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Which clippings match 'Mysterious' keyword pg.1 of 1
21 OCTOBER 2012

Rosemarys Baby: editing through frame selection

"Rosemary's Baby is a 1968 American horror film written and directed by Roman Polanski, based on the bestselling 1967 novel by Ira Levin. ... Farrow plays an expecting mother who fears that her husband may have made a pact with their eccentric neighbours, believing he may have promised them the child to be used as a human sacrifice in their occultic rituals in exchange for success in his acting career."

(Zach James and Rich Raddon, Movieclips)

Fig.1 excerpt from "Visions of Light" (1992), Arnold Glassman, Todd McCarthy and Stuart Samuels [http://www.imdb.com/title/tt0105764/]

[Jump to 7:54 to see Polanski's skilful use of framing to heighten the audience's interest and sense of intrigue.]

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TAGS

1968 • anagram • apartmentbaby • Charles Grodin • child • cinematic frame • cinematographycompositioncultdemonic presencedevil • door frame • editing through selection • Emmaline Henry • expecting mother • frameframed by the windowframinghorror filmhousewife • human sacrifice • Ira Levin • John Cassavetes • Maurice Evans • Mia Farrow • mise-en-scenemysterious • narrative immersion • neighbour • obscured • obscured viewoccult • occultic ritual • pregnancy • pregnant • psychological horror • Ralph Bellamy • raperitual • Roman Polanski • Rosemary • Rosemarys Baby • Ruth Gordon • satan • Sidney Blackmer • tannis root • Visions of Light (documentary)visual designvisual intriguevisual perspective • William Fraker • window frame • witch • witchcraft

CONTRIBUTOR

Simon Perkins
12 MARCH 2012

Wild Strawberries: expressionistic and Freudian dream sequences

"There are other Expressionist and certainly Freudian dream sequences in the picture, almost always with the old man appearing in them as his present self. And some of these, largely because so many have badly copied, now look a little self–conscious– arty even. But the film's ability to engage the emotions makes it notable for more than just technique.

One of the prime reasons is what can only be described as the transcendent performance of Victor Sjostrom as Professor Borg. Sjostrom was the great Swedish silent–era director, who died aged 80, not long after the film was completed and whose The Phantom Carriage had so influenced Bergman. It was he who made the final scene one of the most serene of all Bergman's endings. 'Sjostrom's face shone', said the director. 'It emanated light – a reflection of a different reality, hitherto absent. His whole appearance was soft and gentle, his glance joyful and tender. It was like a miracle'.

Later, Bergman admitted that the character of Borg was an attempt to justify himself to his own parents, but that Sjostrom had taken his text, made it his own and invested it with Sjostrom's often painful experiences. It is still, however, chiefly concerned with forgiveness between parents and children and the lost possibilities of youth."

(Derek Malcolm, 10 June 1999)

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TAGS

1957 • carriage • clockcoffincorpsedeathdreamdream sequenceexpressionism • expressionist • expressionisticfilmfilm-maker • forgiveness • Freudian • hearse • in the mindIngmar Bergman • lamppost • lucid dreaming • Lund • medical scientist • mysteriousnightmareold manpainful experiencesphantompsychology • redemption • silent-era • somnambulistStockholmSwedishSwedish filmmaker • Victor Sjostrom • visual metaphorvisual spectaclewheelWild Strawberries (1957)

CONTRIBUTOR

Simon Perkins
13 OCTOBER 2011

Dead Island: a holiday paradise gone mad

"The player is drawn into the world of Dead Island on the brink of a mysterious epidemic that suddenly, and without warning, breaks out on the fictional island of Banoi. As a guest of the Royal Palms Resort, the player's stay was supposed to be a dream holiday; a luxurious getaway to the beautiful beaches of a tropical paradise. But faced with the reality of a zombie apocalypse, there is only one thing left to do: Survive."

(Deep Silver Inc.)

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TAGS

2011apocalypse • atmosphere design • Banoi • beach • Bedlam • CGchaos • co-operative play • Dead Island • Deep Silver Inc. • dream holiday • epidemic • escape the island • fictional island • first-person • first-person action • game • gruesome zombies • holiday • holiday paradise • horrorhotellighting • luxurious • madnessmysteriousmysterious outbreakopen worldPlaystation 3 • Royal Palms Resort • RPGslasherstory-based experienceterrortexturingtrailer • tropical island • tropical paradise • uninfected • vacation • VFXviolencevisual effects • weapon customisation • Xbox 360zombie • zombie apocalypse • zombie outbreak • zombie-slasher

CONTRIBUTOR

Jade Oakley
02 OCTOBER 2011

Das Kabinett des Doktor Caligari / The Cabinet of Dr. Caligari

"The Cabinet of Dr. Caligari is the first modern Horror Film and it influence a number of contemporary productions."

Robert Wiene (1920). "Das Kabinett des Doktor Caligari / The Cabinet of Dr. Caligari".

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TAGS

1920 • Cabinet of Dr. Caligari • Das Kabinett des Doktor Caligari • death-like sleep • doctorexpressionisticfilmGerman Expressionismhistory of cinema • horrible experiences • horrorhorror filminfluential worksmemorymise-en-scenemurdermysterious • Robert Wiene • scene compositionset decorsilent filmsomnambulistvisual designvisual elements

CONTRIBUTOR

Simon Perkins
13 APRIL 2011

Niebla: short film about a village forgotten amid the fog

"As in Gabriel Garcia Marquez's magic–realist novel One Hundred Years of Solitude, Niebla's precise setting is uncertain–somewhere in rural Latin America–and the story's narrator is El Pep, an old man being interviewed in his living room by a documentary film crew about the mysterious fog of the title and the resulting visitation by a strange flock of flying sheep. 'The character is strongly based on my grandmother,' Ramos says. 'She was a very complex person, with many frustrations in life. She was born during the Mexican Revolution, so she experienced a lack of material possessions all her life. But she was also very kind and loving with her family (well..., most of the time). She was a combination of marked strenghs and weaknesses. At the end of her life, she suffered from dementia. 'My mind is leaving me,' she used to say, distressed, when she noticed. The only moments we could communicate with her were when we asked her about her past life. Those memories were the last to vanish.'"

(Emilio Ramos)

Fig.1 Emilio Ramos (2006). 'Niebla (Fog)', Short Film | México–Spain | 8 min. | 2d/3d digital

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TAGS

20062D3DAfter EffectsanimationBarcelonacharactercompositingdementia • El Pep • Emilio Ramos • film crew • flying sheep • fog • Gabriel Garcia Marquez • illustrationillustrative styleinterview • Jordi Codina • Latin America • Leo Heiblum • living room • Maria del Mar Hernandez • material possessions • memory • Mexican Revolution • Mexicomysteriousmystery • Niebla • old man • One Hundred Years of Solitude • ruralshort filmvillagevisual design

CONTRIBUTOR

Simon Perkins
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