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29 NOVEMBER 2013

Free Range: London's Annual Art and Design Exhibition

"Free Range is an Old Truman Brewery special project set up by Tamsin O'Hanlon to provide new creative graduates with the opportunity to showcase their work on an international level. Since its inception in 2001, Free Range has become the number one platform and launch pad for the next crop of creatives to showcase their work to both public and industry. Attracting visitor numbers to rival the largest art events, the annual Free Range exhibitions present the work of thousands of art, design students in several distinct categories including: fashion, art, graphics, photography and interior design."

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2001annual eventart and design graduate exhibitionart and design showBrick Lane Londondesign exhibitiondesign graduatedesign showcasedesign studentdesign talent • fashion exhibition • Free Range (exhibition) • graduate exhibitiongraduate showsgraduate students • graphic design exhibition • interior design exhibition • LondonLondon graduate showsnew creative graduatesOld Truman Breweryphotography exhibitionstudent exhibitionstudent showcase • Tamsin OHanlon • visual art exhibition

CONTRIBUTOR

Simon Perkins
23 JUNE 2013

New Designers: an annual showcase for UK graduate designers

"New Designers will bring you face to face with the next generation of design leaders. Every year it helps thousands of graduates to launch their career at the spectacular Business Design Centre in London, the world's capital of design.

With its longstanding reputation for bringing young design talent and business together, New Designers works with prestigious, forward thinking, innovative companies and organisations.

New Designers takes place at the Business Design Centre, a venue with rich history and a strong connection to the design world. It has launched over 100,000 New Designers into the professional world, with many becoming world famous design icons."

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CONTRIBUTOR

Simon Perkins
23 JUNE 2013

The backstory for the D&AD awards showcase

"1962. A group of designers and art directors come together to celebrate creative communication and raise standards within their industry.

Amongst the group are David Bailey, Terence Donovan and Alan Fletcher (yes, it was that cool). They call themselves British Design & Art Direction and the following year they organise their first Awards event. And they are picky. From 2500 entries they select just 16 pieces of work to receive the soon to be coveted Yellow Pencil.

2011 and British Design & Art Direction has grown mightily, but slimmed down its name. Now D&AD, its members represent the creative, design and advertising communities, not just in Britain, but worldwide."

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CONTRIBUTOR

Simon Perkins
22 OCTOBER 2012

Nottingham Trent University Art & Design Degree Shows 2012 (promotional video)

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2012 • Ann Priest • art and designart and design graduate exhibitionart and design schoolart studentsBA • Carl-Eiler Rodrigues • College of Art and Design and Built Environment • Craig Chettle • David Higgins • degree showgraduate exhibitiongraduate showsgraduate students • Helen Beswick • Janine Clark • Jessica Philips • Laura Barnes • Luke McGibney • NottinghamNottingham Trent UniversityNTU • Paul Bailey • Peter Westland • promotional materialpromotional video • Sally Wade • Sam Burrill • Sasha Peterson • School of Art and Design • Sean Prince • Shari-Jayne Boda • Simon PerkinsUK

CONTRIBUTOR

Simon Perkins
08 MAY 2011

Design Research: Building a Culture from Scratch

"Conference description of the topic: A 2005 education survey by Metropolis Magazine showed no consensus among practitioners or educators about what constitutes design research; limited access to research findings from professional practice; nascent use of students as interns in the research process; and great confusion about what design issues deserve the greatest attention by researchers. Organizers of the 2007 conference of the International Association of Societies of Design Research reported that only 10% of the paper submissions came from Americans, demonstrating that the US is behind other countries in the generation of new knowledge.

Despite this confusion, there is ample evidence that research will play an increasing role in the future of professional practice and that the typical usability testing in labs and focus groups will be insufficient in informing large–scale communication strategies and technological development. Further, it is apparent that design practitioners consider research to be proprietary and that any large–scale dissemination of new knowledge must come from academic institutions.

It is clear, therefore, that much work is yet to be done in building a research culture. Traditionally, undergraduate 'research' activities have been defined in terms of existing information retrieval on the subject matter of the communication, the wants and needs of the client, and the technical demands of message production and distribution, little of which is transferrable to other projects. Further, in many programs there is limited curricular distinction between the research behaviors expected of undergraduate and graduate students, leaving the majority of master's graduates unprepared for the scholarship and knowledge generation demands of current faculty positions in research–driven institutions."

(Judith Gregory, Deborah Littlejohn et al., 10 October 2010)

Moderator Judith Gregory and writer Deborah Littlejohn have a report on Design research: Building a culture from scratch

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2007 • academic institutions • academic programmesart and design conference • building a research culture • communication strategiesconceptualisationconferencecurriculumdesign educatorsdesign practitionersdesign researchenquiryfocus groups • from scratch • graduate studentsInternational Association of Societies of Design Research • Judith Gregory • knowledge generation • masters degree • Metropolis Magazine • new knowledgeprofessional practicerequirements gatheringresearch • research findings from professional practice • research process • research-driven institutions • researchersscholarship • technical demands of message production and distribution • technological development • the wants and needs of the client • theory building • transferrable • undergraduate researchundergraduate studentsusability testing

CONTRIBUTOR

Simon Perkins
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