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Which clippings match 'Early Computer-era' keyword pg.1 of 2
16 MARCH 2016

British television series 'Database': How to send an 'E mail' in 1984

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TAGS

1980s1984BBC MicroBritish television seriesCommodore 64 • Commodore VIC-20 • computer agecomputer historycomputing history • Database (TV series 1984) • Dragon 32 • Dragon 64 • early adopterearly computer-eraforerunnerhome computerinformation ageInternet • Jane Ashton • Julian Green • Micronet • modem • online server • Pat Green • personal computerprecursor technology • press telephone • Prestel • Prestel MicroComputing • rotary telephone • telecommunicationstelephonetelevisionThames TelevisionTV seriesUK • UK Post Office • VIC-20 • Videotex • Viewdata technology • ZX SpectrumZX81

CONTRIBUTOR

Simon Perkins
18 AUGUST 2015

Pioneering instructional animators Bruce and Katharine Cornwell

"Bruce and Katharine Cornwell are primarily known for a series of remarkable animated films on the subject of geometry. Created on the Tektronics 4051 Graphics Terminal, they are brilliant short films, tracing geometric shapes to intriguing music, including the memorable 'Bach meets Third Steam Jazz' musical score in 'Congruent Triangles.' Their work, distributed by the defunct International Film Bureau, is now out of distribution."

(Geoff Alexander, 2015, Academic Film Archive)

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TAGS

19762D animationabstract graphic animation • Academic Film Archive • basic geometric shapes • Bruce Cornwell • computer animationdigital pioneersearly computer-eraEuclidean geometrygeometric shapesgeometryinstructional materials • International Film Bureau (IFB) • Katharine Cornwell • mathematics educationmotion graphicspioneering animatorpolygon • Tektronix 4051 Graphics Terminal • triangle • visual representations of mathematical concepts

CONTRIBUTOR

Simon Perkins
10 FEBRUARY 2014

Western Electric AT&T: early computer graphics

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1968AT and T • Beflicks • Bell Laboratories Flicks • Bell LabsBell Telephone Laboratoriescomputer graphicscomputer history • computer movie • Daisy Bell (Bicycle Built for Two) • digital drawing • digital movie • digital pen • early computer-erahuman speechlight penPrelinger Archivespunch cards • random letters • robotic voice • sheet music • speakingspeechspeech synthesissynthesis machines • synthesized speech • The Incredible Machine (1968) • typewriter

CONTRIBUTOR

Simon Perkins
06 FEBRUARY 2014

Pierre Hébert: Around Perception (1968)

"Around Perception is a groundbreaking experiment on computer–based animation, consisting of 11 audiovisual events designed to baffle cognition and unrest comfortable notions of reality. Unlike most of his later films, Hébert chose not to collaborate with top–notch experimental musicians and created the soundtrack himself. In this, he followed a method also used by Norman McLaren: to scratch sound directly onto the film itself. The relation between sound and picture, however, is not as symbiotic as in McLaren's Synchromy: although there are organic reactions between the two domains, one is not a direct translation of the other. This, of course, need not be seen as a weakness. Indeed, with its fast–paced changes of color and geometrical patterns, and the employment of Columbia–like richly crafted electronic tones, Around Perception works as a tremendously hallucinatory exercise in trompe l'oeil (and l'oreille) techniques. Or, as stated by Hébert himself at the beginning of the film, an exercise 'for the mind and against the mind'."

(The Sound of Eye)

Fig.1 "Around Perception", Director: Pierre Hébert, Year: 1968, Time: 16 mins, Music: Pierre Hébert.

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CONTRIBUTOR

Simon Perkins
25 APRIL 2013

Lillian Schwartz: computer-mediated art pioneer

"Produced by Larry Keating for AT&T. 'THE ARTIST AND THE COMPUTER is an excellent introductory informational film that dispels some of the 'mystery' of computer–art technology, as it clarifies the necessary human input of integrity, artistic sensibilities, and aesthetics…. Ms. Schwartz's voice over narration explains what she hoped to accomplish in the excerpts from a number of her films and gives insight into the artist's problems and decisions…. I would recommend THE ARTIST AND THE COMPUTER for all grade levels, in classes on filmmaking, art appreciation, and human values.' – John Canemaker, Film News, Animation, Jan.–Feb. 1978. Cine Golden Eagle 1976; New York Film Festival; USIA – Animation and Education 1977; Annual Creative Problem Solving Institute, 1980. Recent screening at the Museum of Modern Art, New York, December 10, 2012."

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CONTRIBUTOR

Simon Perkins
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