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Which clippings match 'Charlotte Zwerin' keyword pg.1 of 1
24 NOVEMBER 2013

Thelonious Monk: Straight, No Chaser (1988)

"Expanding on footage of Monk's 1967 tour shot by Christian Blackwood, Charlotte Zwering (Gimme Shelter) has created the definitive filmic portrait of the master bop pianist–composer. This captivating DVD digs deeper into the life of the famously eccentric pianist–composer ...

Straight, No Chaser fleshes out Monk's character considerably – from his harmonic theories to his use of quarter – tones (produced by hitting two adjacent piano keys simultaneously and occasionally even striking the boards with his entire forearm or his foot) to his mysterious relationship with his patron, baroness Nica de Koenigswarter."

(Vlatko, TopDocumentaryFilms.com)

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TAGS

16mm19671988archive footageavailable light • Barry Harris • bebop • Ben Riley • black and white • Bob Jones • Bruce Ricker • Charlie Rouse • Charlotte Zwerin • Charlotte Zwering • Christian Blackwood • cinema of the streetClint Eastwood • Dick Hyman • direct cinemadissonancedocumentarydocumentary filmeccentricfilm lighting • filmic portrait • Frank Paccione • harmonic • Harry Colomby • improvised methodinfluential creators • jazz great • jazz masterjazz performancejazz pianist • Jimmy Cleveland • John Coltrane • Johnny Griffin • Juilliard School • Larry Gales • live performancelow light • Malpaso Productions • music documentary • music tour • musical genius • Nellie Monk • Nica De Koenigswarter • offbeat • Phil Woods • pianist-composer • pianoportrait • posthumous interview • Ray Copeland • recording sessionrecording studiorehearsal • Samuel Wright • sixties coolsocial realism • Straight No Chaser (1988) • Teo Macero • Thelonious Monk • Tommy Flanagan • Warner Bros

CONTRIBUTOR

Simon Perkins
19 FEBRUARY 2011

Maysles Brothers: Salesman (1968)

"A landmark American documentary, Salesman captures in vivid detail the bygone era of the door–to–door salesman. While laboring to sell a gold–embossed version of the Good Book, Paul Brennan and his colleagues target the beleaguered masses–then face the demands of quotas and the frustrations of life on the road. Following Brennan on his daily rounds, the Maysles discover a real–life Willy Loman, walking the line from hype to despair."

(mubi.com)

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TAGS

1968Albert Maysles • all-American • American dreamAmerican lifeBiblebygone era • Charles McDevitt • Charlotte Zwerinconstructed realityDavid Maysles • Death of a Salesman • desperationdirect cinemadocumentary filmdocumentary truth • door-to-door salesman • emotive manipulationethicseverydayfilm • Good Book • hype • James Baker • landmarkMaysles Brothers • Paul Brennan • profilmic • Raymond Martos • realreal-lifesales and profitSalesman (1968) • salesmen • salespeoplesocial realismsocial realitytruth • Willy Loman

CONTRIBUTOR

Simon Perkins
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