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Which clippings match 'Utilitarian' keyword pg.1 of 1
13 SEPTEMBER 2014

About Two squares: In 6 constructions: A Suprematist Tale (Suprematicheskii Skaz Pro Dva Kvadrata v Shesti Postroikakh)

"This short book, intended for children of all ages, is perhaps the best–known work of El Lissitzky (1890–1941). Lissitzky was a Russian artist, architect, designer, typographer, and photographer who was active in the avante garde movement that flourished in Soviet Russia and in Germany, until the dominance of Soviet Realism by 1930 put a stop to its revolutionary activity. He directly influenced the typographical and display advertising innovations of the Bauhaus and 'de Stijl'. This book entirely integrates modern typographical effects, as Lissitzky intended, with his illustrations in the Suprematist style.

The original book About Two Squares was printed by letterpress, even the slanted text and illustrations. It was first produced ('constructed') in 1920 at the Soviet art institute UNOVIS in Vitebsk, and around April 1922 printed by Sycthian Press, Berlin, by Haberland Printers, Leipzig, in paperback, with 50 hardbound copies autographed and numbered, as the copyright page states."

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TAGS

1922 • About 2 Squares (El Lissitzky) • allegory • art books • artistartists booksavant-garde artists • avant-garde movement • black square • Bolshevism • childrens bookDe Stijldesign formalismEl LissitzkyFuturismgeometric abstractiongeometric formsgeometric primitivegraphic designgraphic design historyibiblioJew • Lazar Markovich Lissitzky • letterpress printinglithographymanifestomodernist aesthetics • modernist utopian vision • non-objective art • offset litho • offset printingpaperback • periodical design • picture bookprintingprintmaking • propagandist works • red circle • red square • Russian constructivism • Russian nationalism • sans-serif typeface • Soviet propaganda • Soviet Russiasquare • story of revolution • Suprematism • suprematism movement • suprematist aesthetics • typographical effects • typography • UNOVIS (Affirmers of the New Art) • utilitarianvisual abstraction

CONTRIBUTOR

Simon Perkins
01 JANUARY 2011

The liberal and servile arts: internal justification versus external purpose

"'Liberal arts,' therefore, are ways of human action which have their justification in themselves; 'servile arts' are ways of human action that have a purpose outside of themselves, a purpose, to be more exact, which consists in a useful effect that can be realized through praxis. The 'liberality' or 'freedom' of the liberal arts consists in their not being disposable for purposes, that they do not need to be legitimated by a social function, by being 'work.'"

(Josef Pieper, 1998, p.41)

Pieper, J. (1998). 'Leisure, the Basis of Culture'. South Bend, Indiana, St. Augustine's Press.

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CONTRIBUTOR

Simon Perkins
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