Not Signed-In
Which clippings match 'Diegetic Sound' keyword pg.1 of 2
18 JUNE 2016

Horror movie spliced to cat reactions for convincing effect

1
2

TAGS

absorptionanthropomorphism • attribution of human emotions • attribution of human traits • catcinematic techniquecinematic tension • convincing effect • diegetic sounddramatic tensionempathyengrossmentfacial nuance • fearful • frightened • horror movie • human behavioural traits • human emotions • kitten • micro expressionsPsychoreaction videoscream • suspenseful action • viral videovisual depictionwatching • watching cat videos • YouTubeYouTube video

CONTRIBUTOR

Simon Perkins
13 DECEMBER 2013

No Reverb Added: An Acoustical Experiment in Drumming

1

TAGS

acoustical experimentacousticsambient sound • audio editing • audio reflection • beatcut-updiegetic sounddrum beatdrum kit • drum pattern • drum solodrummingdrumsechoecho uniteditingenclosed spaceenvironment • Julien Audigier • live contextlocationlocation-specificmusic • Natal Drums • natural environmenton locationpersistence of soundplacere-edit • reverb • reverberation • reverberation time • sequence designsonic environmentsound • sound absorption • sound decaysound experimentssound performance • Vincent Rouffiac

CONTRIBUTOR

Simon Perkins
02 AUGUST 2012

The Lounge Bar: cyclic narrative kiwi short film from 1988

"The zenith of Don McGlashan and Harry Sinclair's legendary Front Lawn collaborations, this iconic Kiwi short follows two men and one woman on a rainy night at a deserted bar. Pivoting on amnesia and woven together by music, two timeframes are seamlessly combined and a darkly humorous plot unfolds. The film had a wide international release (Ireland to Norway, Germany to the USA) and was a finalist in the inaugural American Film Festival."

(NZ On Screen)

Fig.1 The Lounge Bar (1988), Don McGlashan, Harry Sinclair, Aotearoa New Zealand, 35mm 12 minutes.

1

TAGS

198835mmamnesiaAotearoa New ZealandAustralasiabar • caustic humour • chance meeting • Chinese puzzle box • cyclic narrativecyclical narrative • Dance to My Ten Guitars • diegetic sounddisturbing tale • Don McGlashan • Future Shorts • Grant Campbell • Harry Sinclair • head injury • headgear • John Gilbert • jukeboxkiwi short films • Kiwiana • Leon Narbey • lounge bar • Lucy Sheehan • memory loss • Monty PythonNew Zealand cinemanon-diegetic soundPeter Jackson • pretty spunky • short filmsongThe Coming of Age of The New Zealand Short Film • The Front Lawn • The Girl from Ipanema • The Lounge Bar • Theres a Man at The Bar Staring into Space • weirdness • Wellington Film Society

CONTRIBUTOR

Simon Perkins
13 MAY 2011

I'm A Climate Scientist (Director's Cut)

"Written and performed by Climate Scientists, Dan Ilic, Duncan Elms and production by Brendan Woithe at Colony NoFi [for the Power Episode of #hungrybeast]."

(Dan Ilic, 10 May 2011)

1

TAGS

2011ABC TV (Australia)Alan Jones • Andrew Bolt • atmosphereAustralia • Brendan Woithe • carbon tax • climateclimate changeclimate contrariansclimate scienceclimate scientists • Colony NoFi • community involvement through performanceconsequencesCopenhagen Climate Summit (2009)critique • Dan Ilic • diegetic sound • Duncan Elms • ethicsglobal warming • greenhouse • heat wave • hip-hopHungry Beasticemethanenatural environmentnaturepeer review • permafrost • PhD student • raprepresentationresponsibilitysciencescience researchscientific evidencetransformation

CONTRIBUTOR

Simon Perkins
11 APRIL 2011

Onscreen discussion of the ontology of the photographic image

"The film commences with a fast moving introduction to the very stylish world of a hot fashion photographer, Thomas, played by that emblematic '60s actor, David Hemmings. This is the world made notorious by magazines like Tatler and Queen as well as all the tabloids of the world, all Pucci fashion, dolly birds (Jane Birkin made her name in this film), drugs, fast cars and rock–and–roll. ...

Throughout Blow Out and Blowup there is always a sense in which recording media themselves are seen as, somehow, treacherous. Antonioni's Blowup forcefully reminds us that even the latest technologies can mislead or betray us. In the computer age, it this remaining element of ontological uncertainty that still troubles the human observer–for we are not, quite yet, masters of information"

(Jonathan Dawson, February 2005, Senses of Cinema)

1
2

3

4

5

6

7

TAGS

1960s1966 • Blow Out (1981) • Blow-Up (1966) • Carlo Ponti • casual sexcontextcoolcountercultureDavid Bailey • David Hemmings • diegetic sound • Edward Bond • fashionfashion modelfashion photographerfashion photography • fashion shoot • feature filmfilm grainHerbie Hancockhuman perception • Jane Birkin • John Castle • Julio Cortazar • layeringLondonmake-upMichelangelo Antonionimod fashionmurderobscured view • ontology of the photographic image • photographphotographer • photographers studio • photographic blow-upsphotographic image • Sarah Miles • Senses of Cinema (journal)sixtiessixties cool • swinging sixties • The Yardbirds • Tonino Guerra • transparency • transparent layers • truth of perception • Tsai Chin Gillian Hills • Vanessa Redgrave • Vera Grafin von Lehndorff-Steinort • Veruschka von Lehndorff • whole is other than the sum of the parts • young lovers

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.