Not Signed-In
Which clippings match 'Blue' keyword pg.1 of 1
28 MAY 2013

Helena Almeida's Colourful cannibalism: consuming Yves Klein Blue

"For Study for Inner Improvement (1977), a sequence of photographs in which Almeida looks like she is eating blue paint. There is no question that the colour she is consuming is very similar to that of Yves Klein. She had in the past protested at Klein's use of women as objects in his artworks. At the time of making Study for Inner Improvement, the concept of anthropophagy (cultural cannibalism, the idea of consuming other cultures as a way of asserting independence) was a popular ideology. Almeida's chewing up of Klein's blue, a colour he had come to dominate, was a liberating act for women and artists everywhere."

(Jessica Lack, 7 October 2009, guardian.co.uk)

1

2

TAGS

1977 • anthropophagy • Antonio Salazar • artist • Artur Rosa • asserting independence • black and whiteblue • blue paint • breaking with confines • colourcolour field • consuming other cultures • cultural cannibalism • deface • Helena Almeida • Helio Oiticica • Leal Rios Foundation • Leopoldo de Almeida • liberate colour • liberating act • Lucio Fontana • Lygia Clark • neo-concrete movement • paintingphotography • physical liberation • Portugal • Portuguese artist • psychological emancipation • sequence of photographs • Study for Inner Improvement (1977) • three-dimensional space • translucence • University of Lisbon • women • women as objects • women in art and design • Yves Klein

CONTRIBUTOR

Simon Perkins
10 DECEMBER 2011

Blue is still the most predictable colour on the web

"When we released our report on the colors of the social web, based on data analyzed by our Twitter theme tool, we were surprised that blue was such a dominant color in people's profile designs. Was Twitter's default color influencing their design decisions? Or is blue really THE most popular and dominant color online? ...We decided to look at the colors in the brands from the top 100 sites in the world to see if we could paint a more colorful picture.

Turns out the blue–berry doesn't fall far from the bush. The web landscape is dominated by a large number of blue brands... but Red occupies a large amount of space as well. What's driving this? You might want to say that carefully organized branding research and market tests were done to choose the perfect colors to make you spend your money, but a lot of the brands that have grown to be global web powerhouses, started as small web startups... and while large corporate giants with branding departments spend quite a lot on market research, user testing, branding, etc. Lots of the sites listed above got started with brands created by the founders themselves with little to no research into the impact their color choice would have. I once asked Mark Zuckerberg, the founder of Facebook why he chose blue for his site design... "I'm color blind, it's the only color I can see." ...and now 500 Million people around the world stare at a mostly blue website for hours each week.

While the initial reasoning for the colors chosen may be trivial, the impact that these dominant players now have in the web world will surely influence the smaller startups that want to share in the positive color associations created by their bigger siblings... Once a rocketship of a web startup takes flight, there are a number of Jr. internet astronauts hoping to emulate their success... and are inspired by their brands. And so Blue and Red will probably continue to dominate, but we can have hope for the GoWalla's, DailyBooth's and other more adventurous brands out there."

(COLOURlovers, 15 September 2010)

1

TAGS

battle for bluebluebrand awarenessbrand colourbrand identitybrand recognitionbranding • branding research • colour • colour associations • colour choice • colours of the social web • colours that make you spend money • corporate colours • corporate identity • default colour • design decisions • dominant colour • market research • market tests • popular colour • profile design • Twitter • Twitter theme tool • visual identity • web landscape

CONTRIBUTOR

Simon Perkins
25 APRIL 2011

Fantastic Planet: political allegory of human regression and rebirth

"A winner of the Cannes Film Festival 1973, 'Fantastic Planet' is a full length animated fantasy set on the planet of the Draags in a far–off solar system where humans are kept as pets by a race of huge blue creatures."

(Alice in Videoland)

Fig.1–8 René Laloux and Roland Topor (1973). 'Fantastic Planet/La Planète Sauvage'. France: 72 mins.

