Not Signed-In
Which clippings match 'Childhood' keyword pg.1 of 1
16 NOVEMBER 2012

Su Blackwell: paper craft dioramas of childhood wonder and anxiety

"I often work within the realm of fairy–tales and folk–lore. I began making a series of book–sculpture, cutting–out images from old books to create three–dimensional diorama's, and displaying them inside wooden boxes. ...

For the cut–out illustrations, I tend to lean towards young–girl characters, placing them in haunting, fragile settings, expressing the vulnerability of childhood, while also conveying a sense of childhood anxiety and wonder. There is a quiet melancholy in the work, depicted in the material used, and choice of subtle colour."

(Su Blackwell)

Fig.1 Su Blackwell (2008). "The Girl in the Wood" [http://www.sublackwell.co.uk/portfolio–book–cut–sculpture/]

1

TAGS

2011book sculpturebookschildhood • childhood anxiety • childhood wonder • cut-outcut-out illustrationdesign craftdioramafairy talesfolklorefragilityhaunting imagesillustrated bookpaper dioramapapercraft • quiet melancholy • Su Blackwell • subtle colour • vulnerabilityvulnerability of childhood • wooden box • young girl

CONTRIBUTOR

Simon Perkins
11 OCTOBER 2012

One Minute Puberty

"Puberty, the fun and exciting times you had with pimples, uncontrolled new powers, and a thousand things you tried out for the first time. Metamorphosis and change and chaos of becoming a real person are some of the themes that I tried to touch on."

(Alexander Gellner, 2011, bitteschön.tv)

Fig.1 "One Minute Puberty (2011) "Written & Animated by Alexander Gellner, Sound Design by Niklas Kröger.

1
2

TAGS

20112D animation • acne • adolescence • adolescent development • adult body • adulthood • Alexander Gellner • black and whitebodily formbodybody awarenessbody hairchildhoodcoming of age • cultural maturation • hand-drawn animation • hormonal cascade • hormonal signals • libidoline drawing • maturation • maturity • metamorphosis • morphologic changes • Niklas Kroger • physical changes • physical growth • physical transformationphysiquepimplespsychosocial maturationpuberty • sexual maturation • teenage boys • teenagers

CONTRIBUTOR

Simon Perkins
08 JULY 2012

Gellof Kanselaar Research Education Psychology CSCL Learning

"Lev Vygotsky's (1896–1934) main relevance to constructivism derives from his theories about language, thought, and their mediation by society. He holds the anti–realist position that the process of knowing is rather a disjunctive one involving the agency of other people and mediated by community and culture. He sees collaborative action to be shaped in childhood when the convergence of speech and practical activity occurs and entails the instrumental use of social speech. Although in adulthood social speech is internalized (it becomes thought), Vygotsky contends, it still preserves its intrinsic collaborative character. "

(Gellof Kanselaar, 2002)

Kanselaar, Gellof, (2002). Unpublished paper about (Socio–)Constructivism.

TAGS

(Socio-)Constructivism • adulthood • agency of other people • anti-realist position • becomes thought • childhoodcollaborative action • collaborative character • constructivism • convergence of speech and practical activity • disjunctive • education • education psychology • educational psychology • Gellof Kanselaar • instrumental use of social speech • internalised • Jean Piaget • Lev Semenovich Vygotsky • Lev Vygotsky • mediated by community and culture • mediation by society • process of knowing • psychology • shaped in childhood • social construction of knowledge • social speech • socio-constructivismsocio-constructivist • theories about language • thought • unpublished paper

CONTRIBUTOR

Simon Perkins
30 NOVEMBER 2011

Narratives for Europe: Launderette

"Imagine that you have just got home late from a long day of work only to be confronted by an endless list of chores. You drag yourself and an old bag of dirty clothes to the laundromat around the corner. Suddenly some young film–maker is putting a camera in your face and asking you about your laundry, your life and your ever–fading childhood dreams. At first you want to be left alone–get out of my face! But after a while you relax. It feels good to talk and it feels good to listen. On your way home, you keep thinking about the stories you told and the ones you heard. Your mind just keeps on spinning...

