researchdigital practice • elaboration of form • environmental influences • environmental modulations • European Renaissanceform • form definition and materialisation • formation and materialisation • hierarchical separation • history of structural change • Institute for Computational Design • latticematerialmaterial interventionsmaterial practice • material systems • materialisationmateriality • materially determined limits • modes of computational analysis • morphogenetic approach to design • morphological complexity • ontogenesis • performative capacity • performative effects • product designproduction and assembly • representational tools • scalar geometric descriptions • space • stochastic • structure • synergetic outcome • synergy • system-theoretical sense • systemically process • theory and practice • translation from drawing to building • wood • wood lattice

CONTRIBUTOR

Simon Perkins
12 AUGUST 2011

Ideas Expo: building a new Creative Christchurch through precincts

"Fifteen urban designers, business leaders, arts and tourism representatives, geo–tech experts, architects, environmentalists, students and a Central City resident for 57 years will share their ideas for Christchurch's Central City in the Speakers' Corner at this weekend's (14 and 15 May) community expo."

(Rebuild Christchurch, 14 and 15 May 2011)

[It's not very often that whole cities are re–designed as is the case with Christchurch in Aotearoa New Zealand. While earthquakes continue to shake the region Christchurch residents are making plans for the future. The Christchurch City Council invited key stakeholders to present their perspectives as part of their public consultation process. In doing so Christchurch Polytechnic Institute of Technology (CPIT) Dean Dr. Jane Gregg and Creative Industries Faculty Stakeholder Manager Martin Trusttum explain their vision for a "Creative Christchurch" based on the concept of precincts.]

1
2

TAGS

2011Aotearoa New Zealandarchitectsarts community • arts representatives • buildingCBD • central city • ChristchurchChristchurch City Council • Christchurch Polytechnic Institute of Technology • citycivic engagement • community expo • constructionCPIT • Creative Christchurch • creative economycreative industriescultural precinctdemocratic participationearthquakeidealisminfrastructureinhabitationinnovation • interconnected spaces • Jane Gregg • knowledge-based economylandscape futuresMartin Trusttumnodeparticipation • precinct • redevelopment • reterritorialisationsettlementSouth Islandtabula rasatheme parktransformation • urban designers • urban planning

CONTRIBUTOR

Simon Perkins
16 JULY 2011

One Hit Wonders: singers and groups who made a single hit song and were never heard from again

"The history of popular music is haunted by the ghosts of scores of singers and groups who made a single hit song and were never heard from again. Periodically radio stations that specialize in classic rock will devote a weekend to these one–hit wonders"

(David W. Galenson)

Galenson, David W., One Hit Wonders: Why Some of the Most Important Works of Modern Art are Not by Important Artists (November 2004). NBER Working Paper Series, Vol. w10885, pp. –, 2004. Available at SSRN: http://ssrn.com/abstract=618522

Fig.1 C. W. McCall (1975). "Convoy"; Fig.2 Promises (1978). "Baby it's You"; Fig.3 The Swingers (1982). "Counting The Beat"; Fig.4 Deee–Lite (1990). "Groove Is In The Heart"; Fig.5 OMC (1995). "How Bizarre"

1
2
3
4
5

TAGS

19751978198219901995 • American Gothic • architects • artistic one-hit wonder • artists • best of • Bring Down the Birds • career • Centre Georges Pompidou in Paris • classic rock • conceptual innovation • early career • greatest hits • hit song • individual works • innovationinnovative ideas • isolated achievements • major works of art • masterpiecemusicmusic videonew approachesnew ideasnovelty • one-hit wonders • painters • popular music • radio stations • sculptors • singers • Vietnam Veterans Memorialvisual artistsWashington DC • works of modern art • young practitioners

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.