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Which clippings match 'Blurry' keyword pg.1 of 1
05 DECEMBER 2012

...then my phone went and made it art

Fig.1 CollegeHumor Staff "Look at this Instagram (Nickelback Parody)" uploaded 3 December 2012.
Fig.2 Nickelback (2005). "Photograph".

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TAGS

2012 • add a filter • aestheticisationamateur photographerauthenticity of thingsbeachblurry • boobs • coffee foam • CollegeHumor • craft as conceptdecorationdigital image processingdocumentingduck • eggs benedict • family snapshotsfilter • fingernails • fortune cookie • garden gnome • humourInstagramiPhoneographylikeslive feedlo-fiLOLcatsmemeMichelangelo • my phone made it art • Nickelback • parodyparticipatory culturepenispopular culture • pretentious • pretentiousness • red eye • snapshots • Temple Run

CONTRIBUTOR

Simon Perkins
25 MARCH 2011

Photorealism: a reaction to the detachment of Minimalism and conceptual art

"Chuck Close is associated with the style of painting called Photorealism or Superrealism. In this style, artists in the early 1970s created a link between representational systems of painting and photography. Photorealism developed as a reaction to the detachment of Minimalism and conceptual art, which did not depict representational images. Photorealists frequently used a grid technique to enlarge a photograph and reduce each square to formal elements of design. Each grid was its own little work of art. Many of the Photorealists used the airbrush technique.

Big Self–Portrait, in black and white, was the first of Close's mural–sized works painted from photographs. This painting took four months to complete. To make this work, Close took several photographs of himself in which his head and neck filled the frame. From these he selected one of the images and made two 11 x 14–inch enlargements. On one of the photographs he drew a grid, then lettered and numbered each square. Using both the gridded and ungridded photographs, he carefully transferred the photographic image square by square onto a large canvas measuring 107 1/2 x 83 1/2 inches. He used acrylic paint and an airbrush to include every detail.

When Close was making his painting he was concerned with the visual elements––shapes, textures, volume, shadows, and highlights––of the photograph itself. He also was interested in how a photograph shows some parts of the image in focus, or sharp, and some out–of–focus, or blurry. In this portrait the tip of the cigarette and the hair on the back of his head were both out–of–focus in the photograph so he painted them that way in Big Self–Portrait."

(ArtsNet Minnesota)

Fig.1 Chuck Close 'Big Self–Portrait', 1968 acrylic on canvas 107 1/2 x 83 1/2 in. Walker Art Center

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1970s • acrylic • Big Self-Portrait • black and whiteblurry • Chuck Close • conceptual artcraftdesign formalism • enlargement • focus • grid technique • grisaille • hyperrealismminimalismout-of-focusphotographphotographic imagephotographyphotorealismportraitrepresentationrepresentational systemsscale • sharp focus • superrealism • techniquevisual elementsWalker Art Center

CONTRIBUTOR

Simon Perkins
09 NOVEMBER 2004

Church On 5th Avenue: dream-like quality through physical blurring

"Church on 5th Avenue is three from Campbell's Ambiguous Icon series. Video images taken from New York street scenes soon after September 11, take on new life on LED display panels. A sheet of plexiglas in front of each panel alters our perception of the image. In Fifth Avenue Cutaway #2 the sheet is close to the panel surface, allowing the viewer to perceive each LED. Because the plexiglas is further from the LED surface in Fifth Avenue Cutaway #3, the image is blurred, taking on a dream–like quality. In Church on Fifth Avenue the sheet of diffusing plexiglas is angled in front of the grid, so that as the pedestrians move from left to right, their form becomes increasingly indistinct. Using largely redundant technology in a new way, Campbell thus creates a metaphorical transition from the digital image made from pixels to the filmic analogue image."

(Jim Campbell)

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2001analogue and digitalblurblurry • Church on 5th Avenue • digital displaysdigital screensinstallation • Jim Campbell • LEDlow-definition screenplexiglasredSeptember 11
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