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Which clippings match 'Consumption Spectacle' keyword pg.1 of 3
29 OCTOBER 2017

Michael Glassco: Contested images: the politics and poetics of appropriation

"The dissertation traces the tactics of appropriation of Barbara Kruger, The Billboard Liberation Front and Shepard Fairey as exemplars of transgression and commodification within the changing commercial conditions of neo-liberalism. Their works, tactics and strategies are emphasized as points of insight into the practices and conditions of subversion as well as the limits of hegemonic containment that reproduces the political and economic structure within which they operated. The dissertation furthers and contributes to the theoretical and methodology of critical cultural studies as it emphasizes the role of the economy and ideology in reproducing the prevailing hegemonic order. Critical cultural studies hinges on the concepts of hegemony as lived discursive and ideological struggles over meaning and communication resources within historically specific and socially structured contexts. This framework emphasizes the poetics of appropriation - the use, meaning and spaces of articulation of visual representations with the politics - the socio-economic and discursive conditions that reproduce the dominant social order."

(Michael Glassco, 2012, University of Iowa)

TAGS

2012activismAdbustersadvertising hijacking • advertising imagery • advertising messages • appropriated images • appropriation activists • appropriation artists • appropriation practices • appropriation tactics • Barbara Kruger • Billboard Liberation Front • bricoleur • Buy Nothing Day • co-optioncommodificationconstructed identitiesconsumption spectaclecritical cultural hijacking • critical cultural studies • critique in public spaces • critique power • culture jammingdiscursive struggles • fauxvertising • graphic agitator • guerrilla artGuerrilla Girlsguerrilla tactics • hegemonic containment • hegemony • ideological struggle • ideological systems • ideological warfare • images of appropriation • institutionalised art • Jenny Holzer • manufacturing identity • media hijacking • Michael Glassco • neoliberalismparticipatory engagement • pastiche of visual codes • PhD thesis • poetics of appropriation • political protest • prevailing hegemonic order • privatisation of culture • public space • rebellious bricoleur • revolutionary subjects • Robbie Conal • Rosemary Coombe • Shepard Fairey • sublimating desire • subversionsubvertisements • subvertising • systematic asymmetries of power • tactic of dissent • tactical strikes • tactics of appropriation • tactics of guerrilla semiotics • The Billboard Liberation Front • transgression • TV Turn off Week • un-commercials • unequal access to cultural resources • University of Iowavisual codesvisual representation

CONTRIBUTOR

Simon Perkins
18 NOVEMBER 2016

Moby & The Void Pacific Choir: Are You Lost In The World Like Me?

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CONTRIBUTOR

Simon Perkins
09 NOVEMBER 2016

The vaporwave aesthetic and the music playing behind an infomercial for public access purgatory

"Vaporwave isn’t just something you listen to either, it’s something you experience, and experiences include visuals. Vaporwave visual art, simply referred to as 'aesthetics,' is varied but tends to honor some core tenets. If you’re looking at something pink and teal with a marble classical bust and a glitchy Windows 95 logo, you’re probably looking at a vaporwave aesthetic. If you’re watching a YouTube video with a title written in a weirdly soothing stretched out font, you’re probably watching a vaporwave aesthetic.

If you haven’t guessed by now, vaporwave is a bit of a joke, or more accurately, an internet meme. Vaporwave’s trippy immediate artistic ancestor 'seapunk' was a running inside joke on Tumblr during 2011 about fashion and art and music inspired by the ocean. The look and sound of a psychedelic club run by a hipster Ariel from The Little Mermaid is a pretty accurate summation. Neon seapunk imagery even found its way into Rihanna’s 2012 Saturday Night Live performance, confounding many viewers with its colorful and stylish but garish, cheap, and seemingly unprofessional grainy green screen look. The exact difference between seapunk and vaporwave is blurry, but as far as I understand vaporwave trades the aquatic focus for a fascination with the emptiness of aging and/or amateur glossy commercialism. It’s the music playing behind an infomercial for public access purgatory."

