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12 NOVEMBER 2013

Mozilla Webmaker: Popcorn Maker

"Popcorn Maker helps you easily remix web video, audio and images into cool mashups that you can embed on other websites. Drag and drop content from the web, then add your own comments and links –all within your browser. Popcorn Maker videos are dynamic, full of links and unique with every view."

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TAGS

authoring toolconsumer co-creationcontent integrationcultural democracydigital eradigital media creationdigital media designmedia amalgamationMozilla • Mozilla Persona • Mozilla Webmaker • multimediamultimedia authoring toolpopcorn • Popcorn Maker (tool) • remixabilitySoundCloud • timeline metaphor • video bloggingvideo creationvideo editingvideo mixingvideo on the webvideo publishingvideo software • video timeline • VimeoYouTube

CONTRIBUTOR

Rob Canning
12 AUGUST 2012

Gotye remixes the covers: Somebodies A YouTube Orchestra

"Reluctant as I am to add to the mountain of interpretations of Somebody That I Used To Know seemingly taking over their own area of the internet, I couldn't resist the massive remixability that such a large, varied yet connected bundle of source material offered.

 I was directly inspired here by Kutiman's Thru–You project: http://www.youtube.com/watch?v=tprMEs–zfQA‬
 Wonderful stuff!

 Thankyou to everyone who has responded to Somebody That I Used To Know via YouTube. It's truly amazing! All audio and video in Somebodies is from the YouTube user videos featured, each of them a cover or parody of Somebody That I Used To Know. No extra sounds were added to the mix, but I used some EQ, filtering, pitch–shifting and time–stretching to make the music.

 A full list of links to the original videos is available here:
‪ http://www.gotye.com/#blog.html ‬

I avoided using any existing remixes of the song, or any covers from tv talent shows.
 As comprehensive and extensive as I tried to be with my downloading of source videos, I know there are many clips that I missed. 

I used Ableton Live for audio stretching, pitch–shifting and the initial video editing, and Adobe's After Effects to put the final video together. 

Big thanks to Travis Banko for assistance with downloading source videos, and to James Bryans for After Effects tutelage.

 Thankyou to Barry for being Barry, and guiding us all. Thanks to you for listening.

"

Gotye (Wouter De Backer)

1). Remixed version by Wally (13:45, 04 August 2012) "Gotye – Somebodies: A YouTube Orchestra", published on 12 Aug 2012 by gotyemusic.

2). Original version by Wally: "Gotye – Somebody That I Used To Know (feat. Kimbra)", uploaded by gotyemusic on 5 Jul 2011.

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TAGS

2012 • Ableton Live • After Effects • audio stretching • Australasiaauthorshipcollection of video clipsdownloadingedited together • EQ • filtering • Gotye (Wouter De Backer) • homage • James Bryans • Kimbra Johnson • Kutimanmixmusicmusic clipmusic covermusic videomusical interpretationmusician • pitch-shifting • remixremix cultureremixabilityremixesSomebody That I Used To Know (song)song • source material • source videos • sutureThruYOU Project • time-stretching • Travis Banko • user-generated contentvideo clipsvideo collagevideo editingvirtual bandvirtual collaborationvirtual orchestra • Wouter De Backer • YouTubeYouTube Orchestra

CONTRIBUTOR

Simon Perkins
20 JULY 2012

Veengle: online tool for creating video compilations

"You can create video compilations and share it with friends. You can share your created videos almost anywhere (e.g. to your website, your blog, other social networking websites).

During Beta stage, Veengle will handle only youtube videos. When the full version is ready, users will be able to upload their videos directly to Veengle."

(Veengle)

[This tool which was located at: http://www.veengle.com/about is longer in operation.]

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CONTRIBUTOR

Simon Perkins
08 APRIL 2011

Plural Eyes: sync software for dual-system and multi-camera audio

"PluralEyes is a product that can save you a lot of time, especially if you have good clear audio recorded with each camera. If there is too much redundancy in the audio tracks (concert) or a lot of echo in some of the tracks (Church) you may find that PluralEyes will only be able to match a part of the sequence, leaving clips on the timeline that need to be manually synced. When this happens you can try locking the clips that were successfully synced, then exporting the sequence once again in hopes that PluralEyes will find a match for the unlocked clips, but I personally haven't had too much luck with that process.

The biggest issue I have with any type of automated software is that if it's not 100% accurate, you learn not to fully trust it and rightfully so. When you have multiple tracks to sync and potentially hundreds of clips, it becomes a daunting task to have to go through the entire edit – once for each track you were trying to sync, just to make sure that all the clips are in their proper position. It may be just as quick (or as time consuming) to sync up your clips manually as it is to use automated software that might have to be re–run a few times before finally coming close – only to force you to manually go through your piece clip by clip and track–by–track to check its accuracy.

PluralEyes can save you tons of editing time, but it's really important to have good clear audio with each track you want to sync. On the first few projects that I used PluralEyes for CS5 with I was pretty disappointed with the results. I even delayed this review until I had more experience with the software. Now that I have learned not to expect 100% accuracy I have stopped 're–syncing' and 're–syncing' in hopes of achieving it. I let PluralEyes do most of the grunt work, then I go through and just manually sync up the small percentage of clips it missed. It's pretty easy to do since most of my footage is shot in chronological order so I know that clip C will need to go somewhere between clips B and D.

Part of my high expectations with this software was due to the many demo videos I have seen, not just from PluralEyes, but also from other reviewers. Their videos often show PluralEyes successfully syncing up just a few clips, so when I started to test the software with more involved edits it was aggravating to discover a percentage of clips that weren't synced. I wasted a lot of time trying to figure out why and trying to re–sync these projects, which in–turn wasted more time. Once I got over my high expectations I become much more productive. PluralEyes can truly save you hours of editing time, especially once you learn that itis sometimes quicker to manually sync the small percentage of clips that the software misses than it is to fiddle around with re–syncing using different settings."

(Ron Risman, March 2010, Cameratown.com)

Fig.1 Justin Davey http://www.mountstudios.co.uk/

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TAGS

Adobe Premiere Pro • audioautomationclapboardclapperclapperboardconvergenceCS4 • CS5 • digital filmmakingDSLR • dual-system audio • DualEyes • editingFinal Cut Pro • Justin Davey • marker • Media Composer • multi-camera • multi-take • multicamera • music video • PluralEyes • post productionproductivityrecording • Singular Software • slateslate boardsoftwaresound recordingsyncsync slatesynchronisationtime slatetimecode • Vegas Pro • videovideo editingvideo post-productionworkflowworkflow tool

CONTRIBUTOR

Simon Perkins
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