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Which clippings match 'Stillness' keyword pg.1 of 1
26 MAY 2017

Colloque de chiens

"Monique apprend que sa mère n'est pas sa vraie mère. À partir de maintenant plus rien ne sera pareil."

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TAGS

1977 • adoption • barking • city landscape • Colloque de chiens (1977) • dog • Dogs Dialogue (1977) • Eva Simonet • gender • gender alterations • gender identity • gender subversion • love and fulfillment • melodrama • Michael Graham • murder • narrated off-screen • parodyphoto filmphoto romanphotographic stills • pop culture stereotypes • popular conventions • prostitution • Raul Ruiz • repetitions of gestures • repetitions of images • repetitions of statements • Robert Darmel • sexuality • short crime film • short film • Silke Humel • still imagesstillness • stillness and movement • telenovela • undesirable places

CONTRIBUTOR

Simon Perkins
02 JANUARY 2004

Paris streets as crime-scene evidence

"Eugene Atget, who, around 1900, took photographs of deserted Paris streets. It has quite justly been said of him that he photographed them like scenes of crime. The scene of a crime, too, is deserted; it is photographed for the purpose of establishing evidence. With Atget, photographs become standard evidence for historical occurrences, and acquire a hidden political significance. They demand a specific kind of approach; free–floating contemplation is not appropriate to them. They stir the viewer; he feels challenged by them in a new way. At the same time picture magazines begin to put up signposts for him, right ones or wrong ones, no matter. For the first time, captions have become obligatory. And it is clear that they have an altogether different character than the title of a painting. The directives which the captions give to those looking at pictures in illustrated magazines soon become even more explicit and more imperative in the film where the meaning of each single picture appears to be prescribed by the sequence of all preceding ones."
(Walter Benjamin)

Benjamin, Walter (1988). 'Illuminations', New York, US: Random House.

Fig.1 Eugène Atget (French, 1857–1927), 'Boulevard de Strasbourg 1912', Albumen silver print from glass negative 22.4 x 17.5 cm (8 13/16 x 6 7/8 in.). The Metropolitan Museum of Art, Gilman Collection, Purchase, Ann Tenenbaum and Thomas H. Lee Gift, 2005.

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TAGS

1900 • abandoned streetscaptioncity • crime scene • deserted streets • empty streets • Eugene Atget • forensic evidence • forensics • free-floating • free-floating contemplationimplied movementliving picturesParis • Paris streets • photographphotography • signpost • silenceslice of frozen timestill lifestill life photographystillnessstreetsWalter Benjamin
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