The deadline for submitting artwork is 21 June 2013.
"The multimedia Competition 'Migrants in Europe' aims to give young artists and communicators an opportunity to reflect on the contribution of migrants to the European society today. The Competition should also serve as a first step towards more debate, information and opinion exchange.
The Competition is aimed at students who are over 18 years old and enrolled in art, graphic and communication schools in all EU countries and Croatia. The schools are to present the works in three categories – Poster, Photography and Video. Each school can present one or several works in one or several categories. The works will be judged at the national level and the best works will be forwarded to a European jury that will decide on European winners. A public internet vote will also take place on this website. The authors of the 30 European finalist works will travel to Brussels to attend a prize-giving ceremony with expected participation by Cecilia Malmström, European Commissioner for Home Affairs. The schools whose students win first prizes in the three categories and the first prize in the public vote will receive an award of €10,000 each."
"Sima Urale's debut short film, beautifully realised in black and white, tells the story of a young Samoan boy who is expected to play guardian to his siblings. As his parents struggle in their new country, he is overwhelmed by the responsibility. When faced with his grief, the adults fail to recognise his pain. Poignant attention to details that convey a child's perspective (eg. the movement of a spacies game and shopping trolley are intercut) saw O Tamaiti win awards at film festivals around the globe, including the prestigious Silver Lion at Venice."
(NZ On Screen)
Fig. 1 Dir. Sima Urale, 15mins, NZ, 1996, black & white, 1.1:66
"After having made four well-received feature films, among them Mean Streets (1973), an uncompromising story of petty criminals in New York City's Little Italy, and Alice Doesn't Live Here Anymore (1974), the tale of a single mother's journey to self-sufficiency, Martin Scorsese stepped back briefly from his commercial film career to make a small, deeply personal documentary. Shot on 16mm film in the Manhattan apartment where he grew up, ItalianAmerican is the record of a conversation between Scorsese and his parents, Charles and Catherine. In three-quarters of an hour, the three manage to cover a great deal of ground, most notably the parents' experiences growing up in the rough-and-tumble New York tenements during the early years of the twentieth century. Scorsese's presentation of his parents is highly particularized and subtly nuanced, yet he also manages to make their words speak for the larger immigrant experience. When the setting shifts from the living room to the dining room and everyone sits down to dinner, the mood becomes looser and more animated, with Scorsese and his mother moving into the kitchen for a quick lesson on how to make tomato sauce-or 'gravy,' as Catherine (and an entire generation of Italian Americans) would call it. Throughout, the affection that the three Scorseses have for each other is palpable, as is the respect with which the son presents his parents' story. At the end, Catherine's recipe for her tomato sauce scrolls by on-screen, making ItalianAmerican not only a historical record, but also a family legacy."
(The Museum of Modern Art)
1974. USA. 35mm print, colour, sound, 49 min. Original 16mm materials on indefinite loan from the artist. Preserved in 35mm with funding from the Celeste Bartos Film Preservation Fund.