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Which clippings match 'Exodus' keyword pg.1 of 1
03 JUNE 2011

The hospital, contains the complete arsenal of modern healing, but is devoted to a radical deescalation of the medical process

"The hospital is a sequence of pavilions, each devoted to a particular disease. They are connected by a medical boulevard –a slow–moving belt that displays the sick in a continuous procession, with a group of dancing nurses in transparent uniforms, medical equipment disguised as totem poles, and rich perfumes that suppress the familiar stench of healing, in an almost festive atmosphere of operatic melodies.

Doctors select their patients from this belt, invite them to their individual pavilions, test their vitality, and almost playfully administer their (medical) knowledge. If they fail, the patient is returned to the conveyer; perhaps another doctor tries the patient, but it soon becomes apparent that the belt leads beyond the pavilions, through the cruciform building, and straight into the cemetery."

(Koolhaas, R., M. Vreisendorp, et al.)

Fig.1 – 9 Rem Koolhaas, Madelon Vreisendorp, Elia Zenghelis, and Zoe Zenghelis (1972). 'Exodus, or the voluntary prisoners of architecture'

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TAGS

1972appropriation • architectural sequence • arsenal • boulevardcemeterycollage • continuous procession • conveyer belt • cruciform • cut-outcut-out illustrationdancingdiseasedoctor • Elia Zenghelis • exodus • festive atmosphere • graphic style • healing • hospitalillustrationimaginary landscapes • Madelon Vreisendorp • medical boulevard • medical equipment • medical knowledge • medical process • melody • modern healing • nurseoperationpatientpavilionperfumephotocollagephotomontageplayful • prisoners of architecture • radical deescalation • Rem Koolhaassequencespace-framespatial narrativesspeculative design • totem poles • uniform • urban speculation • vitality • Zoe Zenghelis

CONTRIBUTOR

Simon Perkins
25 APRIL 2011

Fantastic Planet: political allegory of human regression and rebirth

"A winner of the Cannes Film Festival 1973, 'Fantastic Planet' is a full length animated fantasy set on the planet of the Draags in a far–off solar system where humans are kept as pets by a race of huge blue creatures."

(Alice in Videoland)

Fig.1–8 René Laloux and Roland Topor (1973). 'Fantastic Planet/La Planète Sauvage'. France: 72 mins.

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TAGS

1973alienalien raceallegoryanimationattackbluebraceletCannes Film FestivalchildrencollarcommunicationCzechoslovakiadomesticated • Draags • drawingexodusextermination • Fantastic Planet • fantasyfilm • fragile • fragilityFrancefuturehumanhumanoidimaginary worlds • Jiri Trnka Studio • knowledge • La Planete Sauvage • lethal • master and slave • meditationnew technology • Oms • Oms en serie • peacepetplanetpolitical allegorypost-apocalyptic scenariorebirthregression • Rene Laloux • reversal of fortune • Roland Topor • savage • scalescience fictionsocietyspeculative fictionspiritsstatue • Stefan Wul • stop framesymbolism • Terr • Tiva • tribevisual design

CONTRIBUTOR

Simon Perkins
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