The scenario of the short film 'Laundrette' transforms an anonymous public space into a dynamic one where stories are swapped and strangers are given faces. The film also acts as a remarkable metaphor for what Narratives for Europe wants to become: an open space where significant stories can be voiced, echoed and debated. Selected from the media collection of ECF's Youth and Media programme, 'Laundrette' was awarded 'Best Documentary' at the BFI Futures Film Festival 2011 in London. You can watch this film and other shorts on ECF's VIMEOchannel.

The BFI recruited this video and is one of the 6 partners of the Doc Next Network. This network functions as the core of the Youth & Media Programme of the European Cultural Foundation (ECF). Doc Next is a unique movement of independent cultural and media organisations working with young people and media in the UK, Spain, the Netherlands, Poland, Turkey and Scandinavia."

(European Cultural Foundation)

"Launderette": Director – Bertie Telezynski, Producer – Johnny Orme, Producer – Mark Davies, Cinematographer – Alex Nevill, Cinematographer – Rachel Lewis, Editor – Louis Rossi, Sound – Liam Cook

1

TAGS

2011 • ambition • anonymous public space • auteurBFI • BFI Futures Film Festival • broken relationships • camera in your face • childhood • childhood dreams • childhood memories • chores • confrontational stories • desolate space • Doc Next Network • documentaryECFEuropeEuropean Cultural Foundationexistential insightfilmfilmmaker • fragmented memories • human conditionimaginative stories • independent cultural and media organisations • late night • launderette • laundrette • Laundrette (film) • laundroma • laundromat • laundry • long day of work • lost family • mediamemorymoments • moments of personal insight • Narratives for Europe • Netherlandsopen spacePolandpublic spacereflection • reflexive documentary • Scandinaviashort film • significant stories • Spainstoriesstrangersstring theory • swap • TurkeyUK • young film-maker • young people • your life • Youth and Media • Youth and Media Programme

CONTRIBUTOR

Simon Perkins
25 FEBRUARY 2011

Wild Strawberries: falling backwards through memories

Ingmar "Bergman's restless mind wouldn't even leave him to rest during a brief hospital stay, which is where he wrote the script for one of his earliest forays into the nature of age, memory and self–reflection. The core of the film had come to him the previous year while driving through his old hometown of Uppsala, past his grandmother's house. His fertile imagination wondered how it might be if he could open the door and step back into his own childhood, and from this kernel grew Wild Strawberries. In Swedish the title of Smultronstället has deeper meaning than just referring to a wild strawberry patch, it has a colloquial sense of a place invested with personal or sentimental value, often undervalued until it returns to memory in a nostalgic fashion. Which is precisely what the lead character of Isak Borg experiences throughout the film, falling backwards through his memories, attempting to make sense of his life in his final years. It's not an unusual thing for a Bergman film to be filled with casual slips between reality and dreams/memories, or to be populated with characters whose role is to aid our protagonist on his/her internal quest, but the lead character is not what we might envision in Bergman's work. Isak Borg is not a cruel man, but his self–centred cynicism and rampant egotism set him apart from the majority of other Bergman leads. But he needs to be such a vaguely unlikable character for the audience to experience the full impact of his self–realisation, dragged through a series of memories and forced to confront his continuing failures and inadequacies. A loveable, upright character would not have been able to supply so much powerful redemption in the final reel."

(Craig Andrews, Media Resource Centre)

1

TAGS

195735mmacross timechildhoodchronological timecircular narrative structuredreamfilmimaginationin the mindIngmar Bergmaninternal quest • Iris Cinema • Lund Universitymemory • Mercury Cinema • nostalgiapastpersonalself-realisationself-reflection • Smultronstallet • SwedishSwedish filmmaker • Uppsala • Wild Strawberries (1957)

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.