"Nell’America che ha eletto Donald Trump nuovo Presidente degli Stati Uniti c’è chi si batte per la difesa del diritto costituzionale e al porto delle armi da fuoco. Ma le conseguenze ce la racconta la cronaca con il lungo elenco di delitti o di incidenti per l’uso domestico di pistole e fucili. Come se fossimo in un moderno Saloon del Far West Donald Trump è, per i costruttori, il simbolo di tutto ciò."
(Carnevale di Viareggio, 2017)
"The second US presidential debate was characterised by levels of vitriol never before seen on the US political stage.
But while millions of viewers across the world watched in horror as the Donald Trump and Hillary Clinton bloodied themselves over the Trump tapes, Clinton emails, tax, Syria and Obamacare, others saw the opportunity for humour.
Enter the memes.
The combination of microphones and roaming candidates, aided by the town hall-style of the debate in St Louis, proved fertile ground for imagining an alternate reality – one where Clinton and Trump were serenading each other.
As the debate ground on the #debatesongs hashtag spawned memes of the pair singing along to duets from Frozen, Grease and – probably most memorably – Dirty Dancing."
(Bonnie Malkin, 11 October 2016, Guardian Unlimited)
"Giving credence to the theory that our entire country is run by children, Parkinson has taken some of the brattiest members of Australia’s 45th Parliament, including dibber dobber George Brandis, nap-time enthusiast Derryn Hinch and that weird kid named Cory who just wants someone to pay attention to him, and seamlessly inserted them into Arnold Schwarzenegger’s criminally underrated 1990 comedy Kindergarten Cop."
(Tom Clift, 11/9/2016)
Photography exhibition 'Wunderland' by Frank Kunert, 10 April to 7 June 2015, La Chambre, 4 place d’Austerlitz, 67000 Strasbourg.
"More than simply a photographic satire, the 'miniature worlds' of Frank Kunert are compositions of ideas, models of sets which he spends weeks and months meticulously putting together from plastic, modeling clay and paint until the results are perfect, almost lifelike. These 'miniature worlds' are funny, bizarre, grotesque, contemplative, dreamy, but also provocative and critical. It's up to the viewer to decide if he finds them entertaining or macabre, or how far he's willing or able to follow the stories Kunert tells."
(The Eye of Photography, L’Oeil de la Photographie)