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Which clippings match 'Visual Metaphor' keyword pg.1 of 4
04 MAY 2013

René Maltête: looking for surprise in the everyday

Photographs by French photographer and poet René Maltête (1930-2000).

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TAGS

absurdblack and whitecuriositygeneticshumour • incongruity • paradox • philosophical dimension • photographerphotographyplayfulness • rayures • Rene Maltete • stripes • surprise • surrealist photography • surrealist spirit • visual metaphorvisual pun

CONTRIBUTOR

Simon Perkins
10 FEBRUARY 2013

第29届北京奥运会开幕式 (Beijing Olympics Opening Ceremony)

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CONTRIBUTOR

Guannan (cassie) Du
10 DECEMBER 2012

Theorizing Advertising and Promotion

"The visual rhetoric of ads is not, then, confined to the copy. An ad is an argument, a persuasive communication. Every part of it must support the main argument, must be persuasively suggestive. A press ad for Retinol Activ Pur face cream used a clever visual metaphor to support a claim that the cream reduced facial wrinkles. The ad featured two juxtaposed images of a beautiful (Caucasian) woman. She was wearing what seemed to be a white robe, folded over one shoulder like a Roman toga. In the background was a pure blue sky and a suggestion of white pillars, of the kind found in a Greek temple. One picture was cracked, like the surface of an old oil painting. The other was smooth. The metaphoric reference was clear: the cracks suggested wrinkles, but in an elegant way that was complimentary, not demeaning, to age. Old paintings are things of classical beauty, but the paint does tend to crack with age. The ad was designed to draw the eye across aesthetically appealing images while giving the reader heavy hints about the classic beauty they might aspire to if they were to consume the brand.

However the levels of meaning in advertisements are theorized. Acknowledging their presence lends a new dimension to the analysis of advertising as persuasive communication. It brings to light some of the subtlety and complexity of advertising design, while also allowing us to draw an intellectual connection between the various artificially differentiated categories of marketing communication."

(Chris Hackley, 2010)

Chris Hackley (2010). "Advertising and Promotion: An Integrated Marketing Communications Approach", Second Edition, SAGE Publications Ltd.

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2010adadsadvertisement • advertising and promotion • advertising design • aesthetically appealing images • artificially differentiated categories • beautiful • blue sky • Caucasian woman • classic beauty • classical beauty • crack with age • demeaning • face cream • facial wrinkles • Greek temple • heavy hints • juxtaposed images • levels of meaning • marketing communication • metaphoric referenceoil painting • old paintings • persuasive communication • persuasively suggestive • press ad • Retinol Activ Pur • Roman toga • visual metaphorvisual rhetoric • white pillars • white robe • wrinkles

CONTRIBUTOR

Simon Perkins
22 NOVEMBER 2012

Creación: stop motion food animation

"Spot hecho en stop motion utilizando alimentos. Producción realizada entre Can Can Club y JPZtudio para la feria Tecnópolis, a traves del Instituto de Cine y Artes Audiovisuales (INCAA)."

(Juan Pablo Zaramella, 2010)

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2010 • Alejo Villarino • alimentos • animationanimatorArgentina • Argentinian • biscuitbrain • Can Can Club • cereals • crackers • Creacion (short film) • foodfruit • INCAA • Instituto de Cine y Artes Audiovisuales • JPZtudio • Juan Pablo Zaramella • nuts • Sergio Pineyro • short film • Sol Rulloni • stop motionstop motion animationvegetablesvisual designvisual literacyvisual metaphorvisual pun

CONTRIBUTOR

Jonathan Hamilton
08 JULY 2012

From LMS to VLE or from supermarkets to airports: Classifying elearning platforms using metaphors

"This paper presents a rational model developed to make sense of various elearning platforms currently in use in Australian universities. The conceptualisation and organisation of the elearning platforms is underpinned by an educational psychology framework of social construction of meaning, data visualisation and story telling for meaning making. The model explains how various elearning platforms can be integrated to represent a threedimensional, hierarchical construct that has the potential to aid understandings about the utility of information systems (IS) for learning and teaching. The model shows that LAMS, which has gained increasing popularity in Europe (Laurillard & Masterman, 2010), is usefully depicted as a ‘middle ground’ system, successfully bridging conventional LMSs and more advanced IS, referred here as (MU)VLEs (Multi-User Virtual Learning Environments). The model has important implications on how university lecturers, classroom teachers and students come to engage with an increasingly complex elearning environment."

(Eva Dobozy & Patricia Reynolds, LAMS Conference Sydney 2010)

Dobozy, E. & Reynolds, P. (2010). From LMS to VLE or from supermarkets to airports: Classifying elearning platforms using metaphors. Proceedings of the 5th International LAMS Conference 2010. http://lamsfoundation.org/lams2010sydney/papers.htm

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2010airport • airport metaphor • AustraliaAustralian universitiesclassification scheme • classifying • classroomcollaborationconceptual modelconceptualisationconference paper • constructivist approach • data visualisationDiana Laurillarde-learninge-learning application • e-learning conference • e-learning platformeducational psychologyelearning • elearning environments • elearning platforms • electronic portfolioengagement • Eva Dobozy • hierarchical orderinginformation systemsinformation visualisation • IS • LAMS • LAMS Conference • learninglearning and teachinglearning designlearning design support environmentlecturer • Liz Masterman • LMSmeaning makingmetaphor • Multi-User Virtual Learning Environments • MUVLE • Patricia Reynolds • pedagogysocial construction of meaningsocial constructivism • social-constructivist approach • storytellingstudentssupermarketteaching • user requirements • visual metaphorVLE

CONTRIBUTOR

Simon Perkins
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