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Which clippings match 'Critical Discourse' keyword pg.1 of 1
17 JANUARY 2014

Westminster Papers in Communication and Culture

"Westminster Papers in Communication and Culture (WPCC) is a peer–reviewed journal, published four times a year in hard copy and online.

WPCC recognises the interdisciplinary nature of the field of Media and Cultural Studies, and therefore deliberately encourages diverse methods, contexts and themes.

Particular interests include, but are not limited to, work related to Popular Culture, Media Audiences, Political Economy, Promotional Culture, New Media, Political communication, Migration and Diasporic Studies.

A major goal of the WPCC is to help develop a de–westernised and transcultural sphere that engages both young and established scholars from different parts of the world in a critical debate about the relationship between communication, culture and society in the 21st Century."

(Anthony McNicholas)


21st century • Andrea Medrado • Anthony McNicholas • Communication and Media Research Institute (CAMRI) • critical debate • critical discoursecultural studiesculture and society • de-westernised • diaspora • diasporic studies • ethnographic researchinterdisciplinary thinking • media and cultural studies • media audiences • media communication • media studies • migration studies • new mediapeer-reviewed journal • political communication • political economypopular culture • promotional culture • transculturalUniversity of Westminster • Westminster Papers in Communication and Culture (WPCC) • WPCC


Simon Perkins
11 DECEMBER 2013

Nicolas Bourriaud: Postproduction



amateur cultural productionartistsboundary-crossing • collective story • consumerismcontemporary artcritical discoursecultural and social relationscultural technology • culture of use • database as cultural formDIYDIY craftsDJforms • historised • Hunter College • Jerome Sans • Ludwig WittgensteinMarcel Duchamp • network on signs • new audio theory • new modes of production • newness • Nicky Enright • Nicolas Bourriaud • paths through culture • post • post-productionproduser • programme forms • protocols of usereinterpretationrelational aestheticsremix culturesamplerscriptible • site of navigation • social and cultural forms • sociality • tabula rasa • the new • theory of substantial formstoolsusevisual artwork of art • zone of activity


Liam Birtles
09 DECEMBER 2013

Goldsmiths Department of Art MA: Computational Aesthetics



2013algorithmic architecturecomputational aestheticscomputational arts • computational character • computational ordering • computational structures • computational systemscomputer artconceptual artcritical discoursedatabase as cultural formdigital aestheticsdigital artfine artGoldsmiths College (University of London)information systems • logico-mathematical means • Maria Beatrice Fazi • mathematicsmathesis • Matt Fuller • mediality • medium specificitymodern artmodes of existenceorder of thingsordering • present art • programmatic declaration • rule-based worksoftware studiessupermarketssystematisationtheory of substantial formsvideo lecturevisual art


Simon Perkins
12 JULY 2006

Art in the Information Age: technology and conceptual art

"The continuities between art–and technology and conceptual art are more readily apparent from a historical distance of three decades, removed from the aesthetico–political debates of that time. Advances in electronics, computing and telecommunications?and especially the advent of the Internet?have provided tools that enable artists to interrogate the conventional materiality and semiotic complexity of art objects in ways that were not available 30 years ago. Such developments also bring into relief the failure of critical discourses to reconcile how the work of an artist could be allied simultaneously with both art–and technology and conceptual art."
(Edward A. Shanken, 2002, p.438)

1). Roy Ascott (con Joseph Giribet), Mind shift, 1999, Bienale do Mercosul, Brasile.

2). Shanken, Edward A (2002). 'Art in the Information Age: Technology and Conceptual Art', Leonardo, Vol.35, No.4, pp.433–438



ACM SIGGRAPHartconceptual artcreative practicecritical discoursecritical theorydigital culturediscourse • Edward Shanken • Hans Haackeinformation ageInternetJack BurnhamJoseph Kosuth • Les Levine • Marshall McLuhan • Pontus Hulten • Roy Ascottsemioticstechnology

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