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Which clippings match 'Schema' keyword pg.1 of 1
15 JULY 2014

Diagram for the structure of teaching at the Bauhaus / Schema zum Aufbau der Lehre am Bauhaus

"The individual elements of the Bauhaus teachings are inscribed in a circular shape. The areas of the preliminary course and building are conspicuously delineated from the core of the instruction–the workshops with their accompanying subjects–by a drawn double ring. This is due to the special position that both of these teaching areas occupied: In order to even be accepted to the study programme at the Bauhaus, it was necessary to successfully complete the preliminary course. And only the most talented students could qualify for participation in the building theory course. The schema also indicates the length of the respective educational units."

Fig.1 Walter Gropius, Schema zum Aufbau der Lehre am Bauhaus, 1922, veröffentlicht in: Staatliches Bauhaus Weimar, 1919–1923 Bauhaus–Archiv / Museum für Gestaltung, Berlin.

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1922apprenticeshipart and design educationatelier methodBauhaus DessauBauhaus SchoolBauhaus WeimarBauhaus-KolloquiumBerlin • circular disk • colour theorycourse modulescraft and designcurricula designcurriculumcurriculum designdesign and makingdesign curriculumdesign educationdesign formalismdesign school • design workshops • hierarchical model • learning and teachinglearning through practicematerial experimentationmaterial interventionsmaterial practice • Museum fur Gestaltung • programme modulesschema • Schema zum Aufbau der Lehre am Bauhaus • Staatliches Bauhaus • studio approachstudio coursestudio practice • study programme • Walter Gropiusworkshops

CONTRIBUTOR

Simon Perkins
20 APRIL 2012

Principles of the Visual Language: A Dialect of Our Own Design

"A visual language informs all design, from architecture to print. Fluency in the same language drawn on by Bauhaus, mid–century Swiss, or postmodern design is essential for brilliant web design. In this practical talk, ground uniquely web–based interactions – from complex CSS3 animations and rotations to JavaScript behaviors – using that time–tested visual primer. Take a more considered approach to choices, evoke the desired emotive responses, learn how to better articulate your design decisions. Extend graphic design's grammar into a visual dialect of web design that guides us to smarter, beautifully balanced juxtapositions of elements in our new, multidimensional web experiences."

(Simon Collison)

Fig.1 Simon Collison (03 June 03 2011) "A Dialect of Our Own Design".

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aestheticsaffordances • articulate your design decisions • Bauhaus School • beautifully balanced • Christian Leborgcommunication design • considered approach • CSS3 • CSS3 animation • Dan Brown • design formalismDonald Normanediting through selection • emotive response • framegestalt principlesgraphic design • graphic design visual grammar • graphic representationgrid systemIndi YoungInternational Typographic StyleJavaScriptmapping • Mark Boulton • mental modelspictorial systemspostmodern designresponsive web designschema • Scott McCloud • Simon CollisonSlideShareSwiss Styletypographyvisual communication • visual dialect of web design • visual grammarvisual languagevisual screen designweb design • web experiences • web-based interactions • Wucius Wong

CONTRIBUTOR

Simon Perkins
06 MAY 2011

Infographics for the Canal+ network

Adverstising campaign for the network Canal+ // Creatives : Gregory Ferembach & David Troquier Agency : BETC eurorscg Paris // Créative Director: Olivier Apers // Illustrator : Les Graphiquants

Fig.1–5 "J'ai Envie de Faire un Court–métrage"; "J'ai Envie de Faire un film d'animation"; "J'ai Envie de Faire un film d'horreur"; "J'ai Envie de Faire un film d'action"; "J'ai Envie de Faire un Film Porno". [English versions]

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action movie • adverstising campain • animated movie • BETC Euro RSCG • Canal Plus • Canal+ • chart • David Troquier • design processdiagram • directeur artistique • film genrefilm posterfilm productionfilmmakingflow diagramflowchartgenregraphic design • Gregory Ferembach • horror movieinfographicsinformation aestheticsinformation graphicsinstructional design • Les Graphiquants • network Canal+ • Olivier Apers • pornoposterschemashort filmvisual communicationvisualisation

CONTRIBUTOR

Simon Perkins
18 FEBRUARY 2011

Semantic Web: integration through abstraction and standardisation

"The Semantic Web is about two things. It is about common formats for integration and combination of data drawn from diverse sources, where on the original Web mainly concentrated on the interchange of documents. It is also about language for recording how the data relates to real world objects. That allows a person, or a machine, to start off in one database, and then move through an unending set of databases which are connected not by wires but by being about the same thing."

(W3C)

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abstractionAPIbusiness rulescomputer sciencecontextconvergencedatadata accessdata contextdata integrationdata interchange • description resources • documentsenabling technologiesformatHTMLHTML5informationinformation retrievalintegrationinteroperabilitymachinesmetadataontologyorderingprotocol • R2RML • RDFreal world objects • Resource Description Framework • rule systemschemasemantic websolutionspecificationstandardisationstructurestructured datatechnologyunificationusabilityW3Cweb • XHTML5 • XML

CONTRIBUTOR

Simon Perkins
22 MARCH 2010

The 960 Grid System: streamlining the web development workflow

"The 960 Grid System is an effort to streamline web development workflow by providing commonly used dimensions, based on a width of 960 pixels. There are two variants: 12 and 16 columns, which can be used separately or in tandem."

(Nathan Smith, 2010)

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2010 • 960 • 960 Grid SystemcolumnsCSSdesigndesign for the screengridgrid systeminfrastructureinnovationlayout • Nathan Smith • organisational schemapage designpage layoutschemasolutiontechnologytypographyusabilityweb designweb development • web development workflow • workflow

CONTRIBUTOR

Matthew Underwood
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