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Which clippings match 'Pure Abstraction' keyword pg.1 of 1
17 FEBRUARY 2014

Norman McLaren's SYNCHROMY (1971)

"Here are pyrotechnics of the keyboard, but with only a camera to 'play the tune'. To make this film, Norman McLaren employed novel optical techniques to compose the piano rhythms of the sound track. These he then moved, in multicolor, onto the picture area of the screen so that, in effect, you see what you hear. It is synchronization of image and sound in the truest sense of the word."

(National Film Board of Canada)

Fig.1 Director: Norman McLaren; Year: 1971; Time: 7 mins; Music: Norman McLaren.

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TAGS

1971abstract animated filmabstract animation • audiovisual art • changing patterncolourcolour and music • coloured pattern • design formalismdirect filmelectronic musicexperimental music • image and sound • multicolour • musicalizes vision • National Film Board of CanadaNorman McLaren • novel optical techniques • optical composition • painted soundtrack • piano rhythms • picture area • pure abstractionsoundtracksymbiosissynaesthesia • Synchromy (1971) • synchronisationtangible sequencervisual abstractionvisual musicvisual pattern

CONTRIBUTOR

Simon Perkins
17 FEBRUARY 2014

Jazzimation: visual abstraction gracefully animated to music

"A jazzy film in which the spectator is forced to look with the ears and listen with the eyes. An abstract film drawn directly on the computer.

Een jazzy film waarbij de toeschouwer gedwongen wordt met oren te kijken en ogen te luisteren. Een abstracte film die de muziek verbeeldt."

Fig.1 Jazzimation (1999): Format / Format : 35 mm; Durée / Length : 5 min; Année / Year : 1999; Couleur / Color : n/b / b/w; Réalisateurs / Directed by : Oerd van Cuijlenborg; Musique / Music : Jeroen van Vliet; Production / Production : Nederl. Inst. voor Animatiefilm; Pays / Countries : Pays–bas / The Netherlands.

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19992D animation35mmabstract animated filmabstract animationanimated drawingchanging patterncolourcolour and musicdesign formalismDutch animationDutch design • jazz music • Jazzimation (1999) • Jeroen van Vliet • motion drawingmusic videoNetherlands • Oerd van Cuijlenborg • pianopure abstraction • Stichting Nederlands Instituut voor Animatiefilm (NIAf) • Ton Crone • trumpet • visual abstractionvisual patternvisual spectacle

CONTRIBUTOR

Simon Perkins
01 JANUARY 2011

Len Lye: an innovative explorer of cameraless filmmaking

"Cameraless film refers to a method of producing moving image where the artist or filmmaker bypasses the photographic process and directly manipulates film stock (either additively or subtractively) with methods such as drawing, collage and painting. Due to the inherent difficulties of generating handmade images on film, direct animation doesn't lend itself to pictorial illusion or linear narratives. The imagery tends to be atavistic, animistic, frenetic; and due in part to this visual proximity to pure abstraction, the conceptual content of this genre has been largely overlooked. Since they sit so ambivalently between fine art and cinema, both camps have historically positioned these films as being principally concerned with formalism and material experimentation. But revising this apprehension, Zelluloid: Filme Ohne Kamera brings together a selection of films, tracing the ideational threads which significantly inform and influence this manner of filmmaking.

In 1935, Len Lye's film A Colour Box was so different in its use of filmic language that the Brussels Film Festival had to invent a new prize for it to win. As vivid and enchanting today as they were visionary and challenging, Lye's animated shapes dancing to the percussion of popular Cuban and African music were a hit with audiences more accustomed to viewing cinema in its industrial, commercial capacity. The very act of painting abstract imagery on film was a conceptual leap in terms of severing film's indexical relationship with the world and using it to explore an abstract, synaesthetic experience."

(Genevieve Allison, 5 August 2010, EyeContact)

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TAGS

1935 • A Colour Box • abstraction • Aldo Tambellini • Amy GranatanimationAotearoa New Zealandart • Barbel Neubauer • Belgium • Brussels Film Festival • cameraless film • Cecile Fontaine • cinematic languagecolourcraftcreative practicedesign formalismDieter Rothdirect animationdirect filmdirect manipulationdrawing • Emmanuel Lefrant • experienceexperimental filmfilm making • film stock • filmmakerfine arthandmadeHarry Smith • Hy Hirsh • Ian Helliwell • imageryJennifer ReevesJennifer West • Jose Antonio Sistiaga • kiwi short filmsLen Lye • Luis Recoder • Marcelle Thirache • material experimentationmaterial practicematerialist cinemamethodmoving imageNew Zealand cultureNorman McLarenpaintingpattern • Pierre Rovere • pioneerpure abstraction • Schmelzdahin • scratch filmsequence designStan Brakhagesynaesthesia • Takahiko Iimura • Tony Conradvisual artsvisual culturevisual languagevisual spectacle

CONTRIBUTOR

Simon Perkins
25 MARCH 2005

Free Radicals: implied space through rhythmical scratches

"In Free Radicals Len Lye put aside his interest in colour and concentrated on a stark, black and white use of the 'direct' method, by scratching on black leader. He has described the film as 'white ziggle–zag–splutter scratches ... in quite doodling fashion.' The film's title is a reference to modern physics –– 'free radicals' are particles of energy –– but the visual style is still reminiscent of tribal art."

(re:voir vidéo distribution)

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