Not Signed-In
Which clippings match 'Mediated Representation' keyword pg.1 of 2
02 FEBRUARY 2016

After Accelerationism: The Xenofeminist Manifesto

"Xenofeminism is gender-abolitionist...Let a hundred sexes bloom! ...[And, let's] construct a society where traits currently assembled under the rubric of gender, no longer furnish a grid for the asymmetric operation of power… You're not exploited or oppressed because you are a wage labourer or poor; you are a labourer or poor because you are exploited..."

(The Laboria Cuboniks collective, 11 June 2015, &&& Journal)

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2015 • accelerationism • alien future • alienationalternative visions • aporias of difference • artificial wombs • becomingbody politicsbrave new world • class exclusion • counterculturecritical reinterpretationcyberfeminismdehumanisationdystopian futureearly 21st century • emancipatory potential of technology • exclusionfeminism • foundationalism • freedom from • freedom to • futuristic visiongender politics • gender-abolitionist • groundless universalism • human sexual experience • identity politicsImmanuel Kant • Laboria Cuboniks (collective) • liminalitymanifestomathematical abstractionmeaning-contextsmediated representationmutant sciencenetwork society • Nicolas Bourbaki • nodes of collective agreement • objective realityporous boundaries • prometheanism • protean ambition • race exclusion • radical recomposition • rationalityreterritorialisationselfhood • sexes • state of alienation • synthetic hormones • techno-utopiatechnoculture • technological alienation • transect • transfeminist perspective • transfeminist political project • transgender • transits • transmodernity • transtemporal • visions of the future • xenofeminism • xenofeminist • xenofeminist manifesto • XFM

CONTRIBUTOR

Simon Perkins
15 APRIL 2015

Webcam Venus (and other NIRL Masterpieces)

"In Webcam Venus, we asked online sexcam performers to replicate iconic works of art. This piece is an experimental homage to both fine art and the lowbrow internet phenomenon of cams. Sexcams use webcams and chat interfaces to connect amateur adult performers with an audience. Users log on to see men, women, transsexuals, couples and groups broadcast their bodies and sexuality live for the public, often performing for money. To create this experiment in high and low brow media, we assumed anonymous handles and spent a few hours each day for a month asking performers: 'Would you like to pose for me?'

What is beauty today? By operating in the language of sexcams, we alter the contemporary ideal of beauty with the ubiquitous display of sexuality online. We challenge the institutions which enforce false perceptions of propriety—via nudity in classical painting—as the only form of acceptable safe-for-work beauty. Publicly presented traditional paintings and sculptures are prevalent with sexuality and gender politics, and yet the display of nudity online is usually defined as 'pornography'. Amateur adult broadcasters also resist the popular, contemporary definition of beauty. They are not the typical definition of beauty prevalent main stream media: heavily Photoshopped image in the name of advertising, which destroys self image and confidence while encouraging materialism. Sexcam performers are the apotheosis of the most honest parts of us and yet typically the least valued part of a society. Even though they are transmitted virtually, they are real people and they are beautiful."

(Addie Wagenknecht, 5 March 2013, Free Art and Technology Lab)

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2013 • Addie Wagenknecht • adult imagery • adult performer • Amadeo Modigliani • amateur adult broadcasters • body politics • cam space • cam-girl • camgirl • chat model • classical beautycritical reinterpretation • Danae • de-sexualisation • depictions of mendepictions of women • digiphrenia • display of sexuality • Edgar Degas • Eugene Delacroix • fine art masterpiece • Free Art and Technology Lab • gender politicsgraphic sex actsin real life (IRL) • interactive online spaces • intimate interactions • IRL • James McNeill Whistler • La Fornarina (1518) • la Gioconda (1506) • La Vague (1896) • Leonardo da Vinci • live cam • Mademoiselle Rose (1824) • mediated representation • Mona Lisa (1506) • NIRL • not in real life (NIRL) • NSFWnude in western art • Pablo Garcia • porn performer • public intimacy • Raphaelreal peoplereclining nudeRembrandt van Rijn • self-aware • self-conscious • sex chat • sexcam • sexcam performer • sexual depictions • sexuality online • spectacular societytableau vivantTitianVenus of Urbino (1538)webcam sex • Webcam Venus (2013) • western artWilliam-Adolphe Bouguereau • Woman with a Comb (1884)

CONTRIBUTOR

Simon Perkins
28 FEBRUARY 2014

Identity performance: YouTubers, real-life dolls and cosplayers

Fig.1 "My Strange Addiction: I'm a Living Doll", TLC, Season 5 (2014), original air date 1 January 2014.

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2014Barbie dollbelongingbody modificationcelebrity • china doll • china figurine • commodity fetishismcompulsive behaviourconstructed identitiesconsumer aestheticscosplay • cosplayer • digital narcissismdolldoll fetishism • doll-like features • dollificationdress-up • Emily Smith • escapismexhibitionismfadfamefantasy characterfashionable fadfetishismidentity performanceimpression management • Justin Jedlica • living dolllolitamediated representationmimicry • My Strange Addiction (TV Series) • online behaviouronline followersperformativitypersonapersonal identityplastic surgeryreal-life dollrole playingsensationalismspectacular societysuperficial appearance • TLC (TV network) • Venus Isabelle Palermo • Victoriana • video bloggervisual depictionYouTubers

CONTRIBUTOR

Simon Perkins
20 AUGUST 2013

Scary Gorgeous by the dance company RashDash

"Scary Gorgeous and it's about the pressure on young women to appear sexually available and post provocative pictures of themselves on the web, and also about how sexual relationships are damaged when our imaginations become colonised by pornographic images."

(Lyn Gardner, 15 August 2011)

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2011 • Abbi Greenland • commodifying myselfcommodity fetishismdance theatregender performance culture • Helen Goalen • me in pictures • mediated by images • mediated representationnormalising over-sharingon the webperformativitypornographic imagesposting onlineprovocative pictures • RashDash (dance company) • relations between people • Scary Gorgeous (dance) • self-shotsselfiesexual depictionssexualised depictionssocial life • social pressure • spectacular societyteenvoyeurismyoung peopleyoung women

CONTRIBUTOR

Simon Perkins
27 SEPTEMBER 2008

Level Five: the photograph as spectacle

"Events unfold differently if a camera is trained on them. In Level Five (1996) [Chris] Marker includes two examples of such influence. In one of the clips from Okinawa a woman runs across a field toward a precipice from which her compatriots are leaping. A close examination of the clip reveals that she momentarily hesitates and begins to turn back. Yet the woman recovers her resolve upon meeting the camera eye and takes the plunge. Marker then shows the same clip again, only this time he superimposes onto it images taken in 1900 from the first floor of the Eiffel Tower, where an inventor demonstrates a new personal flying device. The filmmaker shows that at the last moment the inventor realises his new contraption will not fly, but because he is being filmed, he is still compelled to jump, like the unknown woman in Okinawa, to his death. Thus the very act of tracking a film camera on an event is shown to produce actions and, hence, to have the potential to affect and steer the course of history. In Level Five (1996), even more than in his previous films, Marker problematises the relationship between historical events and their mediated representations."
(Chris Marker, Contemporary Film Directors, University of Illinois Press )

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CONTRIBUTOR

Simon Perkins
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