"The beacons of the philosophy of science include Karl Popper, Thomas Kuhn, Paul Feyerabend, and Bruno Latour who refute scientism from various angles: arguing that scientific observations are theory and value laden, science takes place within communities, science can be anarchic, etc, all suggesting that science is as dependent on processes of interpretation, community, and tradition as any aspect of the humanities."
(Richard Coyne, 2011)
Excerpted from a letter to the editor, first published in ARQ: Richard Coyne (2011). What’s science got to do with it?. Architectural Research Quarterly, 15 , pp 205-206, doi:10.1017/S135913551100073X
"Central to Michael Polanyi's thinking was the belief that creative acts (especially acts of discovery) are shot-through or charged with strong personal feelings and commitments (hence the title of his most famous work Personal Knowledge). Arguing against the then dominant position that science was somehow value-free, Michael Polanyi sought to bring into creative tension a concern with reasoned and critical interrogation with other, more 'tacit', forms of knowing.
Polanyi's argument was that the informed guesses, hunches and imaginings that are part of exploratory acts are motivated by what he describes as 'passions'. They might well be aimed at discovering 'truth', but they are not necessarily in a form that can be stated in propositional or formal terms. As Michael Polanyi (1967: 4) wrote in The Tacit Dimension, we should start from the fact that 'we can know more than we can tell'. He termed this pre-logical phase of knowing as 'tacit knowledge'. Tacit knowledge comprises a range of conceptual and sensory information and images that can be brought to bear in an attempt to make sense of something (see Hodgkin 1991). Many bits of tacit knowledge can be brought together to help form a new model or theory. This inevitably led him to explore connoisseurship and the process of discovery (rather than with the validation or refutation of theories and models - in contrast with Popper, for example)."
(Mark K. Smith 2003, infed.org)
Smith, M. K. (2003) 'Michael Polanyi and tacit knowledge', the encyclopedia of informal education, www.infed.org/thinkers/polanyi.htm.
Hodgkin, R. (1991) 'Michael Polanyi - Prophet of life, the universe and everything' Times Higher Educational Supplement, September 27, page 15.
Polanyi, Michael (1967) The Tacit Dimension, New York: Anchor Books. (108 + xi pages). Based on the 1962 Terry lectures (Yale) this book provides an overview of tacit knowledge. He looks at tacit knowing, emergence and the significance of a society of explorers.
"The problem with any debate over design is that the intellectual resources with which the debate is typically engaged are themselves located within the field, and the competing definitions of design is the terrain over which struggles are fought and the resources used in those struggles. Each actor (or in this case, each designer) engages in these struggles and does so from a position within the field; each has a situated viewpoint and this viewpoint shapes the analysis of the field (Bourdieu, 1983). Thus, there is a need to be able to view the field afresh, from a perspective that is not associated with any specific position within the field but rather objectifies the field. This is not to argue for an 'ultimate-truth' perspective, but rather to suggest that, in order to be able to analyse the debates, one needs specific kinds of tools. Designers work with knowledge to 'do' design. When analysing the field of design the object of study has now shifted: it is not the design object but knowledge itself as an object that is being studied. For engineering a bridge, engineering knowledge is valuable; for designing a house, architectural knowledge is valuable. For analysing knowledge, a theory of knowledge itself is valuable."
(Lucila Carvalho, Andy Dong & Karl Maton, 2009, p.485)
Fig.1 Legitimation codes of specialisation Source: Maton (2007:97)
2). Carvalho, L., Dong, A. & Maton, K. (2009) 'Legitimating design: A sociology of knowledge account of the field', Design Studies 30(5): 483-502.