Not Signed-In
Which clippings match 'Design And Visual Culture' keyword pg.1 of 1
02 JUNE 2013

The Visual Telling of Stories: a collection of advertising images, magazine spreads and book illustrations

"The website of The Visual Telling of Stories aspires to being a Visual Lexicon, dedicated to the primacy of the Visual Proposition. Above all it tries to create an overall consistency of structure and environment, as if it was all taking place in one characteristic landscape through which you are allowed to wander. The main delight and challenge is the invention of non-linear means of navigation through spaces of knowledge with a created balance of reference and discovery."

(Chris Mullen)

Fig.1 Emile Allais, Roger Frison-Roche, et al. (1947). How to Ski by the French Method: Emile Allais, Technic. Preface by Frison-Roche. Photos and Layout by Pierre Boucher. Translated from the French by Agustin R. Edwards, Éditions Flèche [http://www.fulltable.com/vts/aoi/b/boucher/bc.htm].

1

2

TAGS

advertising imagesadvertising posters • Agustin Edwards • American dreambook designbook illustration • Chris Mullen • collected examples • cultural codescultural narrativesdesign and visual culture • Emile Allais • ephemeragraphic representationimage collectionlogocentricmagazine layoutmaterial culturemiscellaneousnewspapers • personal catalogue • personal collections • pictures tell stories • propaganda • Roger Frison-Roche • vintage advertising • visual codes • visual communicationvisual culturevisual ephemera • visual lexicon • visual taxonomy

CONTRIBUTOR

Simon Perkins
18 JUNE 2012

Art and Design and Built Environment College Research Conference and Festival: Perspectives on the Material World

"Thursday, 28 June 2012, 09.00 am - 17.30 pm, Exhibition-Newton Central Gallery, Conference-Newton LT3, LT37, LT33 and LT32, Welcome 9 am - 9.30 am in Newton Central Gallery, Nottingham Trent University, Nottingham, UK.

All University staff, students and guests are invited to come along to this exciting research conference and festival. The conference has a series of parallel sessions of papers organised round research groups, as well as an exhibition.

This year's innovations will include workshop sessions on the seven candidate REF impact case studies, as well as the involvement of the Future Factory. Video art, production engineering, sustainable consumption, C18 textiles, concrete, knitting - all these and more will be the origin of papers in this year's Art and Design and Built Environment College Research Conference and Festival. This rich collection of research has a common concern to understand and shape our relationship to the material world; physically, socially and philosophically."

(Nottingham Trent University)

1

TAGS

2012 • academia-industry • Art and Design and Built Environment College Research Conference and Festival • art and design conference • art and intermedia • art practicesbuilt environment • C18 textiles • concreteconference • construction management • construction processes • design and visual culturedesign researcheducation and practice • Future Factory • heritage and architecture • impact case studiesintermediaknittingmaterial worldmaterialitymedical deviceNottingham Trent UniversityNTUpedagogy research • perspectives on the material world • product design • production engineering • real estate • REF • REF impact case studies • research conference and festival • research groups • shaping our relationship to the material world • sustainable consumption • sustainable technology • understanding our relationship to the material world • video art • wearable devices • workshop sessions

CONTRIBUTOR

Simon Perkins
08 MAY 2011

Educators who have repeated the same kerning and hand-drawn letterform exercises will find themselves teaching at a school that simply isn't focused on typography anymore

"We are a culture that increasingly questions consumption and advertising, which are at the heart of industrial and graphic design disciplines. We rely on a dynamic and constantly evolving technological platform that touches all aspects of life. There is an increased demand for service-based jobs as our country re-evaluates economic sustainability. People are demanding quality, reflective and meaningful experiences in their world.

Yet design education, as a whole, hasn't embraced these challenges and opportunities.

To be direct and explicit, educators who have taught the same foundation studies courses for years will need to dramatically revamp their courses or face irrelevance. Educators who have repeated the same kerning and hand-drawn letterform exercises will find themselves teaching at a school that simply isn't focused on typography anymore - and tenure notwithstanding, these individuals will find themselves without a role. Educators who are unwilling to retrain themselves will be replaced.

If you are one of these educators, or you work at one of these programs, you may acknowledge these necessary shifts, but find personal action to be difficult. It is difficult. And it's difficult because the shift is large, fundamental and of critical importance. You'll need to read, and take courses, and attend new conferences; you'll need to re-build yourself and your expertise in a new light. You'll go from knowing all of the answers to not even knowing the problems.

But it's no longer a matter of choice. Because if you aren't able to find a new opportunity, a new specialty, and embrace the topics described above, you may soon find yourself alone or replaced. Our subject matter is too important, and our role too fundamental, to leave to the traditions of even great educational movements like the Bauhaus. The subject of design is the humanization of technology, and as long as technological advancements continue, so the pragmatic and day-to-day jobs of designers will continue to morph. And so must design education continue to evolve."

(Jon Kolko, 2010)

Jon Kolko (2010). 'Remapping The Curriculum', AIGA | the professional association for design

AIGA Design Educators Conference "New Contexts/New Practices", October 8-10, 2010, at North Carolina State University in Raleigh

1

TAGS

2010AIGA • AIGA Design Educators Conference • Bauhaus Schoolbusiness realitycall to actionchangecommodityconstantly evolving technological platformconsumptioncraftdesign and visual culturedesign craftdesign culturedesign education • design traditions • designers • economic sustainability • educational movements • educators • foundation studies courses • graphic design disciplinehand letteringhand-drawnhumanisation of technologyidealistic tutors • irrelevance • kerningknowledge and experienceletterform exerciseslifelong learningmeaningful experiencesnew opportunityobsolescencepedagogy • reflective experiences • service-based jobs • teachingtechnological advancementstraditiontraditional techniquestrainingtransformationtypographic principlestypography

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.