1

2

3

4

5

TAGS

1973alienalien raceallegoryanimationattackbluebraceletCannes Film FestivalchildrencollarcommunicationCzechoslovakiadomesticated • Draags • drawingexodusextermination • Fantastic Planet • fantasyfilm • fragile • fragilityFrancefuturehumanhumanoidimaginary worlds • Jiri Trnka Studio • knowledge • La Planete Sauvage • lethal • master and slave • meditationnew technology • Oms • Oms en serie • peacepetplanetpolitical allegorypost-apocalyptic scenariorebirthregression • Rene Laloux • reversal of fortune • Roland Topor • savage • scalescience fictionsocietyspeculative fictionspiritsstatue • Stefan Wul • stop framesymbolism • Terr • Tiva • tribevisual design

CONTRIBUTOR

Simon Perkins
14 JULY 2006

Edward de Bono's Six Thinking Hats

"Six Thinking Hats is a simple, effective parallel thinking process that helps people be more productive, focused, and mindfully involved. And once learned, the tools can be applied immediately!

You and your team members can learn how to separate thinking into six clear functions and roles. Each thinking role is identified with a colored symbolic 'thinking hat.' By mentally wearing and switching 'hats,' you can easily focus or redirect thoughts, the conversation, or the meeting.

The White Hat calls for information known or needed. 'The facts, just the facts.' :: The Yellow Hat symbolizes brightness and optimism. Under this hat you explore the positives and probe for value and benefit. :: The Black Hat is judgment – the devil's advocate or why something may not work. Spot the difficulties and dangers :: where things might go wrong. Probably the most powerful and useful of the Hats but a problem if overused. :: The Red Hat signifies feelings, hunches and intuition. When using this hat you can express emotions and feelings and share fears, likes, dislikes, loves, and hates. :: The Green Hat focuses on creativity :: the possibilities, alternatives, and new ideas. It's an opportunity to express new concepts and new perceptions. :: The Blue Hat is used to manage the thinking process. It's the control mechanism that ensures the Six Thinking Hats guidelines are observed."

(The de Bono Group)

Edward De Bono (1985). "Six Thinking Hats", ISBN 0–316–17831–4.

1
2
3
4
5
6
7

TAGS

ability to focusabstract representationabstract representationsabstraction • abstraction in problem solving and learning • abstractions for problem solving • alternatives • blackbluecolour • control mechanism • creativitydecision makingdesign methoddesign methodsdesign team • difficulties and dangers • distinct functions • distinct roles • Edward de Bonofactsfeelings • focus thoughts • green • group discussion • hat • hats • high performance thinkinghunches • individual thinking • intuitionjudgmentmethods for design practice • mindfully involved • new ideas • parallel thinking • parallel thinking process • possibilities • problem abstractionproblem-solvingproductivityred • redirect thoughts • role playingseparate thinkingSix Thinking Hatssymbolism • the facts • thinking • thinking hat • thinking process • thinking role • thinking tooltooltools for thinkingvalue and benefitways of thinking • wearing • whiteyellow

CONTRIBUTOR

Simon Perkins
03 FEBRUARY 2005

Oskar Fischinger: Komposition in Blau

"Surfaces dominate in the abstract animated film 'Komposition in Blau/ Lichtkonzert Nr.1' (Composition in Blue / Light Concert No. 1). Colorful geometric figures are set in rhythmic motion. The music from Nicolai's 'The Merry Women of Windsor' is impressively visualized through a blending of form and color. Fischinger created wooden cubes and cylinders as three–dimensional animated models, approximately as tall as a cigarette, some of them painted and others covered with fabric. 'At first the set seems to reveal a room. But then the floor begins to reflect the geometric figures. Cubes perfectly–aligned in a row, forming a flat mosaic–like surface, tumble apart to form a stairway. In this perpetually changing universe, a cylinder pounds at the floor and sets off a series of waves, and a decorative, flat circle flies into the empty space. The beauty of the colored, geometric forms–a yellow rectangle descends gracefully into the frame–escalates to the frenzied magic of the impossible.'"

(William Moritz, Media Art Net)

Source: William Moritz: 'Oskar Fischinger', in: Deutsches Filmmuseum Frankfurt am Main, Optische Poesie. Oskar Fischinger Leben und Werk, Kinematograph Nr. 9, 1993, p. 42)

1

TAGS

19353Dabstract animated filmabstract filmabstractionanimated modelsanimationblue • changing • choreographycigarettescirclecolourcolour and music • Composition in Blue • cubecylinderdesign formalismflat • form and colour • geometric figuresgeometric formsKomposition in Blaumosaicmotion designmusic videoOskar Fischingerpioneerrhythmic motionstairwaystop framesurface • three-dimensional • tumble • visual designvisual patternvisualisation • waves • wood • wooden cubes • wooden cylinders

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.