"Once upon a time in a town called Merryville... comes the story of Grumpleton. This black comedy short in centred around the grumpiest man in the world, who just so happens to be living in the happiest place on Earth. It's fun, it's humorous, it's weird, and it looks amazing! It is Grumpleton."
"Fiction – with its redolent details, imaginative metaphors and attentive descriptions of people and their actions – offers an especially rich replica. Indeed, in one respect novels go beyond simulating reality to give readers an experience unavailable off the page: the opportunity to enter fully into other people's thoughts and feelings.
The novel, of course, is an unequaled medium for the exploration of human social and emotional life. And there is evidence that just as the brain responds to depictions of smells and textures and movements as if they were the real thing, so it treats the interactions among fictional characters as something like real–life social encounters."
(Annie Murphy Paul, 17 March 2012, NYTimes.com)
"A YouTube video shows a 1–year–old expertly using an iPad – pinching and swiping – and then tries the same moves on a paper magazine without results."
(Jeff Glor reports, 14 October 2011, CBS News)
"The Meisner acting technique is a many layered approach that relies heavily on a practice known as emotional preparation. Named after Sanford Meisner, the Meisner technique began as a systematic study of the art of acting for theatre. Based on work done by Russian actor Constantine Stanislovski, Meisner created a hybrid technique that he felt was better suited to the American actor and American theatre. ...
Actors using the Meisner acting technique have the ability to immerse themselves in an emotional 'state' of the character before going onstage. Rather than pretending extreme frustration they must ARE extremely frustrated as they enter the scene. Furthermore, Meisner believed that any actor looking to exploit the Meisner acting technique does their homework by creating and developing a complete set of circumstances and a complete emotional landscape that is in tune with the deeper cravings, needs and emotions that have caused the character to be frustrated."
(Maggie Flanigan Studio)