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Which clippings match 'Formal Conceit' keyword pg.1 of 2
12 DECEMBER 2014

Sex Criminals: high-concept comic book about time freezing deviance

"Suzie's a normal girl with an extraordinary ability: when she has sex, she stops time. One night she meets Jon... who has the same gift. And so they do what any other sex–having, time–stopping, couple would do: they rob banks."

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2013alternative cartoons • alternative culture • arresting time • bank robbing • Chip Zdarsky • comedy seriescomic bookcomicscriminal actsdeviance • deviant desires • formal conceit • freeze time • frozen in the momentfrozen in timefrozen momentgraphic novelhigh concept • Image Comics • in media resindividual gaininterzoneliminality • Matt Fraction • mature readers • moment of climaxopportunityorgasmpetite mort • robbing banks • rule of law • sex comedy • Sex Criminals (comic book) • slice of frozen timespeculative fictionthefttime

CONTRIBUTOR

Simon Perkins
09 JUNE 2013

Lady in the Lake: the dramatic effect of subjective point of view

"Robert Montgomery drehte 'Lady in the Lake' 1947 nach einem Plot, das Raymond Chandlers gleichnamigen Roman adaptierte. In diesem Spielfilm verfolgen Beobachter die Handlung aus der Perspektive des Detektivs Philip Marlowe: Personen, die sich Marlowe zuwenden und mit ihm sprechen, wenden sich der Kamera zu. Das wirkt in Filmvorführungen im Kino, als wenden sie sich in den Projektionsraum und sprechen die Zuschauer an. Der Beobachter wird zugleich ins Bildgeschehen durch die szenische Konstellation hineingezogen (Immersion), wie auf die Grenze zwischen Filmraum und Projektionsraum verwiesen, da er im Filmraum nicht selbst handeln kann, sich aber wie Marlowe im Bildraum verortet. Marlowe bleibt ein anderer, meist unsichtbarer Körper, der aber sieht und den Anschluss des Beobachters an seine Wahrnehmung einfordert: Die Kamera verleiht ihren Beobachtern einen szenischen Kontext, in den Kinozuschauer sich versetzen können. Sie stossen dabei sowohl auf Vorgaben (wie Marlowe spricht) wie auf Fehlstellen (das Sichtbare von Marlowes Auftreten, wenn er nicht in einen Spiegel schaut)."

(Thomas Dreher, IASLonline)

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1947 • Audrey Totter • black and whitecamera anglecinematic conventionscinematic language • cinematic space • crime fictiondetective storyfilm languagefilm noirfirst-person point of viewformal conceit • hardboiled • hardboiled detective • IASLonline • immersionLady in the Lake (1947)perspective view • Philip Marlowe • point of viewPOV • Raymond Chandler • Robert Montgomery • screen space • subjective shot • subjective viewpoint • visual conceit • visual depictionvisual language

CONTRIBUTOR

Simon Perkins
07 AUGUST 2012

PIXELS: invasion of New York by 8-bit video game pixels

New York invasion by 8–bits creatures ! PIXELS is Patrick Jean' latest short film, shot on location in New York. Written, directed by : Patrick Jean Director of Photograhy : Matias Boucard SFX by Patrick Jean and guests Produced by One More Production www.onemoreprod.com

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8-bit • 8-bits creatures • animationAtari • Brooklyn Bridge • cloudCommodorecreaturecultural literacy • cultural reference • digital culture • Donkey Kong • formal conceit • Frogger • invasionKing Kong • Matias Boucard • New York • NYC Subway • One More Production (agency) • Pac-Manparodypastiche • Patrick Jean • pixelpixelartpixelationpixellation • PIXELS (film) • Pongself-referentialSFXshort filmSpace InvadersTetrisvideo gamevideogamesvisual conventionsvisual vernacular

CONTRIBUTOR

Simon Perkins
05 AUGUST 2012

A Game with No Rules: rear projected Kiwi short film melodrama

"A trio of future Kiwi screen stars smoke, smoulder, steal – and worse – in Scott Reynolds' serpentine short noir. Kane (Marton Csokas) and his Zambesi–clad woman on the side (Danielle Cormack) set about ripping off Kane's rich wife (Jennifer Ward–Lealand) with bloody results. Writer/director Scott Reynolds and longtime partner in crime, cinematographer Simon Raby, serve notice of their talents – and inspirations – with heady lighting, deliberately shonky back projection, and opening titles right out of Hitchcock [Saul Bass inspired]. Muso Greg Johnson supplies the horns."

(NZ On Screen)

Fig.1 Scott Reynolds/Zee Films (1994), "A Game with No Rules" Aotearoa New Zealand, 35mm 16 minutes.

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CONTRIBUTOR

Simon Perkins
09 MAY 2011

Monkey Magazine: a new publishing vernacular?

"In the future, as depicted in the 2002 film Minority Report, our periodicals will create interactive, hybrid reading/viewing experiences–with built–in sound and motion–based commercials rather than static advertisements, incorporating news footage with pages that dissolve and re–form to reflect breaking stories. Despite minute gestures in that direction, such as the Amazon Kindle and G24, The Guardian's PDF newspaper that's updated throughout the day, that vision of media–if there's really a market for it–is a long way off. ...

Nevertheless, something ... is now available weekly from Dennis Publishing, the company that gave the world The Week, Maxim and several other British 'lad magazines' as well as launched their American spin–offs. Monkey is proportioned like a glossy, has an interface that mimics the turning of pages and even has a magazine–like layout: margins, a basic two–column grid, images combined with text and print–like pacing. The difference is that Monkey's text sparkles (literally, if not figuratively), dances and slides onto the page. Many of the photos will turn into movies or slideshows (some rather naughty) when clicked, and on some spreads users can shuffle page elements, substituting one image for another. The format also changes to serve its content. A small mini–magazine with short reviews is digitally 'stitched' into the 'middle' of each issue. Additionally, most advertisements come alive, thanks either to Flash, streaming video or some combination, showing previews of movies or commercials for products framed by the equivalent of a full–page ad.

To be sure, Monkey does nothing that isn't done on other websites, and it has formal predecessors for its page interface–the arty This Is a Magazine, for one, and the webified versions of print glossies from Zinio for another. But unlike the wider web–which has evolved its own vocabulary and conventions for storytelling–and other web magazine predecessors–for which the turn–the–page interface seems a formal conceit–Monkey truly blends old and new media design conventions in a way that is both appalling and appealing."

(Jandos Rothstein, 29 January 2008)

Fig.1 Monkey Magazine, 2011. Dennis Publishing, Issue 183, pp.8,9.

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Adobe FlashAIGAAmazon Kindleanimated presentationcelebritycontent formconventions • Dennis Publishing • design aestheticsdesign conventionsdesign for the screendesign vocabulary • digitally stitched • e-zine • experience design • ezine • formal conceit • G24 • hybridhybrid experiencehybrid forms • lads mag • magazinemagazine layout • Maxim (magazine) • mens magazine • mini-magazine • Minority Report • Monkey Magazine • motion-based commercials • multimedianaughtynew medianews footagenewspaper • page interface • page metaphorpaginationpastiche • PDF newspaper • pin-upprediction • print glossies • print-like • publishingreading experience • screen dissolve • sexslide showstorytellingstreaming videoThe Guardian • The Week (magazine) • This Is a Magazine • triviaturn-the-page interfacevernacularviewing experiencevisual communicationvisual languagevisual vernacularweb designweb magazineweb vernacularwebified • webzine • Zinio (magazine)

CONTRIBUTOR

Simon Perkins
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