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Which clippings match 'Human Skeleton' keyword pg.1 of 1
29 FEBRUARY 2016

Hominid: an animated short film teaser

Written and Directed by Brian Andrews; Animation Supervisor: Joe Daniels; Lead Character Technical Director: Rodney Brett; Character Technical Director: Omar Garcia, Rob Garcia, Andrew Manuel; Story Artist: Janine Labar; Animation: Jason Alas, Brittany Barnes, Denice Dehelean, Andrew Manuel, John Treleaven, Tim Xenakis; Shading: Vincent Jaramillo, Matthew Picasso; Modelling: Pedro Ferreira, Dakota Fulmer, Sam Hedberg, Abraham Rodriguez, Joshua Roth, Darrell White; Compositing: Kyle Greenberg, Nate Rodriguez; Dynamic Effects: Tyler Giusti; Sound Design: Bryan Atarama, David Claudio; Composer: Jordan Suhr; Title Design: Adrian Amler, Patches, Angela You; Thanks to: Andrew Dayton, Adrian Miller, John Scanlon, Andrew Schlussel, Josh Qualtieri. Produced at Ex'pression College for Digital Arts. Copyright 2011 Brian Andrews.




20113D animationanimated sequence • animated short • animated short film • animated teaser • atmospheric presence • bones • Brian Andrews • chase scenecreaturedangerous environments • Expression College for Digital Arts • flying creature • frog • Hominid (2012) • hominidae • hominids • human skeleton • human x-ray • humanoidmonochromatic • photo-composite • sepiaskeletonspiderteaser trailertranslucence • veterinary x-ray • visual style • winged creature • x-ray


Simon Perkins
06 JUNE 2013

The World's Loveliest Advertisement For Death

"Funeral homes are purposely dour, all subdued blacks, hushed grays, and buffed dark cherry wood. It would seem that design flourishes have no part to play in this (non)aesthetic. In Japan, in fact, it's taboo to break this monochromatic code. But a new advertisment for Nishinihon Tenrei funeral parlor goes against the grain.

Produced by ad agency I&S BBDO, the life–sized poster depicts a human skeleton recreated in colorful flower petals set on an arresting white background. Kneecaps are made from sunflowers, links of green leaves trace out rib cages, and arched rows of pink roses form the silhouette of the crown of a skull.

The poster, which recently took home a One Show Design Merit Award, was the brainchild of Mari Nishimura, creative director at I&S BBDO. The idea for the image came from his own experience with death, he tells Co. Design. Nishimura was left with 'profound feelings' of his late father's funeral, which, incidentally enough, was held at the Nishinihon Tenrei funeral parlor."

(Sammy Medina, 29 May 2013, Co.Design)



advertisment • art directionBBDOcollagecolourdeathdevastating tsunamisflowersfuneral • funeral home • funeral parlour • human skeletonillustrative styleJapanJapanese • Mari Nishimura • Nishinihon Tenrei • One Show Design • petals • posterremembranceskeletontsunami


Simon Perkins
19 FEBRUARY 2004

(mis)representation, As A Living Thing

The sixteen stripped–down monitors in Hill's "Inasmuch as It Is Always Already Taking Place", which range in size from the eyepiece of a camera to the dimensions of an adult rib cage, are set on a shelf recessed five feet into the wall, slightly below eye level. The size of each monitor corresponds to the size of the particular section of the body recorded on the video loop: a soft belly that rises and falls with each breath, a quadrant of a face with a peering eye.The arrangement of the monitors does not follow the logical organisation of a human skeleton. Representations of Hill's ear and arched foot lie side by side; tucked modestly behind them is an image of his groin. On a torso–size screen, smooth, taut skin stretches over the ridges of bone that shape the human back. The image fills the frame, and the monitor, given its equivalent size, is perceived as part of the body: an enclosure, a vessel. Monitor and image exist as a unified object, as representation, as a living thing.The long, nervelike wires attached to each monitor are bundled together like spinal chords and snaked along the shelf, to disappear from view at the back of the recess. Although it unites the system of monitors, this electrical network emphasizes that the body parts are presented as extremities, without a unifying torso. The hidden core to which the components of the body are attached serves as a metaphor for a human being's invisible, existential centre: the soul.



anatomybodyHillhuman skeletonmonitortorso

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