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Which clippings match 'Inception (2010)' keyword pg.1 of 1
30 MAY 2014

Digital Revolution: an immersive exhibition of art, design, film, music and videogames

Exhibition: Digital Revolution at The Barbican Centre, London from 3rd July – 14th September 2014.

"Digital Revolution is the most comprehensive presentation of digital creativity ever to be staged in the UK. This immersive and interactive exhibition brings together for the first time a range of artists, filmmakers, architects, designers, musicians and game developers, all pushing the boundaries of their fields using digital media. It also looks at the dynamic developments in the areas of creative coding and DIY culture and the exciting creative possibilities offered by augmented reality, artificial intelligence, wearable technologies and 3–D printing.

Contribute to new commissions including Google's DevArt, an installation by global music artist and entrepreneur will.i.am and artist Yuri Suzuki and works by artists Umbrellium, Universal Everything, Seeper and Susan Kare (Mac Paint designer). Experience Oscar–winning visual effects behind Christopher Nolan's Inception and Tim Webber's Gravity, or go back in time to play classic videogames like Pacman and Space Invaders."

Chris Milk The Treachery of Sanctuary, 2012 The Creators Project, a partnership with Intel and VICE photography by Bryan Derballa.

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CONTRIBUTOR

Simon Perkins
06 SEPTEMBER 2011

Inception: zero gravity fight scene

Fig. 1&2 Christopher Nolan (2010). "Inception"

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TAGS

2010Christopher Nolandesigndevice • Ellen Page • fight sequencefigures in spacegravityin the mindInception (2010)Joseph Gordon-LevittLeonardo DiCapriolucid dreamingmise-en-scene • rotating corridor • rotating hallway • solutionspecial effectsvisual effectsvisual spectacle • zero gravity

CONTRIBUTOR

Simon Perkins
17 MAY 2011

Keeping Britain's special effects dream alive

"The country's reputation as the go–to Hollywood alternative was underlined at this year's Academy Awards when London–based Double Negative picked up the visual effects Oscar for its work on Inception.

The company, which has also been involved in the Harry Potter and Batman series, employs around 950 people at its headquarters in Soho.

Across the UK, approximately 5,000 people work in SFX post–production, according to the UK Screen Association.

But while business is currently booming, there are dark, computer–generated, clouds on the horizon.

A report, commissioned by the government and published earlier this year, delivered a worrying prognosis.

It warned that, while special effects was enjoying a rapid growth, the sector was also 'having to source talent from overseas because of skills shortages at home'.

The study, entitled Next Gen, concluded: 'That is mainly a failing of our education system – from schools to universities and it needs to be tackled urgently if we are to remain globally competitive.'

Part of the problem is the lack of awareness of the profession among young people, according to Paul Franklin, a visual effects supervisor and part of Double Negative's Oscar–winning team.

'There is not a huge amount of information available to them,' he told BBC News.

'Typically you tend to find that students who are seeking out courses in visual effects and film–making are the self motivated types who have gone out and found the information themselves.'

'It is something we work very hard at, but schools and colleges could be more aware about how a creative art education can be applied in the world of high–end modern digital media,' he said."

(BBC News, 14 May 2011)

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TAGS

Academy Award • accolade • American Academy of Motion Picture Arts and Sciences • AMPAS • Batmancomputer-generated • creative art education • creative careercreative economydesign curriculadesign disciplinedesign professiondigital mediaDouble Negativeeducation systemfilmmaking • globally competitive • Harry PotterHollywoodInception (2010) • lack of awareness • LondonNext Gen. reportOscar • Paul Franklin • post productionprofessional practiceSFXskills shortageSohospecial effectsstudentUK • UK Screen Association • VFX industriesvisual effects • visual effects supervisor

CONTRIBUTOR

Simon Perkins
13 MARCH 2011

Inception remade as a 60-second Victorian woodcut animation

"This Gilliamesque 60–second adaptation of Inception uses delightful Victorian woodcuts to tell the story. It was an entry in a Jameson's whisky competition by Wolfgang Matzl."

(Cory Doctorow, 11 March 2011, Boing Boing via Super Punch)

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TAGS

2D2D animation • 60 second short film • adaptationanimation • Austrian animator • creative practicedesignillustrationillustrative styleInception (2010)motion designone minute filmpapercraftremix culturerevisionsequence designshort filmstop motionVictorianvisual artsvisual communicationvisual design • Wolfgang Matzl • woodcutwoodcut animation • woodcut illustrations

CONTRIBUTOR

Simon Perkins
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