Not Signed-In
Which clippings match 'Engineering Design' keyword pg.1 of 1
01 FEBRUARY 2015

Facebook's Like and Share buttons: designing for functional purpose

1

TAGS

2014 • change aversion • communicating change • community standards • designing for functional purpose • designing for legacy devices • designing for usabilitydesigning with datadiversity of experiencesengineering designFacebook • Facebook like • functional purposeHCIinstructions for useinterface designer • legacy devices • like button • Margaret Gould Stewart • measurementproduct designproduct usability • share button • TED Talksusabilityusability engineeringuser experienceuser experience designUser-Centred Design (UCD)women designers

CONTRIBUTOR

Simon Perkins
15 JULY 2013

New International Journal of Design Creativity and Innovation

"International Journal of Design Creativity and Innovation is an international publication that provides a forum for discussing the nature and potential of creativity and innovation in design from both theoretical and practical perspectives. Design creativity and innovation is truly an interdisciplinary academic research field that will interest and stimulate researchers of engineering design, industrial design, architecture, art, and similar areas. The journal aims to not only promote existing research disciplines but also pioneer a new one that lies in the intermediate area between the domains of systems engineering, information technology, computer science, social science, artificial intelligence, cognitive science, psychology, philosophy, linguistics, and related fields. The journal welcomes various kinds of research papers (analytical studies, constructive studies, case studies, field studies, literature surveys, etc.) that will establish the basis for the academic discipline of design creativity and innovation."

TAGS

2013academic journal • analogical reasoning • architectural designartificial intelligencecognitive scienceconcept generation • constructive studies • creativity and innovation • design creativity • design creativity and innovation • design educationdesign innovationdesign inspirationdesign researcher • design synthesis • design theoryengineering design • field studies • in-betweenindustrial designinformation technologyinnovative explorations • innovative process • interdisciplinary researchinternational journal • inventive process • inventive worklinguisticsliteraturephilosophypsychology • research field • research papersocial science • systems engineering • Taylor and Francis • theories on design • visual arts research

CONTRIBUTOR

Simon Perkins
12 MARCH 2011

Design knowledge or design, communication and culture?

"The problem with any debate over design is that the intellectual resources with which the debate is typically engaged are themselves located within the field, and the competing definitions of design is the terrain over which struggles are fought and the resources used in those struggles. Each actor (or in this case, each designer) engages in these struggles and does so from a position within the field; each has a situated viewpoint and this viewpoint shapes the analysis of the field (Bourdieu, 1983). Thus, there is a need to be able to view the field afresh, from a perspective that is not associated with any specific position within the field but rather objectifies the field. This is not to argue for an 'ultimate–truth' perspective, but rather to suggest that, in order to be able to analyse the debates, one needs specific kinds of tools. Designers work with knowledge to 'do' design. When analysing the field of design the object of study has now shifted: it is not the design object but knowledge itself as an object that is being studied. For engineering a bridge, engineering knowledge is valuable; for designing a house, architectural knowledge is valuable. For analysing knowledge, a theory of knowledge itself is valuable."

(Lucila Carvalho, Andy Dong & Karl Maton, 2009, p.485)

Fig.1 Legitimation codes of specialisation Source: Maton (2007:97)

2). Carvalho, L., Dong, A. & Maton, K. (2009) 'Legitimating design: A sociology of knowledge account of the field', Design Studies 30(5): 483–502.
[An interesting yet epistemologically flawed effort. The paper seems to stumble through its attempt to occupy a neutral perspective on design knowledge. In doing so falls into the familiar trap of positioning 'creativity' and 'originality' against 'critical thinking' and 'analysis'. It attempts to advance a thesis based on the romantic notion of the individual whose process of design appears to operate independently from culture and any effort to communicate with an audience.] ––>

1

TAGS

Andy Dong • architecturearchitecture designBasil Bernsteincodes of specialisationcreativity • critical realism • cultural practicescultural studiesculture medium • design and communication • design and culture • design culturesdesign knowledgedesign studiesdiffering groundsdigital mediadigital media designdisciplinary knowledgeDonald Schon • elite code • embodiment of knowledgeempirical researchenculturationengineeringengineering design • epistemic relation • fashion design • Gestaltungsgeist • habitusindividualisminterdisciplinarity • internalised codes • intersubjective • Jacob Grimm • Judith Dijkhuis • Karl Maton • Karl PopperKees Dorst • knower • knower code • knowledge • knowledge code • languages of legitimation • LCT • legitimacylegitimate knowledge • Legitimation Code Theory • legitimation codes • Lucila Carvalho • Michel FoucaultPierre Bourdieu • post-disciplinarity • post-disciplinepragmatismqualitativequalitative researchqualitative studyrealisation rulesrecognition rules • relativist code • rules • rules of the game • social practices • social relation • sociologyspecialisation • Sprachgeist

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.