Not Signed-In
Which clippings match 'National Gallery' keyword pg.1 of 1
11 NOVEMBER 2011

The Greeting is a film which pretends to be a painting

Bill "Viola's The Greeting is pretending to be a picture, hanging on the wall of the National Gallery, as part of 'The Passions' exhibition in 2003. The context of the gallery space and the badging of The Greeting as a picture give the work something different, making it more than just a film. The significance is in the context of where it is shown and the pretence occurring that this is a picture. Indeed, when walking downstairs in the National Gallery towards 'The Passions' exhibition, it is seeing it hanging on the wall that strikes immediately; I am being invited to believe that this animated film is pretending to be a picture. The analogy is of the picture becoming an actor, pretending to be something else. In terms of form, The Greeting is a film. Therefore, what is it that makes it now defined as an exhibition, a part of Viola's 'The Passions' in 2003? It is only the fact that it's part of a gallery that makes it an exhibition, although in reality it is also actors directed by a video artist into this film, slowed down and with no sound, which is pretending to be a painting. Therefore, it is conceptual art, in that what the artist is doing is not just making a painting, or having the idea for a painting, but having the idea of where it should be staged. The inscribed text of the space in which it is viewed makes a difference to what the viewer or spectator sees, and what is going on."

(Alison Oddey, 2007, p.70)

3). Alison Oddey (2007). "Re–Framing". In: "Re–Framing the Theatrical", Palgrave Macmillan. 1–21.

Fig.1 Bill Viola (1995). "The Greeting".
Fig.2 Jacopo Carucci da Pontormo "The Visitation".

1
2

TAGS

2003actorsallusionart historyartistartistic experience • Bill Viola • conceptual artcontextexhibitionfigurationfilmgallery • gallery space • hanging on the wall • homage • inscribed text of the space • interdisciplinaryliving picturesmetatheatricalityNational Gallerypainting • Passions (exhibition) • performancepicturepretence • pretending • pretending to be a painting • re-framing • reenactmentreflexive foregroundingremediationspacespectatorspectatorship • staged • stagingtableau vivant • The Greeting • The Passions • the role of the spectator • the viewer • theatre-art • theatricaltime slowed downvideo artvideo artistviewer

CONTRIBUTOR

Simon Perkins
22 APRIL 2011

Art Project: take a virtual (Google) tour of famous art museums

"Simply select a museum from the homepage and then either choose 'Explore the museum' or 'View Artwork'. Once you are in the main site use the drop–down menus or the side info bar to navigate between artworks and museums. Finally create and share your own collections online."

(Google Art Project, 2011)

1
2

3

TAGS

2011 • Alte Nationalgalerie • Amsterdam • App Engine • art • Art Project (Google) • artistsartworkBerlincollectiondetailFlorenceFrance • Freer Gallery of Art • Frick Collection • gallery • Gemaldegalerie • Google Art Project • Google IncGoogle Street Viewhigh resolutionintegrationLondonMadridmappingmasterpieceMetropolitan Museum of ArtMoMAMoscowmultimedia • Museo Reina Sofia • Museo Thyssen-Bornemisza • museum • Museum Kampa • National GallerynavigationNew YorkNew York CityobjectsPalace of Versailles • Picasa • Prague • resolution • RijksmuseumsearchSt. Petersburg • State Hermitage Museum • State Tretyakov Gallery • Tate Britaintechnologytool • Uffizi Gallery • Van Gogh Museum • Versailles • viewvirtual heritagevirtual tourvisual depictionvisualisationWashington DCweb application • zoom

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.