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Which clippings match 'Constellations Metaphor' keyword pg.1 of 2
07 OCTOBER 2014

Radical Museology / Working the Collection

"Drawing from Claire Bishop's recently published Radical Museology Or What's Contemporary in Museums of Contemporary Art? and taking place against the backdrop of our reading of the Arts Council England Collection, this roundtable focuses on the economic, historiographical, geopolitical and wider societal stakes of public acquisition and collection display. Focusing on museums that offer non–conservative and critically–reflective models.

Participants include Jesús Carrillo (Museo Nacional Centro de Arte Reina Sofia, Madrid), Francesco Manacorda (Artistic Director, Tate Liverpool) and Marta Dziewanska (Museum of Modern Art Warsaw). Chaired by Claire Bishop."

(Chaired by Claire Bishop, 22 May 2014, Nottingham Contemporary)

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TAGS

2014acquisitionsart historyart museumArts Council England • Arts Council England Collection • chronological ordering • Claire Bishop • collection display • collectionsconstellations metaphor • contemporaneity • contemporary artcontemporary art exhibitionscontemporary art museumcontemporary culture • critically-reflective models • Dan Perjovschi • dialectical contemporaneity • Francesco Manacorda • geopolitical • historiographical • Isobel Whitelegg • Jesus Carrillo • Madrid • Marta Dziewanska • Museo Nacional Centro de Arte Reina Sofiamuseologymuseum • Museum of Modern Art Warsaw • museum studies • museumsNottingham Contemporaryperiodisation • permanent collection • presentism • public acquisitions • Reina Sofia • short-termism • Tate Liverpool • The Arcades Projectthematic organisation • Warsaw

CONTRIBUTOR

Simon Perkins
31 MAY 2013

Yossarian Lives!: a Metaphorical Search Engine

"We have created a metaphorical search engine. Our search algorithms generate results that assist people in the creation of new knowledge by returning disparate, but potentially metaphorically related information. These are the types of insights that are valuable for people working at the edges of their knowledge field. This is an immensely powerful creative tool for use by anyone who is looking to generate new ideas or see their problem or topic in a whole new light.

Yossarian is the main character of Joseph Heller's novel 'Catch–22.' Our work is highlighting the Catch–22 of current search and personalization algorithms, in that their use both simultaneously helps us through access to existing knowledge, and hurts us through the reinforcement of that same knowledge. In finding new and innovative search solutions to this problem, we declare that Yossarian Lives!"

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TAGS

Catch-22 • conceptual metaphorconstellation of connectionsconstellations metaphor • creative search • disparatedivergent conceptsdivergent thinkingideas • innovative search solution • Joseph Heller • knowledge fieldmetaphormetaphoricmetaphoric reference • metaphorical • metaphorical search • metaphorical search engine • metaphorically • metaphorically related • metaphorics • personalisation algorithm • searchsearch algorithmsearch enginesearch servicesearch toolsimilitude • Yossarian Lives

CONTRIBUTOR

Simon Perkins
13 MARCH 2011

The process of conceptualisation can be seen as an emergent process that involves the constant re-projection of prior understanding onto new and changing circumstances

"An inspiring new website for digital culture and creative practices has been created by School of Art & Design academic Simon Perkins. The Folksonomy – www.folksonomy.co – is a knowledge commons and social bookmarking tool for digital culture and creative practice. The brainchild of Simon Perkins, as part of his research, the Folksonomy simplifies the process of clipping references and features photographs, videos and published documents. The Folksonomy is simultaneously a device for engaging with and a product of digital culture. It acts as a teaching tool for supporting the generation of ideas and digital culture creative practice. The research project is of a broader practice that extends from creative technology and design teaching and is focused on the nature of knowledge construction within digital culture environments. One of the unique aspects of the site is the way content is categorised, as it simultaneously belongs to multiple and sometimes contradictory categories, encouraging the viewer to make new discoveries. This sits in stark contrast to the more traditional logic conventionally employed by libraries and computer operating systems where books and files are organised according to a linear, centralised and hierarchical form. Simon says: 'The process of conceptualisation can be seen as an emergent process that involves the constant re–projection of prior understanding onto new and changing circumstances. The Folksonomy tool aims to support this type of tactical interaction through its use of linking and association.'"

(Steve Goodhew, 2010, p.140–141)

Fig.1 Simon Perkins (2010) 'Stellarscope Constellations'.

2). Steve Goodhew (ed.) (2010). 'OPEN: 50 RESEARCH PROJECTS exploring the boundaries of creativity', College of Art & Design and Built Environment, Nottingham Trent University.

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CONTRIBUTOR

Simon Perkins
20 JANUARY 2004

Constellation Model of Relations

Walter Benjamin dispels teleological historicism in place of a constellation model of relations. For him the arrangement of the arcade is symbolic of general urban design. All aspects, despite their apparent significance have bearing on all other aspects. Classical Marxist economic and cultural causation is replaced with degrees of interrelation, experienced by a Flaneur (or stroller) as they traverse a given environment.

Benjamin, Walter. 2002 das passagen–werk [the arcades project], , US: harvard university press. 0674008022

TAGS

arcadem • constellation • constellation modelconstellationsconstellations metaphordegrees of interrelationflaneur • Marx • strollerWalter Benjamin
20 JANUARY 2004

The Constellations publishing application: associative and dialogic

The Constellations publishing application is an instance of the Constellations Project. It is a structured repository whose organisational approach has been informed by an understanding of Mikhail Bakhtin''s Heteroglossia. In this way the application was an effort to facilitate the publication of user contributions through employing an associative and dialogic method. The Constellations application first went live in December 2003 and now represents the prototype for the post Web 2.0 Folksonomy version 1.0 and Folksonomy version 2.0 web applications.

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