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Which clippings match 'Legacy' keyword pg.1 of 1
05 NOVEMBER 2017

Dada was an effort to reinvigorate art through critical negation

"we should think of Dada in terms of the precise and deliberate negation of art. Dada sought to destroy art. Why? It is my contention that for Dada, art was itself negative: Dada conceived of art as absence, exclusion, and division. This is not in the sense that art was somehow in a state of decay or socially compromised. Rather, for Dada, art was its processes of negation, processes which were not contingent but constitutive and essential to art"

(Mark Hutchinson, 2015)

Hutchinson, M. (2015). "Dada Contra Art History." Dada/Surrealism 20(1).

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TAGS

2015activist practices • against art • anti-disciplinary activities • art as activism • art historyartistic activismavant-garde art • biding legacy • call to arms • conventional cultural terms • critical negation • Dada • Dada Manifesto • destruction of art • destruction of the old • disciplinary promiscuity • discursive struggleshegemonyinstitutionalised artinterdisciplinaritylegacy • Mark Hutchinson • modernism • negation • negativity • nihilism • ossification • painting salons • political art • positive creativity • raucous skepticism • rebellious art • Salon des Refuses • skepticism • stagnation • subversion • sweep clean • University of Iowa

CONTRIBUTOR

Simon Perkins
26 APRIL 2011

Heavy Water: a film for Chernobyl

"On April 26th, 1986, reactor four at Chernobyl nuclear power station explodes, sending an enormous radioactive cloud over Northern Ukraine and neighbouring Belarus. The danger is kept a secret from the rest of the world and the nearby population who go about their business as usual. May Day celebrations begin, children play and the residents of Pripyat marvel at the spectacular fire raging at the reactor. After three days, an area the size of England becomes contaminated with radioactive dust, creating a 'zone' of poisoned land.

Produced by Seventh Art Productions and based on Mario Petrucci's award–winning book–length poem, Heavy Water: a film for Chernobyl tells the story of the people who dealt with the disaster at ground–level: the fire–fighters, the soldiers, the 'liquidators', and their families."

(Seventh Art Productions)

'Heavy Water: a film for Chernobyl' (2007). Directed by David Bickerstaff and Phil Grabsky, Poetry by Mario Petrucci, 52 minutes

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TAGS

1986 • 25th anniversary • BelarusChernobylconsequencescontaminationdisasterdocumentaryenvironment • explosion • familyfilmfilm essayfirefirefighter • heavy water • Heavy Water (film) • legacy • liquidator • Mario Petrucci • May Day celebrations • mortalitynuclear disasternuclear power stationnuclear reactorpersonal storypoempoisonPripyatradiationradioactiveradioactive contaminationradioactive dustsecret • Seventh Art Productions • soldierUkrainezone

CONTRIBUTOR

Simon Perkins
30 APRIL 2007

Chernobyl legacy: photographic essay with audio commentary

"On April 26th, 1986, Chernobyl's Reactor No. 4 unleashed a thoroughly modern plague that emptied cities, condemned entire regions, and seeped invisibly into the bodies of those exposed to its destructive presence."
(Paul Fusco, Magnum In Motion)

[Photographer Paul Fusco faces the dark legacy of Chernobyl, focusing on the horrifying human consequences of the event that is now 20 years in the past. Fusco's work forces us to remember an important nightmare that we would forget at the peril of our morality and our future.]

Fig.1 Photographic essay (with audio commentary) created by Paul Fusco about the human cost of the Chernobyl disaster.

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TAGS

1986artificialBelarusbodycancerChernobylconsequencesdeformitydisastergrotesquehospitalhumanlegacy • Minsk • moralitymutantmutationnightmarenuclear disaster • Paul Fusco • photographic essay • plague • radiationradioactive contaminationscience
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