(Jordan Minor, 03 June 2016)

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TAGS

1980s retro styleamateur cultural production • amateur glossy commercialism • anti-corporate aesthetic • appropriationcheesy • classical bust • colour schemecolourfulcomputer graphicsconsumption spectacle • cultural aesthetic • digital texts • emptiness • fan art • Floral Shoppe (2011) • inside joke • internet art form • internet cultureInternet memeirony • Japanese funk • Macintosh Plus (musical alias) • manipulating samples • manufactured nostalgia • marble • memenetworked productionnew forms of expression • new sincerity • nostalgic styleoceanparticipatory mediapinkpsychedelic imageryreappropriationremix cultureretro cheesinessretro computer graphics • runaway consumerism • seapunk • Sega Genesis • Simpsonwave • Simpsonwave aesthetic • slow jams • stretched out font • teal • tech-fueled nostalgic loop • tech-savvy • The Little Mermaid • The Simpsons (television) • trippy • Tumblrvaporware • vaporwave • vaporwave aesthetic • vaporwave visual art • Vektroid (electronic musician) • video gamesvisual aestheticsWindows 95

CONTRIBUTOR

Simon Perkins
11 APRIL 2016

Vidding is a fan-made music video genre using appropriated content

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TAGS

amateur cultural productionamateur videoappropriationauthorship • cast video • consumption spectaclefan art • fan filmmaking • fan made • fan-made video • fandomidentity performanceinternet culturemediated culture • multifandom • music videoparticipatory media culturere-cutremix cultureviddingvideo collagevideo re-cutvideo reinterpretationvideo remixvideo repurposing • Visionary Vidding Contest (VVC) • YouTube

CONTRIBUTOR

Simon Perkins
06 MARCH 2015

Sexed up: theorizing the sexualization of culture

"This paper reviews and examines emerging academic approaches to the study of ‘sexualized culture’; an examination made necessary by contemporary preoccupations with sexual values, practices and identities, the emergence of new forms of sexual experience and the apparent breakdown of rules, categories and regulations designed to keep the obscene at bay. The paper maps out some key themes and preoccupations in recent academic writing on sex and sexuality, especially those relating to the contemporary or emerging characteristics of sexual discourse. The key issues of pornographication and democratization, taste formations, postmodern sex and intimacy, and sexual citizenship are explored in detail."

(Feona Attwood, 2006)

ATTWOOD, F. (2006). Sexed up: theorizing the sexualization of culture. Sexualities, 9 (1), 77-94.

TAGS

2006Anthony Giddens • attitudes to sex • auto-eroticism • Brian McNair • Brigid Costello • casual sex • Catharine Lumby • commercial sex services • consumption spectacle • contemporary sexual discourse • cybersex • David Bell • David Buckingham • David Evans • Debbie Stoller • Dennis Altman • diverse sexual identities • Elisabeth Beck-Gernsheim • email affairs • erotic life • Eva Illouz • excitation • female sexualityfemininity • Feona Attwood • gender relations • hedonism • Hilary Radner • Imelda Whelehan • intimate relations • Jane Arthurs • Jane Juffer • Jeffrey Weeks • Jon Binnie • Joseph Bristow • Juniper Wiley • Kenneth Plummer • liquid love • literature review • Mandy Merck • Marcelle Karp • Marj Kibby • Mark Jancovich • Michel Foucault • Natasha Forrest • obscenityonline datingpersonal life • personal relationships • phone sex • physical pleasure • physical sensation • plastic sexuality • pornographication • postmodern sex • radical sexual politics • renewable pleasures • romantic encounters • romantic relationships • Rosalind Gill • Rosalind Given-Wilson • Sara Bragg • sex and commitment • sex and reproduction • sex toysexismsexual behaviour • sexual citizenship • sexual commodification • sexual democratisation • sexual desire • sexual discourse • sexual encounter • sexual experience • sexual fitness • sexual identities • sexual intimacy • sexual meaning • sexual objectification • sexual obscenity • sexual practices • sexual preoccupation • sexual propriety • sexual regulation • sexual representation • sexual sensibilities • sexual subjectification • sexual values • sexualised culture • sexualised depictionssexuality • sexualization • sexually explicit texts • Sheffield Hallam University • SHURA • Simon Hardy • Stacy Gillis • taste formations • transient pleasures • Ulrich Beck • Walter Kendrick • William Simon • Zygmunt Bauman

CONTRIBUTOR

Simon Perkins
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