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Which clippings match 'Academic Discourse' keyword pg.1 of 1
07 NOVEMBER 2012

Research Catalogue: international database for artistic research

"The Research Catalogue (RC) is a searchable database for archiving artistic research. RC content is not peer reviewed, nor is it highly controlled for quality, being checked only for appropriateness. As a result, the RC is highly inclusive.

The open source status of the RC is essential to its nature and serves its function as a connective and transitional layer between academic discourse and artistic practice, thereby constituting a discursive field for artistic research.

The RC creates a link between (1) elaborated documentation of the work; and (2) expositions and comments that engage with the contribution of the work as research.

Given that the RC is a site for artistic research, to add a work is to make a claim that the work can be seen as research; through expositions, comments and articles the initial claim is transformed into an argument. It is believed that the reflective space provided by the RC can become an essential part of the research process by providing a suitable structure in which to develop the relationship between documentation and exposition, whilst also retaining congruence with art itself.

Clearly, the RC is the backbone of JAR: potential JAR expositions emerge from the range of the artistic research activities taking place in it for peer–review and development within the RC space itself. Authors may nominate or JAR editors may select expositions for development as JAR contributions.

If you believe that RC software might also support your research database needs then explore the possibility of using the RC as your repository, by contacting us."

(Society of Artistic Research)

TAGS

academic discourse • ARC (acronym) • archiveartistic practiceartistic research • artistic research archive • Artistic Research Catalogue • artistic works as research • artistic works research • commentscreative practice researchcritical commentarydiscourse and practicediscursive field • discursive field for artistic research • documentation and exposition • elaborated documentation of the work • expositions • inclusive arts • information in context • intellectual argument • international database • international design discourseinterpretationJAR (journal)Journal for Artistic Research • journal management system • Karlsruhe University of Arts and Designknowledge commonsknowledge productionknowledge repositoryknowledge sharingnew voicespeer-reviewed • RC (acronym) • reflective space • research archiveresearch articlesResearch Catalogue (service)research collectionresearch databaseresearch processsearchable databasesharing and distributing knowledgesharing ideasSociety for Artistic Research (SAR) • the work as research

CONTRIBUTOR

Simon Perkins
12 MAY 2011

John Berger: Ways of Seeing

"Published in 1972 and based on a BBC television programme of the same name, this is a very influential text on art criticism. Although the book and programme make the same case, they do so in slightly different ways, and the programme is well worth watching. For the photographer, the book has the advantage of putting photography in the context of western art. For the student new to critical theory, it has the advantage of being produced for a mass audience, and has as a central aim the de–mystification of art. These two points make it relatively easy to understand. A further advantage this book has is that many students have not had the opportunity to study photography, but have studied art, and so the book presents a logical progression for them when they start to study photography.

The television programme is divided into four sections and although the book is divided into seven chapters (three being made up solely of images), the book also covers four areas."

(John Berger, 1990)

John Berger (1990). 'Ways of Seeing: Based on the BBC Television Series', Penguin

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TAGS

1972academic discourse • advertising photography • artart criticismauthorshipBBC • buying power • commercialisationconnoisseurshipconsumerism • demystifying • John Bergermass audiencemeaningmechanical reproduction • modern consumerist society • nude in western artobjectification of women • objectified women • oil painting • photographic reproduction • photographypictorial reproduction • power of money • publicity • realismrepresentationseeingsocial constructionismspectacletelevision documentarytelevision programmetraditionvisual culturevisual depictionvisual languagevisual literacyvisual representational strategiesWays of Seeingwestern art • what we know

CONTRIBUTOR

Simon Perkins
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