Not Signed-In
Which clippings match 'Fashion Photographer' keyword pg.1 of 1
11 MARCH 2012

Peter Bannan: director + photographer

"After gaining a degree in Fine Arts at Canterbury University in the mid seventies, majoring in European Film, Peter went on to make his name as a fashion photographer, shooting fashion for designers, catalogues and magazines both in New Zealand and off shore.

Ten years ago he co–founded his Auckland based film company Bannan Films and now after relocating to Singapore in 2008 is primarily directing commercials as a freelancer.

His fashion background gives his commercials a beautiful, visually unique style, while his cinema interests bring subtle, often quirky humour with strong characters and captivating storytelling. Peter has a relaxed, calm demeanor, which allows him to work well with babies & children, this also obviously comes from the experience he has had with his own three children."

(Peter Bannan)

1

TAGS

advertisingAotearoa New Zealand • Bannan Films • commercialsdesigndesign formalism • fashion catalogue • fashion magazinefashion photographerfashion photography • film directing • fine artsfreelancerPeter BannanphotographerphotographyshowreelSingaporeTVC • tvc showreel • University of Canterburyvisual communicationvisual drama • visually unique

CONTRIBUTOR

Simon Perkins
17 FEBRUARY 2012

Jacob Sutton's L.E.D. Surfer: a night-time snowboarding short lights up the last of the winter snow

"Fashion photographer and filmmaker Jacob Sutton swaps the studio for the slopes of Tignes in the Rhône–Alpes region of south–eastern France, with a luminous after hours short starring Artec pro snowboarder William Hughes. The electrifying film sees Hughes light up the snow–covered French hills in a bespoke L.E.D.–enveloped suit courtesy of designer and electronics whizz John Spatcher. 'I was really drawn to the idea of a lone character made of light surfing through darkness,' says Sutton of his costume choice. 'I've always been excited by unusual ways of lighting things, so it seemed like an exciting idea to make the subject of the film the only light source.' Sutton, who has created work for the likes of Hermès, Burberry and The New York Times, spent three nights on a skidoo with his trusty Red Epic camera at temperatures of –25C to snap Hughes carving effortlessly through the deep snow, even enlisting his own father to help maintain the temperamental suit throughout the demanding shoot. 'Filming in the suit was the most surreal thing I've done in 20 years of snowboarding,' says Hughes of the charged salopettes. 'Luckily there was plenty of vin rouge to keep me warm, and Jacob's enthusiasm kept everyone going through the cold nights.'"

(Nowness, 16 February 2012)

[This dramatic clip appears to have been designed to target the audience of the new lifestyle magazine called "Nowness". The wish is presumably that the clip becomes a carrier for promoting the magazine's brand.]

1
2

TAGS

2012alone in the wildernessblack and white • Burberry • cameracarvingcoldcostumedarknessfashion photographerfilmfilmmakerFranceglowing • glowing man • Hermes • Jacob Sutton • John Spatcher • LEDlightlightingliminal spaceluminousluminous costumeNew York Times • Nowness (magazine) • RED Epic • skidoo • snow • snowboarder • snowboardingsports documentarysuitsurfersurfing • Tignes • viral marketingvisual spectacle • William Hughes

CONTRIBUTOR

Simon Perkins
27 APRIL 2011

Jamie Beck's animated GIF photography

"New York City–based fashion photographer Jamie Beck, in collaboration with Kevin Burg, a web designer with a background in video and motion graphics, has created a series of gorgeous animated GIFs she calls 'cinemagraphs'. A couple of them feature Canadian supermodel Coco Rocha, and these have gained quite a bit of media exposure recently. According to Rocha, cinemagraphs are 'more than a photo, but not quite a video.'

Even though the concept of animated GIFs is as old as the Internet, the ones circling around the web are often tacky and low brow. Jamie Beck's animated GIFs, on the other hand, have an amazing atmosphere that has elevated the art of animated GIFs.

Jamie Beck's first few animated images were sequenced still shots looped in rapid succession which is a fairly common way of making an animated image. Then he began utilizing more fluid motion isolated in certain parts of an image to to capture a moment of time, but also to un–freeze a still photograph by showing that moment's temporal movement."

(Amusing Planet, 16 Apri 2011)

1

2

TAGS

animated gifanimated imageatmospheric presencecapture a moment of timecinemagraphy • Coco Rocha • fashion photographer • fluid motion • in media resinstantJamie BeckKevin Burgmise-en-scene • more than a photo • motion studiesNew York City • sequenced still shots looped in rapid succession • short moving sequencestemporal movement • un-freeze a still photograph • visual spectacle

CONTRIBUTOR

Simon Perkins
11 APRIL 2011

Onscreen discussion of the ontology of the photographic image

"The film commences with a fast moving introduction to the very stylish world of a hot fashion photographer, Thomas, played by that emblematic '60s actor, David Hemmings. This is the world made notorious by magazines like Tatler and Queen as well as all the tabloids of the world, all Pucci fashion, dolly birds (Jane Birkin made her name in this film), drugs, fast cars and rock–and–roll. ...

Throughout Blow Out and Blowup there is always a sense in which recording media themselves are seen as, somehow, treacherous. Antonioni's Blowup forcefully reminds us that even the latest technologies can mislead or betray us. In the computer age, it this remaining element of ontological uncertainty that still troubles the human observer–for we are not, quite yet, masters of information"

(Jonathan Dawson, February 2005, Senses of Cinema)

1
2

3

4

5

6

7

TAGS

1960s1966 • Blow Out (1981) • Blow-Up (1966) • Carlo Ponti • casual sexcontextcoolcountercultureDavid Bailey • David Hemmings • diegetic sound • Edward Bond • fashionfashion modelfashion photographerfashion photography • fashion shoot • feature filmfilm grainHerbie Hancockhuman perception • Jane Birkin • John Castle • Julio Cortazar • layeringLondonmake-upMichelangelo Antonionimod fashionmurderobscured view • ontology of the photographic image • photographphotographer • photographers studio • photographic blow-upsphotographic image • Sarah Miles • Senses of Cinema (journal)sixtiessixties cool • swinging sixties • The Yardbirds • Tonino Guerra • transparency • transparent layers • truth of perception • Tsai Chin Gillian Hills • Vanessa Redgrave • Vera Grafin von Lehndorff-Steinort • Veruschka von Lehndorff • whole is other than the sum of the parts • young lovers

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.