"Current usage of the terms conceptual framework and theoretical framework are vague and imprecise. In this paper I define conceptual framework as a network, or 'a plane,' of interlinked concepts that together provide a comprehensive understanding of a phenomenon or phenomena. The concepts that constitute a conceptual framework support one another, articulate their respective phenomena, and establish a framework–specific philosophy. Conceptual frameworks possess ontological, epistemological, and methodological assumptions, and each concept within a conceptual framework plays an ontological or epistemological role. The ontological assumptions relate to knowledge of the 'way things are,' 'the nature of reality,' 'real' existence, and 'real' action (Guba & Lincoln, 1994). The epistemological assumptions relate to 'how things really are' and 'how things really work' in an assumed reality (p. 108). The methodological assumptions relate to the process of building the conceptual framework and assessing what it can tell us about the 'real' world."
(Yosef Jabareen, 2009)
Jabareen, Y. (2009). Building a Conceptual Framework: Philosophy, Definitions, and Procedure. International Journal of Qualitative Methods, 8(4).
"Social constructivism (often combined with interpretivism; see Mertens, 1998) is such a perspective, and it is typically seen as an approach to qualitative research. The ideas came from Mannheim and from works such as Berger and Luekmann's (1967) The Social Construction of Reality and Lincoln and Guba's (1985) Naturalistic Inquiry. More recent writers who have summarized this position are Lincoln and Guba (2000), Schwandt (2007), Neuman (2000), and Crotty (1998), among others. Social constructivists hold assumptions that individuals seek understanding of the world in which they live and work. Individuals develop subjective meanings of their experiences – meanings directed toward certain objects or things. These meanings are varied and multiple, leading the researcher to look for the complexity of views rather than narrowing meanings into a few categories or ideas. The goal of the research is to rely as much as possible on the participants' views of the situation being studied. The questions become broad and general so that the participants can construct the meaning of a situation, typically forged in discussions or interactions with other persons. The more open–ended the questioning, the better, as the researcher listens carefully to what people say or do in their life settings. Often these subjective meanings are negotiated socially and historically. They are not simply imprinted on individuals but are formed through interaction with others (hence social constructivism) and through historical and cultural norms that operate in individuals' lives. Thus, constructivist researchers often address the processes of interaction among individuals. They also focus on the specific contexts in which people live and work, in order to understand the historical and cultural settings of the participants. Researchers recognize that their own backgrounds shape their interpretation, and they position themselves in the research to acknowledge how their interpretation flows from their personal, cultural, and historical experiences. The researcher's intent is to make sense of (or interpret) the meanings others have about the world. Rather than starting with a theory (as in postpostivism), inquirers generate or inductively develop a theory or pattern of meaning."
(John Creswell, 2003)
John Creswell (2003). "Research design: Qualitative, quantitative, and mixed methods approaches". (3rd ed.). Thousand Oaks, CA: Sage Publication.
"a variety of research methodologies have grown in popularity including phenomenology, ethnography, grounded theory, and hermeneutic phenomenology (Denzin & Lincoln, 2000). As this has occurred, concern has risen about the use of qualitative methodologies without sufficient understanding of the rigor necessary to ethically utilize them (Maggs–Rapport, 2001). More specifically, phenomenology and hermeneutic phenomenology are often referred to interchangeably, without questioning any distinction between them. The purpose of this article is to discuss the early philosophical development of selected key issues related to phenomenology and hermeneutic phenomenology and support the position that differences and similarities exist. This exploration will begin with the phenomenology of Husserl and then move to explore heremeneutic phenomenology through Heidegger and Gadamer. Exploration will be given to how these different philosophical perspectives have an impact on the practice of phenomenology and hermeneutic phenomenology as research methodologies."
(Susann M. Laverty, 2003)
Laverty, S. M. (2003). "Hermeneutic phenomenology and phenomenology: A comparison of historical and methodological considerations". International Journal of Qualitative Methods, 2(3). Article 3. Retrieved 06 January 2013 from http://www.ualberta.ca/~iiqm/backissues/2_3final/html/laverty.html
"A recent analysis of doctorates in design has identified four common characteristics of research approaches found in the exploration of practice–based design research questions [1]. They are: 1) a 'bricolage' approach to research design, 2) reflective practices, 3) the use of visual approaches and 4) thesis–structural innovation. These characteristics have been derived from an examination of a range of design theses and using a number of design research frameworks [2–4] to identify the epistemological and methodological models applied. This paper has chosen to focus on one of the four characteristics, the bricolage approach to method construction, as it is seen to be a common feature evident in all six studies. The bricolage method consists of combining methods from the social sciences, humanities, and hard sciences to derive a suitable model of inquiry.
While we acknowledge that design research investigates different issues that require studies into a range of subject areas such as the material, historical, scientific, social and psychological, the focus of this paper is the exploration of research questions derived from practice–based questions. In other words, it focuses on design activities that are used to generate new knowledge and understanding in and of itself.
We posit that the adoption of methodological bricolage is a necessity in design research due to the indeterminate nature of design. ...
Although Levi–Strauss introduced the concept of bricolage as a mode of acquiring knowledge, it was Denzin and Lincoln's [23] articulation of it within a methodological context that offered insight into new forms of rigour and complexity in social research. Nelson, Treichler and Grossberg describe bricolage (in the context of cultural studies methodology) as reflecting a choice of practice that is pragmatic, strategic and self–reflexive [24]. While Kincheloe [25] uses the term to describe multi–perspectival research methods, not just as the usage of mixed methods but to acknowledge that using methods from different disciplines enables the researcher to compare and contrast multiple points of view. Just as designed objects have prescribed affordances, methods automatically imply ontological and epistemological affordances. This relationship between inquiry and method affords design a useful indeterminacy, where not–knowing becomes a constructive loop that the bricoleur appears to be exploiting. As questions arise so methods to answer them are sought, abstracting platforms for design knowledge rather than concrete answers. Bricolage is a useful and necessary concept for design researchers as it allows them to deploy available and established strategies and methods, but also grants them the license to create new tools and techniques in order to address questions that are beyond the realm of the established discipline. Methodological bricolage permits the researcher to look at the problem we have with problems, as well as their solution. The bricoleur views research methods actively, rather than passively, meaning that the researcher actively constructs methods with tools at hand rather than accepting and using pre–existing methodologies [26]."
(Joyce S R Yee and Craig Bremner, 2011)
Fig.1 Danae Colomer, Gazpacho video portion of Food as Opera project.
2). Yee, J. S. R. and C. Bremner (2011). Methodological Bricolage – What does it tell us about Design? Doctoral Education in Design Conference. Hong Kong, Hong Kong Polytechnic University.