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Which clippings match 'France' keyword pg.1 of 7
28 DECEMBER 2016

Michael Moore: Why Finland has the Best Education

"Where To Invade Next is an expansive, hilarious, and subversive comedy in which the Academy Award®-winning director, playing the role of 'invader,' visits a host of nations to 'steal' some of their best ideas and bring them back home to the U.S. of A."

Extract from Michael Moore's 2015 film "Where to Invade Next".

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2015academic achievementAmerican dreambest practicescitizenship • civics • documentary film • duties of citizens • education policyeducation systemeducational modelexemplary models • failure of performance testing • feature documentary • find your happiness • FinlandFranceGermany • great education • homework • human rights and duties • IcelandItaly • Krista Kiuru • Michael Moore • national best practices • Norway • operation and oversight of government • performance metrics • performance testing • performativityplaytime • political provocateur • Portugalschool performanceSloveniastandardisationstandardised testingstudent-centredteaching to the test • togetherness • Tunisia • Where to Invade Next (2015)

CONTRIBUTOR

Simon Perkins
09 JUNE 2015

Compelling motion infographics: The Fallen of World War II

"The Fallen of World War II is an interactive documentary that examines the human cost of the second World War and the decline in battle deaths in the years since the war. The 15-minute data visualization uses cinematic storytelling techniques to provide viewers with a fresh and dramatic perspective of a pivotal moment in history."

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23 • 80 • Africa • AlteredQualiea • Andy Dollerson • Aotearoa New Zealand • Auschwitz-Birkenau • AustraliaAustriaaverage age • battle deaths • Belgium • Belzec • British colonial era • BurmaCanadacasualties • Chelmno • civilian deaths • concentration camp • cost of war • counting the numbers • course of historyD-Day landingdata visualisation • data-driven documentary • death campDenmark • Eastern Front • Estonia • firebombing • Francefutility of wargas chambergassingGreecehistorical perspective • human cost of war • HungaryIndiaIndonesiainfo graphicsinteractive information designItalyJapanJewish HolocaustKoreaLatviaLithuania • long peace • Luxembourg • Majdanek • military conflictMyanmarNazi Germany • Neil Halloran • Netherlands • North American historical perspective • Norwaynumerical scalesOkinawa • Omaha Beach • Pacific Rim • Pacific War • peace • Pearl Harbor • Peoples Republic of ChinaPeoples Republic of PolandPhilippinespicture statisticsPolandRomania • Siege of Leningrad • Slovakia • Sobibor • Soviet armySoviet Russia • Stalingrad • statistical graphics • Steven Pinker • Treblinka • UKvisual information designwarwar crimes • Western Front • World War II • Yellow River • Yugoslavia

CONTRIBUTOR

Simon Perkins
31 OCTOBER 2014

Water Light Graffiti by Antonin Fourneau

"Antonin Fourneau's artist residency in the Digitalarti Artlab resulted in the Water Light Graffiti project: an LED wall that reacts to contact with water. After several months of tests, prototypes and material improvements, the project finally saw the light for a few days in a public space in Poitiers, France (end of July 2012)."

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2012 • Antonin Fourneau • Clement Ducerf • Collectif Painthouse • digital arts • Digitalarti Artlab • DigitalartiTV • France • Guillaume Stagnaro • interactive visualisation • Jason Cook • Jordan McRae • LED walllight artlight installationlight sculpturelow-definition screen • Poitiers • reactive graphics • reacts to water • responsive light installationspray paintingvirtual graffitivisualswater • Water Light Graffiti • Water Light Graffiti (project) • water-reactive

CONTRIBUTOR

David O'donnell
22 SEPTEMBER 2014

Jean-Luc Godard's Critical Appropriation of Graphic Design

"The films of Jean–Luc Godard have been written about perhaps more than any other cinematic works, often through the lens of cultural theory, but not nearly enough attention has been paid to the role of designed objects in his films. Collages of art, literature, language, objects, and words, Godard's films have an instant, impactful, graphic quality, but are far from simple pop artifacts. The thesis this presentation derives from, 'Objects to be Read, Words to be Seen: Design and Visual Language in the Films of Jean–Luc Godard 1959–1967,' explores and interprets the role of visual language within the films–title sequences, intertitles, handwritten utterances, and printed matter in the form of newspapers, magazines, and posters.

By examining le graphisme within the cultural context of Paris during the 1960s, this thesis seeks to amplify the significance of graphic design in Godard's first fifteen films, beginning with 1960's À Bout de Souffle (Breathless) and ending with 1967's Weekend. While Godard was not a practicing graphic designer in the traditional sense, he was an amateur de design, an autodidact whose obsession with designed objects, graphic language and print media resulted in the most iconic body of work in 1960s France."

(Laura Forde, 30 April 2010)

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1960s • A Bout de Souffle (1959) • amateur de design • appropriation • autodidact • Breathless (1959) • cinematic visual language • cinematic works • critical appropriationcultural context • cultural theory • design and visual language • design sense • designed objects • designed thingsend titlesFrancegraphic design • graphic language • graphic quality • hand lettering • handwritten utterances • iconic body of work • intertitlesJean-Luc Godard • Laura Forde • le graphisme • magazinesnewspapersParisPierrot le Fou (1965)postersprint media • printed matter • title sequencetitle stillsTwo Or Three Things I Know About Hertypographyvideo lecturevisual languagevisual sensibilityWeekend

CONTRIBUTOR

Simon Perkins
13 FEBRUARY 2014

Souvenirs From Earth: TV Channel for Film & Video art

"SOUVENIRS FROM EARTH is an international Cable TV station, currently broadcasting in France and Germany, presenting a 24h art program, based on Video art, Film, Visual art, Music, Installations and Performances.

Founder Marcus Kreiss and Curator Alec Crichton conceived this channel as a platform where artists of different sensibilities can find a high–end environment to experience new forms of distribution and presentation. Our production section also produces comissioned and free video art."

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Alec Crichton • alternative cultural initiatives • ambient art • art programme • artistsarts and culture channelavant-garde artists • cable TV station • Captain Kirk • digital revolutionfine artFranceGermany • immersive form • independent cultural initiativesinstallation art • Marcus Kreiss • media art • moving wallpaper • Nam June Paik • new aesthetic possibilities • new forms of distribution and presentationonline televisionperformance art • projection technologies • souvenir • Souvenirs From Earth (television channel) • special interest programmes • television channel • TV broadcast • TV stationvideo art • video painting • video paintings • videokunst • visual art

CONTRIBUTOR

Simon Perkins
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