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Which clippings match 'Meta-painting' keyword pg.1 of 1
22 JULY 2015

Pinscreen animation Mindscape by Jacques Drouin

"A particularly creative example of the pinscreen animation technique, this film is about an artist who steps inside his painting and wanders about in a landscape peopled with symbols that trigger unexpected associations. Film without words."

"Mindscape" by Jacques Drouin, 1976, 7mins 31s.

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TAGS

1976animated short filmanimation techniqueblack and whiteboundary-crossing • crossing over • dreamlike storytelling • grey • in the mind • Jacques Drouin • landscape painting • Le paysagiste (1976) • meta-painting • Mindscape (1976) • movable pins • National Film Board of Canadapaint our own surroundingspainted world • picture within a picture • pinscreen animation technique • reality and illusion • shades of grey • stepping out of the framesurrealistic • surrealistic imagery • symbolic meaning • textural effects • without dialogue • wordless

CONTRIBUTOR

Simon Perkins
21 MARCH 2011

Mise en Abyme: the mirror in the text

"In a work of art, I rather like to find thus transposed, at the level of the characters, the subject of the work itself. Nothing sheds more light on the work or displays the proportions of the whole work more accurately. Thus, in paintings by Memling or Quentin Metzys, a small dark convex mirror reflects, in its turn, the interior of the room in which the action of the painting takes place. Thus, in a slightly different way, in Velasquez's Las Meninas. Finally, in literature, there is the scene in which a play is acted in Hamlet; this also happens in many other plays. In Wilhelm Meister, there are the puppet shows and the festivities in the castle. In Fall of the House of Usher, there is the piece that is read to Roderick, etc. None of these examples is absolutely accurate. What would be more accurate, and what would explain better what I'd wanted to do in my Cabiers, in Narcisse and La Tentative, would be a comparison with the device from heraldry that involves putting a second representation of the original shield 'en abyme' within it."

(Lucien Dällenbach, 1977 via Once I Metablog on Metafiction)

Dällenbach, Lucien (1977). 'The Mirror in the Text'. Chicago: The University of Chicago Press.

Fig.1 Diego Velázquez 'Las Meninas'

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1656 • Andre Gide • Diego Velazquez • Fall of the House of Usher • Hamlet • Hans Memling • heraldic shield • heraldry • infinite regressionintertextualityLas Meninasmeta-painting • metablog • metafiction • metaplay • metatheatre • metatheatricalitymirrormise-en-abyme • Quentin Metzys • recursionreflexivityrepetitionrepresentation • Wilhelm Meister • William Shakespearework of art

CONTRIBUTOR

Simon Perkins
02 DECEMBER 2009

Ceci n'est pas une pipe: undercutting our expectation about representation

"Doesn't a picture that declares, 'This is not a pipe,' undercut our expectation that representation will give us the thing – in this case, the pipe – itself? The difficulty it presents is no accident. Magritte was perhaps unique among the visual artists of this century in the depth of his philosophical lore. Another of his pipe dreams contains a depiction of a pipe on a blackboard under which 'This is not a pipe' is inscribed in a schoolmasterly hand. Floating above the blackboard Magritte depicts a kind of Platonic pipe. By virtue of its disproportionate size and free–floating dislocation, this utopian pipe is made to seem a mirage, while the depiction of a pipe, comfortably ensconced in its frame, enjoys a higher ontological dignity. The superficial contrast between the flat, two–dimensional blackboard pipe and the Platonic or transcendental overpipe is subverted, and it dawns on us that it is the picture of the pipe that we know, not the pipe in itself."

(Flint Schier, 23 January 1983, The New York Times)

Fig.1 La Trahison des images (Ceci n'est pas une pipe), 1929; Fig.2 René Magritte – Die zwei Mysterien, 1966, "Die Pfeife ist keine Pfeife", (Ceci n'est pas une Pipe)

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19291983artartistBelgian • ceci nest pas une pipe • idealismmeta-paintingMichel FoucaultmimesispipePlatoRene Magritterepresentationrepresentational strategiessignificationsignifiedsignifier • this is not a pipe • truthvisual arts

CONTRIBUTOR

Simon Perkins
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