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Which clippings match 'Documentary Filmmaker' keyword pg.1 of 1
07 MARCH 2015

Albert Maysles: 26 November 1926 - 5 March 2015

"It is with great sadness that we announce the passing of our founder, legendary filmmaker Albert Maysles. Albert was a loving husband, father, brother and friend to many. For more than five decades, Albert created groundbreaking films, inspired filmmakers and touched all those with his humanity, presence and his belief in the power of love. He was also a teacher, mentor and a source of inspiration for countless filmmakers, artists and everyday people."

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CONTRIBUTOR

Simon Perkins
08 APRIL 2013

Les Blank and his Documentary Films

"One of the great living documentary makers of the modern day, Les Blank joins BYOD. After fifty years making incredible docs that showcase the human spirit through art, struggle and humor, Les Blank has a wealth of knowledge to share with Ondi and Vlad.

Mr. Blank takes us through his early days and his decision to pick up the camera, his jump to film making and dealing with subjects on the outside of society, to dealing with artists to find the human spirit. He spares few details along the way and let's us in on his life–threatening filming Herzog, from the jungle of South America on 'Burden of Dreams,' to filming the director famously eating his own shoe. Mr. Blank is still a brilliant artist and illuminating guide through the history of doc making."

(TheLip.tv)

"An American Treasure and Living Legend Les Blank and his Documentary Films", Episode 14 : BYOD: Bring Your Own Doc, Hosted By Ondi Timoner and Vladimir Radovanov for TheLip.tv.

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CONTRIBUTOR

Simon Perkins
03 MARCH 2011

The camera's relation to reality is addressed directly by the documentary filmmaker

"The issue of the camera's relation to reality, which permeates the fiction film, is addressed directly by the documentary filmmaker, who has always aspired toward capturing the sight and sound of life in an unobtrusive and impartial manner. The ambivalent nature of the medium, which excludes the human element as an intermediary but nevertheless implies a subjective viewpoint, gives rise to issues concerning the camera's legitimacy to record the 'obscene' object of reality. Questions about what degrees of faithfulness to the truth establish a film as a documentary, and whether such faithfulness is even possible, have accompanied the history of documentary filmmaking since its origin.

In the meantime, partly due to the technological advancements, documentary underwent a revival, and experimentations with the new technology abounded. The answer of 'direct cinema', which included Richard Leacock, Donn A. Pennebaker and the Maysles brothers as its representatives, was a purist approach in which the impact of the observer on the observed had to be kept to a minimum. Interviews, voice–over commentary and any other forms of interaction with the subject matter were considered to contaminate the result of the observation. Others like, Pierre Perrault, used the new equipment to draw meaning from the seemingly insignificant and the quotidian, attempting to find greater meaning in and unity to the whole by observing and bringing together the small elements of everyday life."

(Barbara Bruni, Senses of Cinema)

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TAGS

ambivalence • Andre Bazinauthorial intrusion • Chronicle of a Summer • cinema veritecommentaryconstructed realitydirect cinemadocumentarydocumentary filmmakerdocumentary filmmakingdocumentary truthDonn A. Pennebaker • Edgar Morin • ethnographiceveryday lifeexperimentationfiction filmimpartiality • intermediary • interviewJean Rouch • Lightning Over Water • Maysles Brothersmedium • Nicholas Ray • observation • Pierre Perrault • realityRichard LeacockSenses of Cinema (journal)subjective viewpointtechnological advancements • The Human Pyramid • truth • unobtrusive • voice-over • voice-over commentary

CONTRIBUTOR

Simon Perkins
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